David Chesworth & Bill McDonald - Drive Time (2021) Hi-Res

Artist: David Chesworth, Bill McDonald
Title: Drive Time
Year Of Release: 1984 / 2021
Label: Chapter Music
Genre: Art Pop, Post-Punk, Synth Wave, Indie
Quality: 320 / FLAC (tracks) / FLAC (tracks) 24bit-44.1kHz
Total Time: 40:03
Total Size: 93 / 187 / 385 Mb
WebSite: Album Preview
Tracklist: Title: Drive Time
Year Of Release: 1984 / 2021
Label: Chapter Music
Genre: Art Pop, Post-Punk, Synth Wave, Indie
Quality: 320 / FLAC (tracks) / FLAC (tracks) 24bit-44.1kHz
Total Time: 40:03
Total Size: 93 / 187 / 385 Mb
WebSite: Album Preview
01. Influence (5:22)
02. Event (2:34)
03. Slide (3:12)
04. Greater Expectations (4:15)
05. Delay (4:30)
06. Telling (4:01)
07. Walls (3:29)
08. Burn (2:45)
09. Where the Wild Thyme Grows (3:40)
10. Arrival (2:53)
11. Always Here (3:21)
Drive Time - coming to you from the reverberant spaces of Trinity College Chapel. Drive Time was originally broadcast live on the drive time slot on a chilly winter evening in 1984 on ABC Radio 3AR, which back then was a posh classical leaning station. The unlikely invitation was made at a time when ABC radio had risk-taking local producers; how else would something like this be broadcast? David (on vocals and DX7 keyboard) and Bill McDonald (on bass) were invited to perform in Trinity Chapel at Melbourne University, pitted against an organist playing Bach on the chapel’s organ. The organist, hidden from view played sounds that reverberated through the expanses of the chapel, as did the duo’s Roland 606 drum machine that was fed into an amp. You will notice the reverb!
'The tag-team musical juxtapositions were mediated by a live announcer who sat in chapel’s choir stalls. Wearing a thick coat (it was cold), she would stand up in front of a mic to make live announcements into the darkening empty space (as there was no visible audience) including updates about the traffic and the gloomy weather. Bill and I are indebted to ABC engineer Chris Lawson, who made an impromptu recording of our performance from the mixing desk'.
'The tag-team musical juxtapositions were mediated by a live announcer who sat in chapel’s choir stalls. Wearing a thick coat (it was cold), she would stand up in front of a mic to make live announcements into the darkening empty space (as there was no visible audience) including updates about the traffic and the gloomy weather. Bill and I are indebted to ABC engineer Chris Lawson, who made an impromptu recording of our performance from the mixing desk'.