Tears For Fears - Raoul And The Kings Of Spain (Expanded Edition) (1995)

Artist: Tears For Fears
Title: Raoul And The Kings Of Spain (Expanded Edition)
Year Of Release: 1995
Label: Epic/Legacy
Genre: Rock, New Wave, Synthpop
Quality: 320 kbps | FLAC (tracks)
Total Time: 01:23:29
Total Size: 192 mb | 506 mb
WebSite: Album Preview
Tracklist:Title: Raoul And The Kings Of Spain (Expanded Edition)
Year Of Release: 1995
Label: Epic/Legacy
Genre: Rock, New Wave, Synthpop
Quality: 320 kbps | FLAC (tracks)
Total Time: 01:23:29
Total Size: 192 mb | 506 mb
WebSite: Album Preview
01. Tears for Fears - Raoul and the Kings of Spain
02. Tears for Fears - Falling Down
03. Tears for Fears - Secrets
04. Tears for Fears - God's Mistake
05. Tears for Fears - Sketches of Pain
06. Tears for Fears - Los Reyes Catolicos
07. Tears for Fears - Sorry
08. Tears for Fears - Humdrum and Humble
09. Tears for Fears - I Choose You
10. Tears for Fears - Don't Drink the Water
11. Tears for Fears - Me and My Big Ideas
12. Tears for Fears - Los Reyes Catolicos (Reprise)
13. Tears for Fears - All of the Angels
14. Tears for Fears - The Madness of Roland
15. Tears for Fears - War of Attrition
16. Tears for Fears - Until I Drown
17. Tears for Fears - Raoul and the Kings of Spain (Acoustic Live Performance)
18. Tears for Fears - Queen of Compromise
19. Tears for Fears - Break It Down Again (Acoustic Version)
20. Tears for Fears - Creep (Live)
The second Tears for Fears album following Curt Smith's departure finds Roland Orzabal treading water (and self-consciously deep water at that). Long removed from the simple, melodic melancholy of the band's early work and abandoning the mid-period Beatles-influenced pop, Raoul and the Kings of Spain often borders on progressive rock. There's some genuinely pretty, if unexciting, music like the piano-driven ballad "Secrets," with it's soaring guitar line, and the gentle "Sketches of Pain." Unfortunately, everything is undone by Orzabal's lyrics (mostly co-written with guitarist/keyboardist Alan Griffiths). There seems to be a lack of ideas that cannot be concealed by the words, which are either inscrutable or embarrassingly silly ("What's the matter with your life/Did someone come and shoot your wife," he asks on "Sorry"). Listeners on both sides of the Atlantic couldn't be bothered, and the act's commercial fortunes fell even further.