Various Artists - Mendelssohn: Complete Songs, Vol. 3 – Fanny Hensel, 'The Other Mendelssohn' (2017)
Artist: Susana Gaspar, Gary Griffiths, Manuel Walser, Kitty Whately
Title: Mendelssohn: Complete Songs, Vol. 3 – Fanny Hensel, 'The Other Mendelssohn'
Year Of Release: 2017
Label: Champs Hill Records
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 59:19 min
Total Size: 223 MB
WebSite: Album Preview
Tracklist:Title: Mendelssohn: Complete Songs, Vol. 3 – Fanny Hensel, 'The Other Mendelssohn'
Year Of Release: 2017
Label: Champs Hill Records
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 59:19 min
Total Size: 223 MB
WebSite: Album Preview
1. 6 Lieder, Op. 1: I. Morgenständchen
2. Ich kann wohl manchmal singen
3. Im Herbst
4. 5 Lieder, Op. 10: II. Vorwurf
5. Traurige Wege
6. Der Eichwald brauset
7. Gegenwart
8. Gleich Merlin dem eitlen Weisen
9. Das Meer erglänzte weit hinaus
10. Fichtenbaum und Palme
11. Ach die Augen sind es wieder
12. 6 Lieder, Op. 9: IV. Die frühen Gräber
13. 6 Lieder, Op. 1: III. Warum sind denn die Rosen so blass
14. Harfner’s Lied
15. Dämmrung senkte sich von oben
16. Suleika
17. Die Schiffende
18. Kein Blick der Hoffnung
19. 6 Lieder, Op. 9: VI. Die Mainacht
20. Über allen Gipfel ist Ruh
21. Wanderers Nachtlied
22. 5 Lieder, Op. 10: I. Nach Süden
23. 6 Lieder, Op. 1: II. Wanderlied
24. 5 Lieder, Op. 10: V., Bergeslust
For this third volume in a complete survey of Mendelssohn songs, Malcolm Martineau shines the spotlight on ‘the other Mendelssohn’, with a complete volume of songs by his sister Fanny Hensel. Her professional attitude to domestic music:making is described by Martineau as ‘revolutionary’ and her early death, within five months of her celebrated brother, was a great loss to the musical world.
Despite his enthusiasm and support for her work, Felix Mendelssohn did not approve of her publishing her work – but thankfully for us, she defied it, daring to publish her Opus 1 songs under her own name a year before her death in 1847.
For many years her music was appraised in the context of her brother’s work, considered as lesser clones of his output. Now that more of her work is known, that opinion has changed thanks to work by scholars including Steven Rogers pointing to Fanny’s Bachian voice:leading in numerous passages, her complex interweaving of voice and piano parts, and more intense chromaticism than her brother achieves.
The settings are of spring songs, of poetry by Eichendorff, Lenau, Schiller, Goethe and even Heine who she knew personally but did not like, but admitted to be a great poet.
Malcolm Martineau has assembled, as always, a cast of wonderful young singers for this refreshing and important repertoire.
Despite his enthusiasm and support for her work, Felix Mendelssohn did not approve of her publishing her work – but thankfully for us, she defied it, daring to publish her Opus 1 songs under her own name a year before her death in 1847.
For many years her music was appraised in the context of her brother’s work, considered as lesser clones of his output. Now that more of her work is known, that opinion has changed thanks to work by scholars including Steven Rogers pointing to Fanny’s Bachian voice:leading in numerous passages, her complex interweaving of voice and piano parts, and more intense chromaticism than her brother achieves.
The settings are of spring songs, of poetry by Eichendorff, Lenau, Schiller, Goethe and even Heine who she knew personally but did not like, but admitted to be a great poet.
Malcolm Martineau has assembled, as always, a cast of wonderful young singers for this refreshing and important repertoire.