Irish Baroque Orchestra & Monica Huggett - Concerti Bizarri (2016) [Hi-Res]
Artist: Irish Baroque Orchestra, Monica Huggett, Andreas Helm
Title: Concerti Bizarri
Year Of Release: 2016
Label: Linn Records
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:13:28
Total Size: 361 MB / 1.46 GB
WebSite: Album Preview
Tracklist:Title: Concerti Bizarri
Year Of Release: 2016
Label: Linn Records
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:13:28
Total Size: 361 MB / 1.46 GB
WebSite: Album Preview
1. Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro (2:16)
2. Concerto for Flute and Oboe in B Minor, FaWV L:h1: II. Largo (1:29)
3. Concerto for Flute and Oboe in B Minor, FaWV L:h1: III. Allegro (2:34)
4. Concerto for Two Violins and Bassoon in D Major, TWV 53:D4: I. Andante (2:53)
5. Concerto for Two Violins and Bassoon in D Major, TWV 53:D4: II. [Allegro] (4:10)
6. Concerto for Two Violins and Bassoon in D Major, TWV 53:D4: III. Adagio (2:30)
7. Concerto for Two Violins and Bassoon in D Major, TWV 53:D4: IV. Allegro assai (3:13)
8. Concerto for Oboe in G Minor, S. 237: I. Allegro (4:31)
9. Concerto for Oboe in G Minor, S. 237: II. [Largo] Pizzicato (2:03)
10. Concerto for Oboe in G Minor, S. 237: III. Vivace (2:47)
11. Concerto for Two Cellos in G Minor, RV 531: I. Allegro (3:34)
12. Concerto for Two Cellos in G Minor, RV 531: II. Largo (4:17)
13. Concerto for Two Cellos in G Minor, RV 531: III. Allegro (3:23)
14. Concerto for Two Oboes da caccia, Two Violas, Two Bassoons and Continuo in G Major, FaWV L:G11: I. Un poco allegro (2:14)
15. Concerto for Two Oboes da caccia, Two Violas, Two Bassoons and Continuo in G Major, FaWV L:G11: II. [Andante] (1:25)
16. Concerto for Two Oboes da caccia, Two Violas, Two Bassoons and Continuo in G Major, FaWV L:G11: III. Allegro (2:34)
17. Concerto for Two Oboes da caccia, Two Violas, Two Bassoons and Continuo in G Major, FaWV L:G11: IV. Menuet 1 - V. Menuet 2 (3:21)
18. Concerto for Bassoon in C Major, GWV 301: I. Vivace (3:34)
19. Concerto for Bassoon in C Major, GWV 301: II. Largo e giusto (3:22)
20. Concerto for Bassoon in C Major, GWV 301: III. Allegro (3:45)
21. Concerto for Flute d'amore, Oboe d'amore and Viola d'amore in G Major, GWV 333: I. [Largo] (2:49)
22. Concerto for Flute d'amore, Oboe d'amore and Viola d'amore in G Major, GWV 333: II. Allegro (4:41)
23. Concerto for Flute d'amore, Oboe d'amore and Viola d'amore in G Major, GWV 333: III. [Adagio] (2:03)
24. Concerto for Flute d'amore, Oboe d'amore and Viola d'amore in G Major, GWV 333: IV. Allegro (4:13)
Innovative instrumentation, unusual repertoire and an ensemble with a profound knowledge of historical performance practice makes this Irish Baroque Orchestra Linn debut unmissable.
This programme of 18th century concertos is an attractive listening tour through the German courts, revealing unknown jewels.
The soloists, including Lisa Beznosiuk (OAE), Andreas Helm (Concentus Musicus Wien), Monica Huggett (Sonnerie) and Peter Whelan (Ensemble Marsyas) relish the opportunity to show off their skills.
Alongside the double cello concerto by Vivaldi and Telemann’s concerto for two violins and bassoon sit the lesser known, but equally brilliant, concertos by Graupner, Heinichen and Fasch.
One of the most beautiful combinations is the Graupner Triple Concerto for oboe d’amore, viola d’amore and flute d’amore, which produces an exquisite blend of other-worldly colours.
Wonderfully kaleidoscopic colours also pervade the concertos by Heinichen and Fasch, the latter proving just why Telemann and Bach held him in such high esteem.
This programme of 18th century concertos is an attractive listening tour through the German courts, revealing unknown jewels.
The soloists, including Lisa Beznosiuk (OAE), Andreas Helm (Concentus Musicus Wien), Monica Huggett (Sonnerie) and Peter Whelan (Ensemble Marsyas) relish the opportunity to show off their skills.
Alongside the double cello concerto by Vivaldi and Telemann’s concerto for two violins and bassoon sit the lesser known, but equally brilliant, concertos by Graupner, Heinichen and Fasch.
One of the most beautiful combinations is the Graupner Triple Concerto for oboe d’amore, viola d’amore and flute d’amore, which produces an exquisite blend of other-worldly colours.
Wonderfully kaleidoscopic colours also pervade the concertos by Heinichen and Fasch, the latter proving just why Telemann and Bach held him in such high esteem.
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