Volker Kriegel - Volker Kriegel: Mainz Studio Recordings (1963-1969) (2021)
Artist: Volker Kriegel
Title: Volker Kriegel: Mainz Studio Recordings (1963-1969)
Year Of Release: 2021
Label: SWR Jazzhaus
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 136:57 min
Total Size: 684 MB
WebSite: Album Preview
Tracklist:Title: Volker Kriegel: Mainz Studio Recordings (1963-1969)
Year Of Release: 2021
Label: SWR Jazzhaus
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 136:57 min
Total Size: 684 MB
WebSite: Album Preview
CD1:
01. Django
02. Tabu
03. Israel
04. St. Louis Blues
05. Rhythm-A-Ning
06. Les enfants š'ennuient le dimanche
07. Autumn Leaves
08. Three Seconds
09. Tea and Rum
10. Morandi
11. Don't Wait
12. Na Na Imboro
13. Nyleve
14. Connie's Blues
CD2:
01. Viande
02. Traffic Jam
03. Little Pear
04. Norwegian Wood
05. Five by Four
06. Royal Harp
07. Cry It Out
08. Soul Eggs
09. Noisy Silence, Gentle Noise
10. Somewhat, Somewhere, Somehow
11. Sitting on My Knees
12. Slums on Wheels
13. I'm on My Way
14. Pluns
15. Mother People
Born in Darmstadt, guitarist Volker Kriegel (1943–2003) was still a teenager when he made his debut in the late 50s, at a time when the guitar was still an outsider in the world of jazz. The instrument had few notable exponents, so it was still an open field when the self-taught musician from Hesse won first prizes for his solo performances at an amateur jazz festival in Düsseldorf. Südwestfunk (SWF) recorded the 19-year-old Kriegel’s debut recordings in 1963, when he performed as part of a trio at the Deutschhaus in Mainz; the studio sessions at the Kammersaal Studio were made in 1969. They stand worlds apart, since the guitar had started to carve out a niche for itself in the meantime, and Kriegel himself had gained in self-confidence. Above all, however, he had found a counterpart in Claudio Szenkar, who opened up perspectives not only in general terms of communication and composition, but also specifically through Kriegel’s own instrument. The combination of vibraphone and guitar was then still fairly new. In 1968, Kriegel decided to make music his main profession. Thanks to With A Little Help from My Friends and an appearance at the German Jazz Festival in Frankfurt, he achieved his breakthrough into public recognition. Together with vibraphonist Dave Pike, bassist Hans Rettenbacher and drummer Peter Baumeister, he founded the Dave Pike Set, which became his artistic centre for four years and a beacon combo of European jazz rock.