Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon - Locatelli: L'arte del Violino Op. 3 Concertos Nos. 1, 2, 10 , 11 (2002)
Artist: Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon
Title: Locatelli: L'arte del Violino Op. 3 Concertos Nos. 1, 2, 10 , 11
Year Of Release: 2002
Label: Sony Classical
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 76:37
Total Size: 384 Mb
WebSite: Album Preview
Tracklist: Title: Locatelli: L'arte del Violino Op. 3 Concertos Nos. 1, 2, 10 , 11
Year Of Release: 2002
Label: Sony Classical
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 76:37
Total Size: 384 Mb
WebSite: Album Preview
Pietro Antonio Locatelli (1695 - 1764)
L'arte del Violino, Op.3
Concertos for Violin, Strings and Continuo
Concerto No. 10 In F Major For Violin, Strings And Continuo, Op. 3, No. 10 (F-Dur / en fa majeur / fa maggiore)
1. I. Allegro 3:15
2. Capriccio 2:51
3. II. Largo Andante 4:56
4. III. Andante 3:29
5. Capriccio 2:58
Concerto No. 11 In A Major For Violin, Strings And Continuo, Op. 3, No. 11 (A-Dur / en la majeur / la maggiore)
6. I. Allegro 3:36
7. Capriccio 3:02
8. II. Largo 3:56
9. III. Andante 3:57
10. Capriccio 2:54
Concerto No. 2 In C Minor For Violin, Strings And Continuo, Op. 3, No. 2 (c-Moll / en ut mineur / do minore)
11. I. Andante 5:35
12. Capriccio 4:07
13. II. Largo 4:25
14. III. Andante 2:58
15. Capriccio 4:55
Concerto No. 1 In D Major For Violin, Strings And Continuo, Op. 3, No. 1 (D-Dur / en ré majeur / re maggiore)
16. I. Allegro 2:59
17. II. Largo 3:33
18. Capriccio 5:00
19. III. Allegro 2:56
20. Capriccio 5:08
Performers:
Giuliano Carmignola, baroque violin
Venice Baroque Orchestra
Andrea Marcon, conductor
When considering the first set of compositions designed to truly extend and test the technical limits of the violin, most would first consider the 24 Caprices of Paganini. However, more than a century before Paganini was even thought of, Italian composer Pietro Locatelli was pushing the violin to its limits with his four concertos of Opus 3, subtitled the "Art of the Violin." These works were innovative in nearly every way conceivable. Even the form of the concertos was atypical; Locatelli abandoned the traditional three-movement format and included two caprices. From a technical standpoint, the concertos stretch the range of the violin to its limit and demand bow techniques and finger dexterity simply unheard of. Of course, all of these challenges mean nothing if the works are not given musically fulfilling performances. Giuliano Carmignola provides listeners with flawless technical mastery, unblemished intonation, astonishing amounts of energy, and musically informed performances throughout this CD. Listening to the feats he pulls off on his violin is all the more amazing when considering he performs on a period Baroque instrument -- flattened fingerboard and bridge, gut strings, shortened fingerboard, and a bow that curves outward rather than inward. His sound, as well as that of the Venice Baroque Orchestra, is pristinely clear while maintaining an inviting and rich warmth. Fans of Carmignola as well as those who may be unfamiliar with him should absolutely purchase this album, sit back, and prepare to be astonished at what the violin is capable of.