Kenneth Hamilton - Romantic Piano Encores (2021) Hi-Res

  • 28 May, 11:22
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Artist:
Title: Romantic Piano Encores
Year Of Release: 2021
Label: ASC Records / Prima Facie
Genre: Classical
Quality: FLAC (tracks) / FLAC 24 Bit (44,1 KHz / tracks)
Total Time: 74:35 min
Total Size: 231 / 606 MB
WebSite:

Tracklist:

01. Prelude in B Minor, BWV 923
02. Now, O Now I Needs Must Part
03. Siciliano
04. Fantasy on the Irish Air "The Last Rose of Summer"
05. Irish Tune from County Derry
06. Widmung
07. Rosenkavalier Ramble
08. Colonial Song
09. "Voices of Spring" Waltz
10. In Smyrna in G Minor
11. Le Carnaval des Animaux, R.125: XIII. The Swan
12. Nocturne in Bb Major No. 4, Op. 16
13. Lullaby No. 1, Op. 16
14. Symphonic Metamorphosis on Johann Strauss's :Artist's Life: Waltz, Op. 316


Kenneth Hamilton performs a stunning selection of romantic piano encores. This Album is a balm: beautifully and sensitively played, it brings a sense of peace and tranquility

Described by Moscow's Kommersant as "an outstanding virtuoso - one of the finest Players of his generation", by Tom Service in the Guardian as "pianist, author, lecturer and all-round Virtuoso" and by Stefan Pieper in Klassik Heute as "pianist, scholar, maverick and philosopher" and philosopher", Kenneth Hamilton is internationally known as a recitalist and recording artist Recording artist of originality and emotional depth. His CDs have received both Critical acclaim as well as a large number of listeners worldwide

Hamilton's recordings for the Prima Facie label: Kenneth Hamilton Plays Ronald Stevenson Volumes 1 and 2; Back to Bach: Tributes and Transcriptions by Liszt, Rachmaninov and Busoni; Preludes to Chopin; and More Preludes to Chopin have received outstanding reviews: "played with Played with understanding and brilliance" (Andrew McGregor, BBC Radio 3 Record Review); "an essential disc... fascinating music, presented with power, passion and precision" (Colin Clark, BBC Radio 3 Record Review) presented with power, passion and precision" (Colin Clarke, Fanfare); "precise control and brilliance" (Andrew Clements, The Guardian); "thrilling" (Jeremy Nicholas, Gramophone); "a great recording and an excellent performance" (Jack Sullivan, American Record Guide).