Roberto Noferini - Paganini: 24 Capricci, Op. 1 (2014)
Artist: Roberto Noferini
Title: Paganini: 24 Capricci, Op. 1
Year Of Release: 2014
Label: Tactus
Genre: Classical
Quality: FLAC (tracks)
Total Time: 1:38:25
Total Size: 534 MB
WebSite: Album Preview
Tracklist:Title: Paganini: 24 Capricci, Op. 1
Year Of Release: 2014
Label: Tactus
Genre: Classical
Quality: FLAC (tracks)
Total Time: 1:38:25
Total Size: 534 MB
WebSite: Album Preview
DISC 1
01. No. 1 in E Major: Andante
02. No. 2 in B Minor: Moderato
03. No. 3 in E Minor: Sostenuto - Presto - Sostenuto
04. No. 4 in C Minor: Maestoso
05. No. 5 in A Minor: Agitato
06. No. 6 in G Minor: Lento
07. No. 7 in A Minor: Posato
08. No. 8 in E-Flat Major: Maestoso
09. No. 9 in E Major: Allegretto
10. No. 10 in G Minor: Vivace
11. No. 11 in C Major: Andante - Presto - Primo tempo
12. No. 12 in A-Flat Major: Allegro
DISC 2
01. No. 13 in B-Flat Major: Allegro - Minore
02. No. 14 in E-Flat Major: Moderato
03. No. 15 in E Minor: Posato
04. No. 16 in G Minor: Presto
05. No. 17 in E-Flat Major: Sostenuto - Andante - Minore
06. No. 18 in C Major: Corrente - Allegro
07. No. 19 in E-Flat Major: Lento - Allegro assai - Minore
08. No. 20 in D Major: Allegretto - Minore
09. No. 21 in A Major: Amoroso - Presto
10. No. 22 in F Major: Marcato - Minore
11. No. 23 in E-Flat Major: Posato - Minore
12. No. 24 in A Minor: Tema quasi presto
“The electricity I feel when I’m dealing with the magic harmony […]”, Paganini wrote on 15 January 1832 in a letter to his friend Luigi Guglielmo Germi. There could be no better definition of Paganini’s musical temperament. This is what Schubert said after hearing Paganini play in a concert: “I have heard the voice of an angel”. And Liszt’s comment was: “How much passion, how much suffering in those four strings […]”.
How can we imagine Paganini’s art today, at such a distance in time, unless we refer to the impressions of his contemporaries, of the people who had the chance to see him, listen to him, be thrilled by his music? The search for a performance that endeavours to get as near as possible to the magic of the 'live' concerts of the great Genoese musician can only start from here.
In order to attempt this feat, that is to move back two centuries, it is necessary to add to the wood, horsehair and strings a painstaking attention to the directions left by Paganini in his scores (this was the advice of A Grumiaux), and the talent of a present-day virtuoso – in the reasonable hope that talent is less subject to the harsh law of time and can find another way of bringing back to our time the masterpieces of the past.
How can we imagine Paganini’s art today, at such a distance in time, unless we refer to the impressions of his contemporaries, of the people who had the chance to see him, listen to him, be thrilled by his music? The search for a performance that endeavours to get as near as possible to the magic of the 'live' concerts of the great Genoese musician can only start from here.
In order to attempt this feat, that is to move back two centuries, it is necessary to add to the wood, horsehair and strings a painstaking attention to the directions left by Paganini in his scores (this was the advice of A Grumiaux), and the talent of a present-day virtuoso – in the reasonable hope that talent is less subject to the harsh law of time and can find another way of bringing back to our time the masterpieces of the past.
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