Wiener Philharmoniker - Wiener Philharmoniker - Mozart (2021)
Artist: Wiener Philharmoniker, Wilhelm Furtwängler, Karl Böhm, Riccardo Muti, Rafael Kubelík, Bruno Walter, Josef Krips
Title: Wiener Philharmoniker - Mozart
Year Of Release: 2021
Label: Warner Classics
Genre: Classical
Quality: FLAC (tracks)
Total Time: 5:43:50
Total Size: 1.28 GB
WebSite: Album Preview
Tracklist:Title: Wiener Philharmoniker - Mozart
Year Of Release: 2021
Label: Warner Classics
Genre: Classical
Quality: FLAC (tracks)
Total Time: 5:43:50
Total Size: 1.28 GB
WebSite: Album Preview
01. Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro
02. Mozart: Symphony No. 40 in G Minor, K. 550: II. Andante
03. Mozart: Symphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto
04. Mozart: Symphony No. 40 in G Minor, K. 550: IV. Allegro assai
05. Mozart: Serenade for Winds No. 10 in B-Flat Major, K. 361 "Gran partita": I. Largo - Molto allegro
06. Mozart: Serenade for Winds No. 10 in B-Flat Major, K. 361 "Gran partita": II. Menuetto
07. Mozart: Serenade for Winds No. 10 in B-Flat Major, K. 361 "Gran partita": III. Adagio
08. Mozart: Serenade for Winds No. 10 in B-Flat Major, K. 361 "Gran partita": IV. Menuetto. Allegretto
09. Mozart: Serenade for Winds No. 10 in B-Flat Major, K. 361 "Gran partita": V. Romance. Adagio - Allegretto
10. Mozart: Serenade for Winds No. 10 in B-Flat Major, K. 361 "Gran partita": VI. Andante con variazioni
11. Mozart: Serenade for Winds No. 10 in B-Flat Major, K. 361 "Gran partita": VII. Finale. Molto allegro
12. Mozart: Die Entführung aus dem Serail, K. 384: Ouvertüre
13. Mozart: Die Entführung aus dem Serail, K. 384, Act 2: "Welcher Kummer... Traurigkeit" (Konstanze)
14. Mozart: Il re pastore, K. 208, Act 2: Rondo. "L'amerò, sarò costante" (Aminta)
15. Mozart: Symphony No. 25 in G Minor, K. 183: I. Allegro con brio
16. Mozart: Symphony No. 25 in G Minor, K. 183: II. Andante
17. Mozart: Symphony No. 25 in G Minor, K. 183: III. Menuet & Trio
18. Mozart: Symphony No. 25 in G Minor, K. 183: IV. Allegro
19. Mozart: Serenade No. 6 in D Major, K. 239 "Serenata notturna": I. Marcia - Maestoso
20. Mozart: Serenade No. 6 in D Major, K. 239 "Serenata notturna": II. Minuetto
21. Mozart: Serenade No. 6 in D Major, K. 239 "Serenata notturna": III. Rondo. Allegretto
22. Mozart: Così fan tutte, K. 588: Sinfonia
23. Mozart: Così fan tutte, K. 588, Act 1: Finale. "Ah, che tutta in un momento" (Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina,
24. Mozart: Così fan tutte, K. 588, Act 1: "Eccovi il medico" (Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina, Don Alfonso)
25. Mozart: Così fan tutte, K. 588, Act 1: "Dove son? Che loco è questo?" (Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina, Don Al
26. Mozart: Così fan tutte, K. 588, Act 1: "Dammi un bacio, o mio tesoro" (Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina, Don Al
27. Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter": I. Allegro vivace
28. Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter": II. Andante cantabile
29. Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter": III. Menuetto. Allegretto
30. Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter": IV. Molto allegro
31. Mozart: Le nozze di Figaro, K. 492: Sinfonia
32. Mozart: Le nozze di Figaro, K. 492, Act 1: "Non più andrai" (Figaro)
33. Mozart: Le nozze di Figaro, K. 492, Act 2: "Porgi, amor" (Countess)
34. Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino)
35. Mozart: Le nozze di Figaro, K. 492, Act 3: "Dove sono" (Countess)
36. Mozart: Le nozze di Figaro, K. 492, Act 3: "Sull'aria ... Che soave zefiretto" (Countess, Susanna)
37. Mozart: Le nozze di Figaro, K. 492, Act 4: "Deh vieni, non tardar" (Susanna)
38. Mozart: Symphony No. 35 in D Major, K. 385 "Haffner": I. Allegro con spirito
39. Mozart: Symphony No. 35 in D Major, K. 385 "Haffner": II. Andante
40. Mozart: Symphony No. 35 in D Major, K. 385 "Haffner": III. Menuetto
41. Mozart: Symphony No. 35 in D Major, K. 385 "Haffner": IV. Finale. Presto
42. Mozart: Symphony No. 36 in C Major, K. 425 "Linz": I. Adagio - Allegro spiritoso
43. Mozart: Symphony No. 36 in C Major, K. 425 "Linz": II. Andante
44. Mozart: Symphony No. 36 in C Major, K. 425 "Linz": III. Menuetto
45. Mozart: Symphony No. 36 in C Major, K. 425 "Linz": IV. Presto
46. Mozart: Die Zauberflöte, K. 620, Act 1: "Der Vogelfänger bin ich ja" (Papageno)
47. Mozart: Die Zauberflöte, K. 620, Act 1: "O zitt're nicht" (Königin der Nacht)
48. Mozart: Die Zauberflöte, K. 620, Act 2: "Der Hölle Rache" (Königin der Nacht)
49. Mozart: Piano Concerto No. 20 in D Minor, K. 466: I. Allegro
50. Mozart: Piano Concerto No. 20 in D Minor, K. 466: II. Romance
51. Mozart: Piano Concerto No. 20 in D Minor, K. 466: III. Allegro assai
52. Mozart: Eine kleine Nachtmusik, K. 525: I. Allegro
53. Mozart: Eine kleine Nachtmusik, K. 525: II. Romance. Andante
54. Mozart: Eine kleine Nachtmusik, K. 525: III. Menuetto. Allegretto
55. Mozart: Eine kleine Nachtmusik, K. 525: IV. Rondo. Allegro
56. Mozart: Die Entführung aus dem Serail K. 384, Act 3: "Nie werd' ich dich deine Huld verkennen" (Belmonte, Konstanze, Pedrillo, Blo
57. Mozart: Don Giovanni, K. 527: Overture
58. Mozart: Don Giovanni, K. 527, Act 1: "Madamina, il catalogo è questo" (Leporello)
59. Mozart: Don Giovanni, K. 527, Act 1: Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina)
60. Mozart: Don Giovanni, K. 527, Act 1: "Dalla sua pace" (Don Ottavio)
61. Mozart: Don Giovanni, K. 527, Act 1: "Finch' han dal vino" (Don Giovanni)
62. Mozart: Don Giovanni, K. 527, Act 1: "Batti, batti o bel Masetto" (Zerlina)
63. Mozart: Don Giovanni, K. 527, Act 2: "Deh, vieni alla finestra" (Don Giovanni)
64. Mozart: Don Giovanni, K. 527, Act 2: "Il mio tesoro" (Don Ottavio)
65. Mozart: Don Giovanni, K. 527, Act 2: "Mi tradì, quell'alma ingrata" (Donna Elvira)
66. Mozart: Don Giovanni, K. 527, Act 2: "Non mi dir" (Donna Anna)
67. Mozart: Don Giovanni, K. 527, Act 2: "Forse un giorno" (Donna Anna)
Since its inception in 1842, the Wiener Philharmoniker (or Vienna Philharmonic Orchestra in English) has represented the best in the Central European orchestral tradition. Before the Wiener Philharmoniker was founded, there was no permanent, professional orchestra to be found outside the opera halls in the city of Mozart, Haydn, and Beethoven. The Wiener Philharmoniker is one of the most traditional orchestras in the world today, with much-beloved traditions, like the annual New Year's concerts of waltzes by the Strauss family.
In 1833, Franz Lachner, conductor at the Hofoper, had formed a musicians' association from the ranks of the opera orchestras to play symphonic music, but this was a temporary endeavor. Nine years later, a group of music critics and other interested parties persuaded Otto Nicolai, principal conductor of the Kärntertortheater, to conduct the first Wiener Philharmoniker concert at the Grosser Redoutensaal (Great Ballroom) on March 28, 1842. The group was founded as the first completely self-governing orchestra, and it has remained so ever since. Although concerts were irregular until 1860, the orchestra quickly built up a reputation. From 1860 to 1875, Otto Dessoff was the permanent conductor, bringing the music of Brahms, Wagner, and Liszt into the concert halls. Hans Richter succeeded Dessoff and conducted the orchestra until 1898, introducing Bruckner and Dvorák to Viennese audiences. Both of these conductors played major roles in establishing the Wiener Philharmoniker as one of the finest orchestras in the world. During this time, the Wiener Philharmoniker had numerous premieres of now-classic works such as Brahms' Second Symphony and Bruckner's Eighth; sometimes, as in the case of Bruckner's Third, the premiere was conducted by the composer himself. The great Gustav Mahler conducted from 1898 to 1901, but his tenure was marked by dissension within the orchestra.
The longest-term conductor of the post-Mahler era was Felix Weingartner, from 1908 to 1927. He was beloved by the orchestra for his measured, classical style and, in particular, for his Beethoven interpretations. From 1933 to 1938, the revered conductors Bruno Walter and Wilhelm Furtwängler shared the subscription concerts; after Hitler's annexation of Austria in 1938, the Nazi Party dissolved the orchestra, but the decision was reversed after Furtwängler intervened. The Wiener Philharmoniker led an uneasy life during the war but afterward reclaimed its place in the world's orchestral pantheon. The list of conductors who have led Wiener Philharmoniker subscription concerts reads like an honor roll of maestros; Richard Strauss, Arturo Toscanini, Herbert von Karajan, and Leonard Bernstein have each taken turns at the podium.
The Wiener Philharmoniker has held an annual New Year's Day Concert of Strauss family works, particularly those of Johann II, since 1941 when Clemens Krauss began the tradition; the first of these concerts was actually held on New Year's Eve in 1939, after which the concert has occurred on New Year's Day. Riccardo Muti led the orchestra in its 80th New Year's concert in 2021, marking his sixth appearance in the series. While some of its traditions are revered, others have come under fire in recent years. Though the Wiener Philharmoniker premiered a lot of music in its early days, it now prefers to play mostly music written before 1900, which created a controversy at the Salzburg Festival during the 1990s. The orchestra also refused until 1997 to accept a female musician as a full member, threatening to disband rather than cave in to political pressure. The first woman member of the Wiener Philharmoniker was harpist Anna Lelkes, who was granted full membership after 26 years of service. Simone Young was the first woman to conduct the Wiener Philharmoniker in 2005, and in 2008, Albena Danailova became the orchestra's first female concertmaster. Historically, the Wiener Philharmoniker has opposed hiring musicians who are not Central European in order to preserve what is perceived as a unique quality of sound. While the orchestra's policies may be controversial, it cannot be disputed that the Wiener Philharmoniker is one of the world's finest orchestras, performing with exceptional finesse and clarity, with a beautifully blended woodwind and brass sound that meshes perfectly with its subtle, lush strings.
The Wiener Philharmoniker is celebrated on 24-carat gold bullion coins issued by the Austrian Mint. In 2006, the design of the coinage was featured by Austrian Airlines on its airplanes to promote both the orchestra and the sale of the coins, which are among the most popular with investors. ~ Andrew Lindemann Malone
In 1833, Franz Lachner, conductor at the Hofoper, had formed a musicians' association from the ranks of the opera orchestras to play symphonic music, but this was a temporary endeavor. Nine years later, a group of music critics and other interested parties persuaded Otto Nicolai, principal conductor of the Kärntertortheater, to conduct the first Wiener Philharmoniker concert at the Grosser Redoutensaal (Great Ballroom) on March 28, 1842. The group was founded as the first completely self-governing orchestra, and it has remained so ever since. Although concerts were irregular until 1860, the orchestra quickly built up a reputation. From 1860 to 1875, Otto Dessoff was the permanent conductor, bringing the music of Brahms, Wagner, and Liszt into the concert halls. Hans Richter succeeded Dessoff and conducted the orchestra until 1898, introducing Bruckner and Dvorák to Viennese audiences. Both of these conductors played major roles in establishing the Wiener Philharmoniker as one of the finest orchestras in the world. During this time, the Wiener Philharmoniker had numerous premieres of now-classic works such as Brahms' Second Symphony and Bruckner's Eighth; sometimes, as in the case of Bruckner's Third, the premiere was conducted by the composer himself. The great Gustav Mahler conducted from 1898 to 1901, but his tenure was marked by dissension within the orchestra.
The longest-term conductor of the post-Mahler era was Felix Weingartner, from 1908 to 1927. He was beloved by the orchestra for his measured, classical style and, in particular, for his Beethoven interpretations. From 1933 to 1938, the revered conductors Bruno Walter and Wilhelm Furtwängler shared the subscription concerts; after Hitler's annexation of Austria in 1938, the Nazi Party dissolved the orchestra, but the decision was reversed after Furtwängler intervened. The Wiener Philharmoniker led an uneasy life during the war but afterward reclaimed its place in the world's orchestral pantheon. The list of conductors who have led Wiener Philharmoniker subscription concerts reads like an honor roll of maestros; Richard Strauss, Arturo Toscanini, Herbert von Karajan, and Leonard Bernstein have each taken turns at the podium.
The Wiener Philharmoniker has held an annual New Year's Day Concert of Strauss family works, particularly those of Johann II, since 1941 when Clemens Krauss began the tradition; the first of these concerts was actually held on New Year's Eve in 1939, after which the concert has occurred on New Year's Day. Riccardo Muti led the orchestra in its 80th New Year's concert in 2021, marking his sixth appearance in the series. While some of its traditions are revered, others have come under fire in recent years. Though the Wiener Philharmoniker premiered a lot of music in its early days, it now prefers to play mostly music written before 1900, which created a controversy at the Salzburg Festival during the 1990s. The orchestra also refused until 1997 to accept a female musician as a full member, threatening to disband rather than cave in to political pressure. The first woman member of the Wiener Philharmoniker was harpist Anna Lelkes, who was granted full membership after 26 years of service. Simone Young was the first woman to conduct the Wiener Philharmoniker in 2005, and in 2008, Albena Danailova became the orchestra's first female concertmaster. Historically, the Wiener Philharmoniker has opposed hiring musicians who are not Central European in order to preserve what is perceived as a unique quality of sound. While the orchestra's policies may be controversial, it cannot be disputed that the Wiener Philharmoniker is one of the world's finest orchestras, performing with exceptional finesse and clarity, with a beautifully blended woodwind and brass sound that meshes perfectly with its subtle, lush strings.
The Wiener Philharmoniker is celebrated on 24-carat gold bullion coins issued by the Austrian Mint. In 2006, the design of the coinage was featured by Austrian Airlines on its airplanes to promote both the orchestra and the sale of the coins, which are among the most popular with investors. ~ Andrew Lindemann Malone
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