Barney Wilen - Premier chapitre 1954-1961 (2015)

  • 03 Aug, 18:08
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Artist:
Title: Premier chapitre 1954-1961
Year Of Release: 2015
Label: Fremeaux Heritage
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 03:46:39
Total Size: 1.1 gb
WebSite:

Tracklist:

01. Barney Wilen, Roy Haynes Band - Subscription (Paris 26/10/1954)
02. Barney Wilen, Jay Cameron's International Sax Band - Give Me the Simple Life (Paris 10/01/1955)
03. John Lewis - Bag's Groove (Paris 4/12/1956)
04. John Lewis - Afternoon in Paris (Paris 07/12/1956)
05. Barney Wilen Quartet - Nature Boy (feat. Maurice Vander) (Paris 1957)
06. Barney Wilen Quartet - The Way You Look Tonight (feat. Maurice Vander) (Paris 1957)
07. Barney Wilen Quartet - Blue Monk (Paris 1957)
08. Barney Wilen Quartet - Misterioso (Paris 1957)
09. Barney Wilen Quintet - Dink (Paris 1957)
10. Barney Wilen Quintet - Brainstorm (Paris 1957)
11. Barney Wilen Quintet - Up in Alsace (Paris 1957)
12. Barney Wilen - Sur l'autoroute (feat. René Urtreger, Pierre Michelot, Kenny Clarke) (Paris 1957)
13. Barney Wilen - Au bar du petit lac (feat. René Urtreger, Pierre Michelot, Kenny Clarke) (Paris 1957)
14. Barney Wilen - But Not for Me (feat. René Urtreger, Pierre Michelot, Kenny Clarke) (Live Amsterdam 1957)
15. Barney Wilen - Well You Needn't (feat. René Urtreger, Pierre Michelot, Kenny Clarke) (Paris 1957)
16. Barney Wilen - J'ai ta main (feat. Milt Jackson, Percy Heath, Kenny Clarke) (Paris 1958)
17. Barney Wilen - Vamp (feat. Milt Jackson, Percy Heath, Kenny Clarke) (Paris 1958)
18. Barney Wilen - Que reste t'il de nos amours ? (feat. Milt Jackson, Percy Heath, Kenny Clarke) (Paris 1958)
19. Barney Wilen - Nuages (feat. Milt Jackson, Percy Heath, Kenny Clarke) (Paris 1958)
20. Barney Wilen - Indiana Donna Lee (Live Cannes 1958)
21. Barney Wilen Quintet - Besame Mucho (Paris 1959)
22. Barney Wilen Quintet - Jordu (Paris 1959)
23. Duke Jordan - Mélodie pour les radio taxis (From "Un témoin dans la ville")
24. Duke Jordan - Blues de l'antenne (From "Un témoin dans la ville")
25. Barney Wilen Quartet - Round Midnight (Newport Jazz Festival 1959)
26. Barney Wilen, The Jazz Messengers - Prelude in Blue à l'Esquinade (From "Les liaisons dangereuses")
27. Barney Wilen, The Jazz Messengers - Valmontana No. 2 (From "Les liaisons dangereuses")
28. Barney Wilen, Bud Powell Quartet - Autumn in New York (12/12/1959)
29. Bud Powell - How High Is the Moon (26/03/1960)
30. Barney Wilen, Bud Powell Quintet - No Problem (November 1959)
31. Barney Wilen, Bud Powell Quintet - Miguel's Party (November 1959)
32. Barney Wilen - Bouncing with Bud (Live in Paris 18/12/1959)
33. Barney Wilen, Franco Cerri - Mary and Steve (Milan 1961)
34. Barney Wilen, Franco Cerri - A Serenade for Patrick (Milan 1961)
35. Barney Wilen - Ow (Milan 1961)
36. Barney Wilen, Gilberto Cuppini Quintet - What's New (Milan 1961)
37. Barney Wilen - I Love You (Milan 1961)
38. Barney Wilen, Gilberto Cuppini Quintet - John's Ballad (Milan 1961)
39. Barney Wilen - Music for Night Children (From "Mental Cruelty")
40. Barney Wilen - Blue and Theme (From "Mental Cruelty")
41. Barney Wilen - Spanish Castles (From "Mental Cruelty")

Barney Wilen's mother was French, his father a successful American dentist-turned-inventor. He grew up mostly on the French Riviera; the family left during World War II but returned upon its conclusion. According to Wilen himself, he was convinced to become a musician by his mother's friend, the poet Blaise Cendrars. As a teenager he started a youth jazz club in Nice, where he played often. He moved to Paris in the mid-'50s and worked with such American musicians as Bud Powell, Benny Golson, Miles Davis, and J.J. Johnson at the Club St. Germain. His emerging reputation received a boost in 1957 when he played with Davis on the soundtrack to the Louis Malle film Lift to the Scaffold. Two years later, he performed with Art Blakey and Thelonious Monk on the soundtrack to Roger Vadim's Les Liaisons Dangereuses (1960). Wilen began working in a rock-influenced style during the '60s, recording an album entitled Dear Prof. Leary in 1968. In the early '70s, Wilen led a failed expedition of filmmakers, musicians, and journalists to travel to Africa to document pygmy music. Later Wilen played in a punk rock band called Moko and founded a French Jazzmobile-type organization that took music to people living in outlying areas. He also worked in theater. By the mid-'90s, he was working once again in a bebop vein in a band with the pianist Laurent de Wilde. Much of Wilen's later work was documented on the Japanese Venus label.