Raphael Hevicke - Virtuosi (2021) Hi-Res

  • 06 Aug, 13:08
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Artist:
Title: Virtuosi
Year Of Release: 2021
Label: audite Musikproduktion
Genre: Classical
Quality: FLAC 16/24 Bit (96 KHz / tracks+booklet
Total Time: 66:44 min
Total Size: 375 MB / 1,4 GB
WebSite:

Tracklist:

1. Concert for 3 Violins and Orchestra in D Major, BWV 1064r: I. Allegro
2. Concert for 3 Violins and Orchestra in D Major, BWV 1064r: II. Adagio
3. Concert for 3 Violins and Orchestra in D Major, BWV 1064r: III. Allegro
4. Concert for Organ in D Minor (Fragment after Giuseppe Torelli): Allegro
5. Concert for Oboe, Violin and Orchestra in C Minor, BWV 1060r: I. Allegro
6. Concert for Oboe, Violin and Orchestra in C Minor, BWV 1060r: II. Adagio
7. Concert for Oboe, Violin and Orchestra in C Minor, BWV 1060r: III. Allegro
8. Concert for Organ in C Major, BWV 595 (Fragment after Prinz Johann Ernst von Sachsen:Weimar)
9. Concert for Violin and Orchestra in B:Flat Major, BWV 983 (Reconstruction by Gernot Süßmuth): I
10. Concert for Violin and Orchestra in B:Flat Major, BWV 983 (Reconstruction by Gernot Süßmuth): II. Adagio
11. Concert for Violin and Orchestra in B:Flat Major, BWV 983 (Reconstruction by Gernot Süßmuth): III. Allegro
12. Concert for Organ in G Major, BWV 592 (After Prinz Johann Ernst von Sachsen:Weimar): I
13. Concert for Organ in G Major, BWV 592 (After Prinz Johann Ernst von Sachsen:Weimar): II. Grave
14. Concert for Organ in G Major, BWV 592 (After Prinz Johann Ernst von Sachsen:Weimar): III. Presto
15. Concert for 2 Violins in D Minor, BWV 1043: I. Vivace
16. Concert for 2 Violins in D Minor, BWV 1043: II. Largo ma non Tanto
17. Concert for 2 Violins in D Minor, BWV 1043: III. Allegro


It was a momentous encounter: around 1714, the Weimar court organist Johann Sebastian Bach came across Antonio Vivaldi's opus 3 L'Estro armonico, hot off the press, and soon nothing would be the same for him musically. Bach eagerly appropriated the Venetian Red Priest's modern concerto style. And true to the meaning of the word "concertare", which in Italian means "to unite", but in Latin means "to argue" or "to fight", Bach rapidly entered into a competition, first with his Italian models and then with himself.

At the outset, he arranged Vivaldi's violin concertos for his (main) instrument, the organ. But then he transferred Vivaldi's principles into his own instrumental concerto style. The results were his immortal Köthen concertos for one to three solo instruments and orchestra, blending the concerto principle of structural tutti ritornellos and interspersed imaginative solo episodes with Bach's unique polyphonic style : highly virtuosic works in which all participating instruments connect with one another at eye level, and also enter into fierce competition with each other.

All this can be heard on the third audite album of the Thüringer Bach Collegium: a good 70 minutes of competition for the best musical arguments, presented with irresistibly sparkling virtuosity.


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