Gallaz-Massy Chamber Duet - Comme il faut (Live) (2021) Hi Res
Artist: Gallaz-Massy Chamber Duet
Title: Comme il faut (Live)
Year Of Release: 2021
Label: Claves Records
Genre: Jazz
Quality: 320 kbps | FLAC (tracks) | 24Bit/44 kHz FLAC (tracks+digatal booklet)
Total Time: 00:56:21
Total Size: 132 mb | 209 mb | 505 mb
WebSite: Album Preview
Tracklist:Title: Comme il faut (Live)
Year Of Release: 2021
Label: Claves Records
Genre: Jazz
Quality: 320 kbps | FLAC (tracks) | 24Bit/44 kHz FLAC (tracks+digatal booklet)
Total Time: 00:56:21
Total Size: 132 mb | 209 mb | 505 mb
WebSite: Album Preview
01. Gallaz-Massy Chamber Duet - Holyman
02. Gallaz-Massy Chamber Duet - Happy House
03. Gallaz-Massy Chamber Duet - Babibouchettes sur les nerfs
04. Gallaz-Massy Chamber Duet - Tennessee Waltz
05. Gallaz-Massy Chamber Duet - Broken Shadows
06. Gallaz-Massy Chamber Duet - Blue Monk
07. Gallaz-Massy Chamber Duet - Comme il faut
08. Gallaz-Massy Chamber Duet - Le Ranz des vaches
09. Gallaz-Massy Chamber Duet - Ballade neurasthénique
10. Gallaz-Massy Chamber Duet - Elizabeth
11. Gallaz-Massy Chamber Duet - Played Twice
12. Gallaz-Massy Chamber Duet - Ornettology
13. Gallaz-Massy Chamber Duet - Fatale distraction
14. Gallaz-Massy Chamber Duet - Tuez-moi demain ! Laissez-moi vivre cette nuit !
15. Gallaz-Massy Chamber Duet - We See
16. Gallaz-Massy Chamber Duet - Zorro suite
17. Gallaz-Massy Chamber Duet - Little Symphony
18. Gallaz-Massy Chamber Duet - Oh! Suzanna
Bertrand Gallaz and Pierre-François Massy met in 1984, the year in which they gave several concerts as a trio with drummer Olivier Clerc, interpreting Ornette Coleman’s compositions in a creative and libertarian way.
In 2015 the two musicians met again to elaborate as a duo a more diversified repertoire, illustrated by a few “house” recordings whose musical quality encouraged them to continue and deepen their work.
The repertoire is made up of original pieces and covers coming from many horizons: Ornette Coleman always, Thelonious Monk, but also Swiss or American popular music, songs or television series.
These numerous pieces of contrasting lengths are organized in mini-sets of 2 to 5 compositions, in order to develop the narrative aspect of the concert, thus making them pieces in several movements. The assemblies are organized according to tonalities, contrasts of rhythms or colors, their homogeneity or on the contrary, the effect of surprise or humor generated by the juxtaposition.
The two musicians tried to appropriate these reprises as much as possible, with the objective of reinventing them and developing a personal and original language and color.
The concretization of this work was possible thanks to the engagement for four concerts at the ABΠ gallery in Lausanne in the context of an exhibition dedicated to the artist, Suzanna Pattoni.
This recording is thus a faithful reflection of these concerts given in Lausanne in October 2020.
In 2015 the two musicians met again to elaborate as a duo a more diversified repertoire, illustrated by a few “house” recordings whose musical quality encouraged them to continue and deepen their work.
The repertoire is made up of original pieces and covers coming from many horizons: Ornette Coleman always, Thelonious Monk, but also Swiss or American popular music, songs or television series.
These numerous pieces of contrasting lengths are organized in mini-sets of 2 to 5 compositions, in order to develop the narrative aspect of the concert, thus making them pieces in several movements. The assemblies are organized according to tonalities, contrasts of rhythms or colors, their homogeneity or on the contrary, the effect of surprise or humor generated by the juxtaposition.
The two musicians tried to appropriate these reprises as much as possible, with the objective of reinventing them and developing a personal and original language and color.
The concretization of this work was possible thanks to the engagement for four concerts at the ABΠ gallery in Lausanne in the context of an exhibition dedicated to the artist, Suzanna Pattoni.
This recording is thus a faithful reflection of these concerts given in Lausanne in October 2020.