Johnny Lytle - The Remasters (All Tracks Remastered) (2021)

  • 11 Sep, 05:04
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Artist:
Title: The Remasters (All Tracks Remastered)
Year Of Release: 2021
Label: Millennium Digital Remaster
Genre: Jazz
Quality: FLAC (tracks) / MP3
Total Time: 2:27:18
Total Size: 932 / 348 MB
WebSite:

Tracklist:

01. But Not for Me (Remastered)
02. Lela (Remastered 2017)
03. Well, You Needn'T (Remastered 2015)
04. For Heaven's Sake (Remastered 2017)
05. Moonchild (Remastered 2015)
06. When I Fall In Love (Remastered 2017)
07. Secret Love (Remastered 2017)
08. It's All Right with Me (Remastered 2017)
09. My Funny Valentine (Remastered 2017)
10. Take the "A" Train (Remastered 2017)
11. I Don't Want to Leave You (Remastered 2015)
12. Blue Vibes (Remastered 2017)
13. Caravan (Remastered 2015)
14. 322-Wow! (Remastered)
15. Over the Rainbow (Remastered 2017)
16. Nice and Easy (Remastered)
17. Movin' Nicely (Remastered 2017)
18. Coroner's Blues (Remastered)
19. Canadian Sunset (Remastered 2017)
20. Watch What Happens (Remastered 2015)
21. Old Folks (Remastered)
22. Autumn Leaves (Remastered 2017)
23. That's All (Remastered)
24. Soul Time (Remastered)
25. Meet Benny Bailey (Remastered 2015)

Considered one of the top vibes players in the world, Johnny Lytle was known for his great hand speed and showmanship. He was also a songwriter and wrote many of his own hits, including "The Loop," "The Man," "Lela," "Selim," and the jazz classic "The Village Caller." Lytle recorded more than 30 albums for various jazz labels including Tuba, Jazzland, Solid State, and Muse. Throughout his career he performed and recorded with jazz greats the likes of Louis Armstrong, Lionel Hampton, Miles Davis, Nancy Wilson, Bobby Timmons, and Roy Ayers. The devoted father of three also featured his son, Marcel Lytle, on several of his recordings as a vocalist and drummer. Lytle was such an admirer of the music of the late great Miles Davis that he wrote "Selim" (Miles spelled backwards) in honor of Davis, which features Davis' former pianist Wynton Kelly. Lytle never recorded with any of the major record labels, and that could be why he never gained the status of a jazz icon like some of his peers. Lytle felt that he would lose control of his music and creative development; Lytle liked to play what came natural to him, and being with a major label might not have afforded him that opportunity.

Johnny Lytle grew up in a family of music, the son of a trumpeter father and an organist mother. He began playing the drums and piano at an early age. Before studying music in earnest, Lytle lent his hands to boxing, and was a successful Golden Gloves champion. During the late '50s, Lytle landed jobs as a drummer for Ray Charles and others, and he also continued to box. But by 1960, the energetic Lytle had laid down his gloves and, inspired by the great Lionel Hampton, picked up the mallets, turning his full attention toward the vibraphone. He started a jazz band and began recording for the famed jazz label Riverside Records under the direction of Grammy-winning producer Orrin Keepnews.

Lytle found success early in his career with chart-topping albums like A Groove, The Loop, and Moon Child. From his swinging uptempo tracks to his soul-satisfying ballads, Lytle knew how to keep a groove. And with a nickname like "Fast Hands," he could always keep the attention of an audience. In addition to his musicianship, his gregarious personality made him a popular attraction on the jazz circuit. Even though Lytle did not experience the same success he was privileged to during the '60s, he did continue to record and build a respectable catalog of music with recordings in the '70s,'80s, and '90s. Lytle remained a popular concert attraction in the U.S. and Europe; his last performance was with the Springfield (Ohio) Symphony Orchestra in his hometown in November 1995. At the time of his death in the following month, Lytle was scheduled to begin recording a new CD on the Muse label. ~ Craig Lytle