Clifford Jordan - The Remasters (All Tracks Remastered) (2020)
Artist: Clifford Jordan
Title: The Remasters (All Tracks Remastered)
Year Of Release: 2020
Label: Millennium Digital Remaster
Genre: Jazz
Quality: FLAC (tracks) / MP3
Total Time: 2:15:59
Total Size: 928 / 313 MB
WebSite: Album Preview
Tracklist:Title: The Remasters (All Tracks Remastered)
Year Of Release: 2020
Label: Millennium Digital Remaster
Genre: Jazz
Quality: FLAC (tracks) / MP3
Total Time: 2:15:59
Total Size: 928 / 313 MB
WebSite: Album Preview
01. Bear Cat (Remastered)
02. Prints (Remastered 2017)
03. Dear Old Chicago (Remastered)
04. Status Quo (Remastered 2018)
05. The Middle of the Block (Remastered)
06. Extempore (Remastered 2018)
07. Malice Towards None (Remastered)
08. Quittin' Time (Remastered 2018)
09. Out-House (Remastered)
10. Evil Eye (Remastered 2018)
11. Cumberland Court (Remastered 2017)
12. Anthropology (Remastered 2018)
13. A Story Tale (Remastered 2017)
14. Sophisticated Lady (Remastered 2018)
15. Defiance (Remastered 2017)
16. Confirmation (Remastered 2018)
17. Hip Pockets (Remastered 2017)
18. Cliff Craft (Remastered 2018)
19. If I Didn't Care (Remastered 2017)
20. Laconia (Remastered 2018)
21. Sunrise In Mexico (Remastered 2018)
22. Mosaic (Remastered 2018)
23. Down Through The Years (Remastered 2018)
24. Don't You Know I Care (Remastered 2018)
25. One Flight Down (Remastered 2018)
Clifford Jordan was a fine inside/outside player who somehow held his own with Eric Dolphy in the 1964 Charles Mingus Sextet. Jordan had his own sound on tenor almost from the start. He gigged around Chicago with Max Roach, Sonny Stitt, and some R&B groups before moving to New York in 1957. Jordan immediately made a strong impression, leading three albums for Blue Note (including a meeting with fellow tenor John Gilmore) and touring with Horace Silver (1957-1958), J.J. Johnson (1959-1960), Kenny Dorham (1961-1962), and Max Roach (1962-1964). After performing in Europe with Mingus and Dolphy, Jordan worked mostly as a leader but tended to be overlooked since he was not overly influential or a pacesetter in the avant-garde. A reliable player, Clifford Jordan toured Europe several times, was in a quartet headed by Cedar Walton in 1974-1975, and during his last years, led a big band. He recorded as a leader for Blue Note, Riverside, Jazzland, Atlantic (a little-known album of Leadbelly tunes), Vortex, Strata-East, Muse, SteepleChase, Criss Cross, Bee Hive, DIW, Milestone, and Mapleshade. ~ Scott Yanow