Erich Leinsdorf - Mozart: The Symphonies (2005)
Artist: Erich Leinsdorf
Title: Mozart: The Symphonies
Year Of Release: 2005
Label: Deutsche Grammophon (DG)
Genre: Classical
Quality: FLAC (tracks)
Total Time: 8:51:05
Total Size: 1.89 GB
WebSite: Album Preview
Tracklist:Title: Mozart: The Symphonies
Year Of Release: 2005
Label: Deutsche Grammophon (DG)
Genre: Classical
Quality: FLAC (tracks)
Total Time: 8:51:05
Total Size: 1.89 GB
WebSite: Album Preview
01. Symphony No.1 in E flat, K.16 : 1. Allegro molto
02. Symphony No.1 in E flat, K.16 : 2. Andante
03. Symphony No.1 in E flat, K.16 : 3. Presto
04. Symphony No. 2 in B Flat, K. 17 : 1. Allegro
05. Symphony No. 2 in B Flat, K. 17 : 2. Andante
06. Symphony No. 2 in B Flat, K. 17 : 3. Minuets I / II
07. Symphony No. 2 in B Flat, K. 17 : 4. Presto
08. Symphony No. 3 in E Flat, K. 18 : 1. Molto allegro
09. Symphony No. 3 in E Flat, K. 18 : 2. Andante
10. Symphony No. 3 in E Flat, K. 18 : 3. Presto
11. Symphony No.4 in D, K.19 : 1. Allegro
12. Symphony No.4 in D, K.19 : 2. Andante
13. Symphony No.4 in D, K.19 : 3. Presto
14. Symphony No.5 in B flat, K.22 : 1. Allegro
15. Symphony No.5 in B flat, K.22 : 2. Andante
16. Symphony No.5 in B flat, K.22 : 3. Allegro molto
17. Symphony No.6 in F, K.43 : 1. Allegro
18. Symphony No.6 in F, K.43 : 2. Andante
19. Symphony No.6 in F, K.43 : 3. Menuetto
20. Symphony No.6 in F, K.43 : 4. Allegro
21. Symphony No.7 in D, K.45 : 1. Overture
22. Symphony No.7 in D, K.45 : 2. Andante
23. Symphony No.7 in D, K.45 : 3. Menuetto
24. Symphony No.7 in D, K.45 : 4. (Allegro)
25. Symphony No.8 in D, K.48 : 1. (Allegro)
26. Symphony No.8 in D, K.48 : 2. Andante
27. Symphony No.8 in D, K.48 : 3. Menuetto
28. Symphony No.8 in D, K.48 : 4. (Allegro)
29. Symphony No.9 in C, K.73 : 1. Allegro
30. Symphony No.9 in C, K.73 : 2. Andante
31. Symphony No.9 in C, K.73 : 3. Menuetto
32. Symphony No.9 in C, K.73 : 4. Allegro molto
33. Symphony No.10 in G, K.74 : 1. Allegro
34. Symphony No.10 in G, K.74 : 2. (Andante)
35. Symphony No.10 in G, K.74 : 3. (Allegro)
36. Symphony No.11 in D, K.84 : 1. Allegro
37. Symphony No.11 in D, K.84 : 2. Andante
38. Symphony No.11 in D, K.84 : 3. Allegro
39. Symphony No.12 in G, K.110 : 1. Allegro
40. Symphony No.12 in G, K.110 : 2. Andante
41. Symphony No.12 in G, K.110 : 3. Menuetto
42. Symphony No.12 in G, K.110 : 4. Allegro
43. Symphony No.13 in F, K.112 : 1. Allegro
44. Symphony No.13 in F, K.112 : 2. Andante
45. Symphony No.13 in F, K.112 : 3. Menuetto
46. Symphony No.13 in F, K.112 : 4. Molto allegro
47. Symphony No.14 in A, K.114 : 1. Allegro moderato
48. Symphony No.14 in A, K.114 : 2. Andante
49. Symphony No.14 in A, K.114 : 3. Menuetto
50. Symphony No.14 in A, K.114 : 4. Molto allegro
51. Symphony No.15 in G, K.124 : 1. Allegro
52. Symphony No.15 in G, K.124 : 2. Andante
53. Symphony No.15 in G, K.124 : 3. Menuetto
54. Symphony No.15 in G, K.124 : 4. Presto
55. Symphony No.16 in C, K.128 : 1. Allegro maestoso
56. Symphony No.16 in C, K.128 : 2. Andante grazioso
57. Symphony No.16 in C, K.128 : 3. Allegro
58. Symphony No.17 in G, K.129 : 1. Allegro
59. Symphony No.17 in G, K.129 : 2. Andante
60. Symphony No.17 in G, K.129 : 3. Allegro
61. Symphony No.18 in F, K.130 : 1. Allegro
62. Symphony No.18 in F, K.130 : 2. Andante grazioso
63. Symphony No.18 in F, K.130 : 3. Menuetto
64. Symphony No.18 in F, K.130 : 4. Allegro molto
65. Symphony No.19 in E flat, K.132 : 1. Allegro
66. Symphony No.19 in E flat, K.132 : 2. Andante
67. Symphony No.19 in E flat, K.132 : 3. Menuetto
68. Symphony No.19 in E flat, K.132 : 4. Allegro
69. Symphony No.19 in E flat, K.132 : (Addendum: Andantino grazioso)
70. Symphony No.20 in D, K.133 : 1. Allegro
71. Symphony No.20 in D, K.133 : 2. Andante
72. Symphony No.20 in D, K.133 : 3. Menuetto
73. Symphony No.20 in D, K.133 : 4. Allegro
74. Symphony No.21 in A, K.134 : 1. Allegro
75. Symphony No.21 in A, K.134 : 2. Andante
76. Symphony No.21 in A, K.134 : 3. Menuetto
77. Symphony No.21 in A, K.134 : 4. Allegro
78. Symphony No.22 in C, K.162 : 1. Allegro assai
79. Symphony No.22 in C, K.162 : 2. Andantino grazioso
80. Symphony No.22 in C, K.162 : 3. Presto assai
81. Symphony No.23 in D, K.181 : 1. Allegro spirituoso
82. Symphony No.23 in D, K.181 : 2. Andantino
83. Symphony No.23 in D, K.181 : 3. Presto assai
84. Symphony No.24 in B flat, K.182 : 1. Allegro spiritoso
85. Symphony No.24 in B flat, K.182 : 2. Andantino grazioso
86. Symphony No.24 in B flat, K.182 : 3. Allegro
87. Symphony No.25 in G minor, K.183 : 1. Allegro con brio
88. Symphony No.25 in G minor, K.183 : 2. Andante
89. Symphony No.25 in G minor, K.183 : 3. Menuetto
90. Symphony No.25 in G minor, K.183 : 4. Allegro
91. Symphony No.26 in E flat, K.184 : 1. Molto presto
92. Symphony No.26 in E flat, K.184 : 2. Andante
93. Symphony No.26 in E flat, K.184 : 3. Allegro
94. Symphony No.28 in C, K.200 : 1. Allegro spiritoso
95. Symphony No.28 in C, K.200 : 2. Andante
96. Symphony No.28 in C, K.200 : 3. Menuetto (allegretto)
97. Symphony No.28 in C, K.200 : 4. Presto
98. Symphony No.29 in A Major K.186a (K. 201) : Allegro moderato
99. Symphony No.29 in A Major K.186a (K. 201) : Andante
100. Symphony No.29 in A Major K.186a (K. 201) : Menuet & Trio
101. Symphony No.29 in A Major K.186a (K. 201) : Allegro con spirito
102. Symphony No.27 in G, K.199 : 1. Allegro
103. Symphony No.27 in G, K.199 : 2. Andantino grazioso
104. Symphony No.27 in G, K.199 : 3. Presto
105. Symphony No.30 in D, K.202 : 1. Molto allegro
106. Symphony No.30 in D, K.202 : 2. Andantino con moto
107. Symphony No.30 in D, K.202 : 3. Menuetto - Trio
108. Symphony No.30 in D, K.202 : 4. Presto
109. Symphony No.31 in D, K.297 - "Paris" : 1. Allegro assai
110. Symphony No.31 in D, K.297 - "Paris" : 2. Andante
111. Symphony No.31 in D, K.297 - "Paris" : 3. Allegro
112. Symphony No.32 in G, K.318 (Overture in G) : Allegro spiritoso -
113. Symphony No.32 in G, K.318 (Overture in G) : Andante
114. Symphony No.32 in G, K.318 (Overture in G) : Primo Tempo
115. Symphony No.34 in C, K.338 : 1. Allegro vivace
116. Symphony No.34 in C, K.338 : 2. Andante di molto più tosto Allegretto
117. Symphony No.34 in C, K.338 : 3. Allegro vivace
118. Symphony No.35 in D, K.385 "Haffner" : 1. Allegro con spirito
119. Symphony No.35 in D, K.385 "Haffner" : 2. Andante
120. Symphony No.35 in D, K.385 "Haffner" : 3. Menuetto
121. Symphony No.35 in D, K.385 "Haffner" : 4. Finale (Presto)
122. Symphony No.33 in B flat, K.319 : 1. Allegro assai
123. Symphony No.33 in B flat, K.319 : 2. Andante moderato
124. Symphony No.33 in B flat, K.319 : 3. Menuetto
125. Symphony No.33 in B flat, K.319 : 4. Finale (Allegro assai)
126. Symphony No.36 in C, K.425 - "Linz" : 1. Adagio - Allegro spiritoso
127. Symphony No.36 in C, K.425 - "Linz" : 2. Andante
128. Symphony No.36 in C, K.425 - "Linz" : 3. Menuetto
129. Symphony No.36 in C, K.425 - "Linz" : 4. Finale (Presto)
130. Symphony No.37 in G Major, KV.444 (KV.425a) : Adagio maestoso - Allegro con spirito
131. Symphony No.37 in G Major, KV.444 (KV.425a) : Andante sostenuto
132. Symphony No.37 in G Major, KV.444 (KV.425a) : Finale (Allegro molto)
133. Symphony No.38 in D, K.504 "Prague" : 1. Adagio - Allegro
134. Symphony No.38 in D, K.504 "Prague" : 2. Andante
135. Symphony No.38 in D, K.504 "Prague" : 3. Finale (Presto)
136. Symphony No.39 In E Flat, K.543 : 1. Adagio - Allegro
137. Symphony No.39 In E Flat, K.543 : 2. Andante con moto
138. Symphony No.39 In E Flat, K.543 : 3. Menuetto (Allegretto)
139. Symphony No.39 In E Flat, K.543 : 4. Finale (Allegro)
140. Symphony No.40 In G Minor, K.550 : 1. Molto allegro
141. Symphony No.40 In G Minor, K.550 : 2. Andante
142. Symphony No.40 In G Minor, K.550 : 3. Menuetto (Allegretto)
143. Symphony No.40 In G Minor, K.550 : 4. Finale (Allegro assai)
144. Symphony No.41 In C, K.551 - "Jupiter" : 1. Allegro vivace
145. Symphony No.41 In C, K.551 - "Jupiter" : 2. Andante cantabile
146. Symphony No.41 In C, K.551 - "Jupiter" : 3. Menuetto (Allegretto)
147. Symphony No.41 In C, K.551 - "Jupiter" : 4. Molto allegro
Erich Leinsdorf was one of the most respected (if not always well-liked) European-born conductors and music directors to achieve prominence in America after World War II. He was an acclaimed operatic conductor, whose recordings of Turandot and Madama Butterfly from the late '50s remain among the most popular in the catalog; his reputation as a conductor of orchestral music hasn't survived quite as well.
He was born Erich Landauer in Vienna, Austria, and by the age of 5 was enrolled in a local music school. He studied music at the University of Vienna and the Vienna Conservatory, making his conducting debut at the Musikvereinsaal upon graduation. Leinsdorf became the assistant conductor of the Workers' Chorus in Vienna in 1933, and a year later successfully auditioned before Bruno Walter and Arturo Toscanini at the Salzburg Festival, where he was appointed Toscanini's assistant.
Leinsdorf's American debut took place at the Metropolitan Opera when he conducted Wagner's Die Walküre on January 21, 1938. His success with Wagnerian operas led to his appointment at the Met in 1939 as head of the company's German repertoire. While at the Met he began to develop a reputation as a strict taskmaster, requiring increased rehearsal time from his singers and extremely precise fidelity to the written score from musicians; although audiences generally appreciated the results, many of the performers he worked with resented his demands.
He took American citizenship in 1942. The following year he was appointed music director of the Cleveland Orchestra, but was soon inducted into the United States Army. Discharged in 1944, he returned to the Met. During 1945 and 1946, he also conducted the Cleveland Orchestra on several occasions, and returned to Europe where, as one of a group of major Austrian-born conductors who had no connections with the Nazis, he was engaged to conduct the Vienna Philharmonic. He found his reception in his home city, destitute in the immediate wake of World War II, to be less than entirely cordial.
By 1947, Leinsdorf was back in the United States as music director of the Rochester Philharmonic Orchestra in upstate New York, a post he held until 1955. Leinsdorf served as music director of the New York City Opera for part of 1956, before returning to the Met as a conductor and musical consultant. In 1962, Leinsdorf acceded to one of the most prestigious musical posts in America, succeeding Charles Munch as music director of the Boston Symphony Orchestra. Leinsdorf's tenure at Boston was extremely productive, but stormy. He found the political considerations of a music directorship -- juggling the demands of individual musicians, their unions and existing work and rehearsal rules, and the board of directors -- to be a distraction from his musical goals. Leinsdorf also became known for open criticism his musicians' educational shortcomings, and of errors made by his fellow conductors and by editors of musical scores.
He resigned the Boston post with the 1968-1969 season, happy, in his own words, to have exited with his health intact. Leinsdorf conducted opera and concert performances throughout the United States and Europe for the next two decades. In 1978, he took up his first permanent post in Europe, becoming principal conductor of the Berlin Radio Symphony Orchestra, a post he held until 1980. In 1976, he published Cadenza: A Musical Career, a memoir as notable for its candid, brutally honest assessments of himself and his fellow musicians as for its biographical contents. ~ Bruce Eder
He was born Erich Landauer in Vienna, Austria, and by the age of 5 was enrolled in a local music school. He studied music at the University of Vienna and the Vienna Conservatory, making his conducting debut at the Musikvereinsaal upon graduation. Leinsdorf became the assistant conductor of the Workers' Chorus in Vienna in 1933, and a year later successfully auditioned before Bruno Walter and Arturo Toscanini at the Salzburg Festival, where he was appointed Toscanini's assistant.
Leinsdorf's American debut took place at the Metropolitan Opera when he conducted Wagner's Die Walküre on January 21, 1938. His success with Wagnerian operas led to his appointment at the Met in 1939 as head of the company's German repertoire. While at the Met he began to develop a reputation as a strict taskmaster, requiring increased rehearsal time from his singers and extremely precise fidelity to the written score from musicians; although audiences generally appreciated the results, many of the performers he worked with resented his demands.
He took American citizenship in 1942. The following year he was appointed music director of the Cleveland Orchestra, but was soon inducted into the United States Army. Discharged in 1944, he returned to the Met. During 1945 and 1946, he also conducted the Cleveland Orchestra on several occasions, and returned to Europe where, as one of a group of major Austrian-born conductors who had no connections with the Nazis, he was engaged to conduct the Vienna Philharmonic. He found his reception in his home city, destitute in the immediate wake of World War II, to be less than entirely cordial.
By 1947, Leinsdorf was back in the United States as music director of the Rochester Philharmonic Orchestra in upstate New York, a post he held until 1955. Leinsdorf served as music director of the New York City Opera for part of 1956, before returning to the Met as a conductor and musical consultant. In 1962, Leinsdorf acceded to one of the most prestigious musical posts in America, succeeding Charles Munch as music director of the Boston Symphony Orchestra. Leinsdorf's tenure at Boston was extremely productive, but stormy. He found the political considerations of a music directorship -- juggling the demands of individual musicians, their unions and existing work and rehearsal rules, and the board of directors -- to be a distraction from his musical goals. Leinsdorf also became known for open criticism his musicians' educational shortcomings, and of errors made by his fellow conductors and by editors of musical scores.
He resigned the Boston post with the 1968-1969 season, happy, in his own words, to have exited with his health intact. Leinsdorf conducted opera and concert performances throughout the United States and Europe for the next two decades. In 1978, he took up his first permanent post in Europe, becoming principal conductor of the Berlin Radio Symphony Orchestra, a post he held until 1980. In 1976, he published Cadenza: A Musical Career, a memoir as notable for its candid, brutally honest assessments of himself and his fellow musicians as for its biographical contents. ~ Bruce Eder
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