Mauricio Arias-Esguerra - ¡Colombia viva! (2021) [Hi-Res]

Tracklist

01. Toccata Bachkovsky (Version for Piano)
02. Preludios "Made in U.S.A.": No. 1, Allegretto
03. Preludios "Made in U.S.A.": No. 2, Blues
04. Preludios "Made in U.S.A.": No. 3, Swing
05. Preludios "Made in U.S.A.": No. 4, Lento come passacaglia
06. Preludios "Made in U.S.A.": No. 5, Bailable
07. Preludio, variaciones y presto alucinante, Op. 190: No. 1, Preludio
08. Preludio, variaciones y presto alucinante, Op. 190: No. 2, Variaciones
09. Preludio, variaciones y presto alucinante, Op. 190: No. 3, Presto alucinante
10. Arizona Mirage
11. Suite Catrina: I. Atravesando el infierno
12. Suite Catrina: II. Villas
13. Suite Catrina: III. Nuestra luminiscencia
14. Pavec-lingus: I. Strictly
15. Pavec-lingus: II. Allegro con fuoco
16. Ancestro



In this album Mauricio Arias-Esguerra offers a kaleidoscopic view of recent Colombian piano music, highlighting its striking stylistic variety. Germán Darío Pérez sees a traditional dance through a jazzy lens, and Blas Emilio Atehortúa takes a post-serial approach in his Preludio, Variaciones y Presto Alucinante. The influence of progressive rock music can be heard in Gustavo Parra’s Pavec Lingus, as can Jaime León’s love of US American music in his Made in U.S.A. Preludes; and there is techno and angst in Ian Frederick’s Suite Catrina. Arias-Esguerra’s own contributions are highly contrasted, with lyricism in his Arizona Mirage and rhythmic drive in his Toccata Bachkovsky.

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