Lee Konitz Featuring Lars Gullin, Bobby Jaspar & Hans Koller - Lee Konitz in Europe '56. Paris (Unreleased) And Köln Sessions (2017)

  • 23 Jun, 08:37
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Artist:
Title: Lee Konitz in Europe '56. Paris (Unreleased) And Köln Sessions
Year Of Release: 2017
Label: Fresh Sound Records
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 1:19:46
Total Size: 341 MB
WebSite:

Tracklist:

01. Now's the Time (Paris Unreleased Session)
02. Half Nelson (Paris Unreleased Session)
03. Ablution (Paris Unreleased Session)
04. East of Eden (Köln Sessions)
05. Stephany (Köln Sessions)
06. Late Summer (Köln Sessions)
07. En Rodage (Köln Sessions)
08. Lee-La-Lu (Köln Sessions)
09. Ablution (Köln Sessions)
10. Variations No.8 from "Passacaglia" (Köln Sessions)
11. I'm Getting Sentimental over You (Köln Sessions)
12. Zoot (Freiburg Universit)
13. Broadway (Freiburg University)

American composer and alto saxophonist Lee Konitz left NYC for Germany in January 1956 for a series ofconcerts and recordings organized by producer Gigi Campi. Konitz was a major figure in the “cool jazz” movement for which German players then had more affinity. Campi also called the great Swedish baritone saxophonist Lars Gullin, another “cool” exponent who along with Konitz was billed as guest soloist with the New Jazz Stars group led by Austrian tenor saxophonist Hans Koller.

Konitz and Gullin were also invited to perform in Paris, where they played at Club-Saint Germain, and also recorded—with Bobby Jaspar, René Urtreger, Pierre Michelot, and Christian Garros—an unpretentious studio blowing session organized on January 16th by producer Marcel Romano. Planned as part of an LP, the recording remained unreleased and is heard here for the first time.

Then, on January 17th Konitz and Gullin were joined by Koller’s group in Köln for the first of two recording sessions at BFN Studio that Gigi Campi produced—the second took place on the 21st, and both were issued as three 45 rpm by the Italian label Carisch.

Overall, these Paris and Köln sessions, offer a fascinating meeting of Lee Konitz with some of the best European “cool school” minds, full of lyricism, melodic improvisation, fresh variations, thoughtful interaction and fine control of dynamics.