Helen Donath - The Art of Helen Donath (2020)

  • 11 Oct, 05:54
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Artist:
Title: The Art of Helen Donath
Year Of Release: 2020
Label: UMG Recordings, Inc.
Genre: Classical
Quality: FLAC (tracks)
Total Time: 9:41:11
Total Size: 2.39 GB
WebSite:

Tracklist:

01. Messiah, HWV 56 / Pt. 1 : 16. Rejoice Greatly, O Daughter Of Zion
02. Messiah, HWV 56 / Pt. 2 : 36. How Beautiful Are The Feet
03. Messiah, HWV 56 / Pt. 3 : 43. I Know That My Redeemer Liveth
04. Messiah / Part 3 : 50. If God Be For Us
05. Das Rheingold, WWV 86A / Erste Szene : "Weia! Waga! Woge du Welle!"
06. Das Rheingold, WWV 86A / Erste Szene : "He he! Ihr Nicker!"
07. Das Rheingold, WWV 86A / Erste Szene : "Garstig glatter glitschriger Glimmer!"
08. Das Rheingold, WWV 86A / Erste Szene : "Lugt, Schwestern! Die Weckerin lacht in den Grund"
09. Das Rheingold, WWV 86A / Erste Szene : "Nur wer der Minne Macht entsagt"
10. Das Rheingold, WWV 86A / Erste Szene : "Der Welt Erbe gewänn' ich zu eigen durch dich?"
11. Das Rheingold, WWV 86A / Erste Szene : "Haltet den Räuber!"
12. Das Rheingold, WWV 86A / Vierte Szene : "Rheingold! Rheingold!"
13. Samson HWV 57 / Act 2 : Air: "It is not virtue"
14. Lucio Silla, K.135 / Act 1 : 6. "Se lusinghiera speme" - No. 3 Aria
15. Lucio Silla, K.135 / Act 2 : 6. "Se il labbro timido" - No. 10 Aria
16. Lucio Silla, K.135 / Act 2 : 15. "Quando sugl'arsi campi" - No. 15 Aria
17. Lucio Silla, K.135 / Act 3 : 2. "Strider sento la procella" - No. 19 Aria
18. Mass in C minor, K.427 "Grosse Messe" : 5. Gloria: Domine
19. Mass in C minor, K.427 "Grosse Messe" : 1. Kyrie
20. Mass in C Minor, K.427 "Grosse Messe" : Credo: Et incarnatus est
21. Der Freischütz, J. 277 / Act 3 : "Wir winden dir den Jungfernkranz"
22. The Merry Wives of Windsor (Die lustigen Weiber von Windsor) / Act 1 : Nun eilt herbei, Witz
23. The Merry Wives of Windsor (Die lustigen Weiber von Windsor) / Act 2 : Um Gottes Willen, Frau Gevatterin
24. The Merry Wives of Windsor (Die lustigen Weiber von Windsor) / Act 3 : Falstaff soll auf unsere Einladung
25. The Merry Wives of Windsor (Die lustigen Weiber von Windsor) - original version - Act 3 : Die Glocke schlug schon um Mitternacht
26. Palestrina - Musical Legend In Three Acts : Prelude to Act I. Ruhig (Andante)
27. Palestrina - Musical Legend In Three Acts / Act 1 : Schönste, ungnäd'ge Dame
28. Palestrina - Musical Legend In Three Acts / Act 1 : Das kann mein Herz nicht so empfinden
29. Palestrina - Musical Legend In Three Acts / Act 1 : Ich wusste wohl, du würdest also reden
30. Palestrina - Musical Legend In Three Acts / Act 1 : Schönste, ungnäd'ge Dame
31. Palestrina - Musical Legend In Three Acts / Act 1 : Schönste, ungnäd'ge Dame
32. Palestrina - Musical Legend In Three Acts / Act 1 : Das ist die neue Zeit, die in ihm gärt
33. Palestrina - Musical Legend In Three Acts / Act 1 : Die Kunst der Meister vieler hundert Jahre
34. Palestrina - Musical Legend In Three Acts / Act 1 : Und Ihr wollt's so ruhig gehen lassen
35. Palestrina - Musical Legend In Three Acts / Act 1 : Wie schön ist, was Ihr sagt
36. Palestrina - Musical Legend In Three Acts / Act 1 : Der letzte Freund, der mir noch wohlgesinnt
37. Palestrina - Musical Legend In Three Acts / Act 1 : Für Ihn. Sein Wesen will's
38. Palestrina - Musical Legend In Three Acts / Act 1 : Nicht ich, nicht ich, schwach bin ich, voller Fehler
39. Palestrina - Musical Legend In Three Acts / Act 1 : Allein in dunkler Tiefe
40. Palestrina - Musical Legend In Three Acts / Act 1 : Nah war ich dir in Nöten des Lebens
41. Palestrina - Musical Legend In Three Acts / Act 1 : Ighino, sieh doch, komm herein!
42. Palestrina - Musical legend in three acts : Prelude to Act II. Mit Wucht und Wildheit
43. Palestrina - Musical legend in three acts / Act 2 : Noch eine Bank! Und schnell!
44. Palestrina - Musical legend in three acts / Act 2 : Morone ist von Innsbruck schon herein?
45. Palestrina - Musical legend in three acts / Act 2 : Ein liebreich würd'ger Herr
46. Palestrina - Musical legend in three acts / Act 2 : So wird, was in den letzten Wochen
47. Palestrina - Musical legend in three acts / Act 2 : Zahlreich wird heut' die heilige Versammlung sein
48. Palestrina - Musical legend in three acts / Act 2 : Die Italiener dort seht!
49. Palestrina - Musical Legend In Three Acts / Act 2 : Geliebte Brüder, seid gegrüsst im Herrn!
50. Palestrina - Musical Legend In Three Acts / Act 2 : Von weither wandert' ich
51. Palestrina - Musical Legend In Three Acts / Act 2 : Ich, Ercole Severolus, Zeremonienmeister der Synode
52. Palestrina - Musical Legend In Three Acts / Act 2 : Interlude - "Und nun erhebt sich zur Begrüssung"
53. Palestrina - Musical Legend In Three Acts / Act 2 : Den Heil'gen Geist, der die Konzilien leitet
54. Palestrina - Musical Legend In Three Acts / Act 2 : Ihr wisst, von des Kaisers Propositionen
55. Palestrina - Musical Legend In Three Acts / Act 2 : Darf ich die Frage stellen,warum nicht nach der Reih
56. Palestrina - Musical Legend In Three Acts / Act 2 : In der Verfassung des Gemüts
57. Palestrina - Musical Legend In Three Acts / Act 2 : Was nun! Was nun! Glaubt Ihr noch dran
58. Palestrina - Musical Legend In Three Acts / Act 2 : Habt ihr's gesehen?
59. Palestrina - Musical Legend In Three Acts / Act 3 : Prelude
60. Palestrina - Musical Legend In Three Acts / Act 3 : Wie lange sie bleiben
61. Palestrina - Musical Legend In Three Acts / Act 3 : Als sie dich griffen und banden
62. Palestrina - Musical Legend In Three Acts / Act 3 : Evviva Palestrina, der Retter der Musik!
63. Palestrina - Musical Legend In Three Acts / Act 3 : Wie einst im himmlischen Zion
64. Palestrina - Musical Legend In Three Acts / Act 3 : Die Messe - ach, der Messe süsses Licht
65. Palestrina - Musical Legend In Three Acts / Act 3 : O Vater, wirst du nun auch wieder froh?
66. Palestrina - Musical legend in three acts / Act 3 : Evviva Palestrina, der Retter der Musik!
67. Palestrina - Musical Legend In Three Acts / Act 3 : Nun schmiede mich, den letzten Stein
68. Un ballo in maschera : Overture
69. Un ballo in maschera / Act 1 : "Posa in pace"
70. Un ballo in maschera / Act 1 : "La rivedrà nell'estasi...Il cenno mio"
71. Un ballo in maschera / Act 1 : "Alla vita che t'arride"
72. Un ballo in maschera / Act 1 : "Volta la terrea"
73. Un ballo in maschera / Act 1 : "Ogni cura si doni al diletto..Signori: oggi d'Ulrica"
74. Un ballo in maschera / Act 1 : "Zitti...l'incanto non dèssi turbare"
75. Un ballo in maschera / Act 1 : "Re dell'abisso...Su, fatemi largo"
76. Un ballo in maschera / Act 1 : "Che v'agita cosi?"
77. Un ballo in maschera / Act 1 : "Della cità all'occaso"
78. Un ballo in maschera / Act 1 : "Su, profetessa"
79. Un ballo in maschera / Act 1 : "Di'tu se fedele"
80. Un ballo in maschera / Act 1 : "Orsù, amici"
81. Un ballo in maschera / Act 1 : "E scherzo od è follia"
82. Un ballo in maschera / Act 1 : "Finisci il vaticinio"
83. Un ballo in maschera / Act 2 : Preludio
84. Un ballo in maschera / Act 2 : "Ecco l'orrido campo"
85. Un ballo in maschera / Act 2 : "Ma dall'arido stelo divulsa"
86. Un ballo in maschera / Act 2 : "Teco io sto...M'ami, m'ami"
87. Un ballo in maschera / Act 2 : "Ahimè. S'appressa alcun"
88. Un ballo in maschera / Act 2 : "Seguitemi"
89. Un ballo in maschera / Act 2 : "Ve', se di notte"
90. Un ballo in maschera / Act 3 : "A tal colpa"
91. Un ballo in maschera / Act 3 : "Morrò, ma prima in grazia"
92. Un ballo in maschera / Act 3 : "Alzati; là tuo figlio"
93. Un ballo in maschera / Act 3 : "Eri tu che macchiavi quell'anima"
94. Un ballo in maschera / Act 3 : "Siam soli. Udite"
95. Un ballo in maschera / Act 3 : "Dunque l'onta di tutti sol una"
96. Un ballo in maschera / Act 3 : "D'una grazia vi supplico"
97. Un ballo in maschera / Act 3 : "Il messaggio entri"
98. Un ballo in maschera / Act 3 : "Ah! di che fulgor, che musiche"
99. Un ballo in maschera / Act 3 : "Forse la soglia attinse"
100. Un ballo in maschera / Act 3 : "Ma se m'è forza perderti...Ah!, dessa è là"
101. Un ballo in maschera / Act 3 : "Saper vorreste"
102. Un ballo in maschera / Act 3 : "Fervono amori e danze...So che tu sai"
103. Un ballo in maschera / Act 3 : "Ah! perché qui! fuggite"
104. Un ballo in maschera / Act 3 : "Ella è pura"
105. Symphony No. 9 in D Minor, Op. 125 "Choral" / 4. : Presto - "O Freunde, nicht diese Töne!" - Allegro assai
106. The Turn of the Screw, Op.54 - original version : Prologue
107. The Turn of the Screw, Op.54 - original version - Act One : Interlude: Theme - Scene 1: The Journey
108. The Turn of the Screw, Op.54 - original version - Act One : Interlude: Variation I - Scene 2: The Welcome
109. The Turn of the Screw, Op.54 - original version - Act One : Interlude: Variation II - Scene 3: The Letter
110. The Turn of the Screw, Op.54 - original version - Act One : Interlude: Variation III - Scene 4: The Tower
111. The Turn of the Screw, Op.54 - original version - Act One : Interlude: Variation IV - Scene 5: The Window
112. The Turn of the Screw, Op.54 - original version - Act One : Interlude: Variation V - Scene 6: The Lesson
113. The Turn of the Screw, Op.54 - original version - Act One : Interlude: Variation VI - Scene 7: The Lake
114. The Turn of the Screw, Op.54 - original version - Act One : Interlude: Variation VII - Scene 8: At Night
115. The Turn of the Screw, Op.54 - original version - Act Two : Interlude: Variation VIII - Scene 1: Colloquy and So- lioquy
116. The Turn of the Screw, Op.54 - original version - Act Two : Interlude: Variation IX - Scene 2: The Bells
117. The Turn of the Screw, Op.54 - original version - Act Two : Interlude: Variation X - Scene 3: Miss Jessel
118. The Turn of the Screw, Op.54 - original version - Act Two : Interlude: Variation XI - Scene 4: The Bedroom
119. The Turn of the Screw, Op.54 - original version - Act Two : Interlude: Variation XII - Scene 5: Quint
120. The Turn of the Screw, Op.54 - original version - Act Two : Interlude: Variation XIII - Scene 6: The Piano
121. The Turn of the Screw, Op.54 - original version - Act Two : Interlude: Variation XIV - Scene 7: Flora
122. The Turn of the Screw, Op.54 - original version - Act Two : Interlude: Variation XV - Scene 8: Miles

Helen Donath is one of the greatly admired lyric sopranos of her age, noted for her pure timbre and interpretive powers, as well as her vocal longevity. She is equally adept on the opera stage, in recital, and in oratorios. Like many singers of her generation, she fell in love with opera through the Mario Lanza movie The Great Caruso. She first studied music at Del Mar College in her hometown of Corpus Christi at the age of 14 and later in New York with Paola Novikova, where she made her concert debut in 1958. After auditioning for an agent who sent her to the Cologne Opera, she made her opera stage debut in 1962 in the comprimario role of Inez in Verdi's Il Trovatore. In 1966, she joined the Munich Staatsoper as a guest artist, beginning a long association with that house. During the 1960s, she also briefly became a protégé of Herbert von Karajan, but her persistent refusal of his offers of roles she thought were too heavy brought that rapport to an end. She was to have made her Metropolitan Opera debut in 1968, but canceled because of her later pregnancy; she didn't appear at the Met until 1991. In 1970, she made her Salzburg Festival debut as Pamina in Mozart's The Magic Flute. Her United States opera debut was in 1971 as Sophie in Der Rosenkavalier, the role of her 1974 Chicago debut. In 1979, she first appeared at Covent Garden as Anne in Stravinsky's The Rake's Progress. Until her return to the United States in the early '90s, the majority of her career took place in Germany and Austria, and she was awarded the title of Kammersaengerin. Her husband, who has also acted as her vocal advisor, is pianist, choir director, and conductor Klaus Donath. Their son, Alexander, is a stage director. ~ Anne Feeney