VA - Alan Beeler: Vocal Music (2016) [Hi-Res]

  • 08 Dec, 13:25
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Artist:
Title: Alan Beeler: Vocal Music
Year Of Release: 2016
Label: Navona Records
Genre: Classical
Quality: FLAC (tracks) [44.1kHz/24bit]
Total Time: 51:09
Total Size: 478 / 227 MB
WebSite:

Tracklist:

01 Aliana de la Guardia - No. 1, After He Died
02 Aliana de la Guardia - No. 2, Cold Iron Bars of Winter
03 Aliana de la Guardia - No. 3, A History of Laughter
04 Aliana de la Guardia - No. 4, Bybee Pottery
05 Aliana de la Guardia - No. 5, Kentucky Racetrack
06 Aliana de la Guardia - No. 6, Relatively Speaking
07 Aliana de la Guardia - No. 7, When we Got Married
08 Târgu Mureş State Philharmonic Choir - I. Allegro
09 Târgu Mureş State Philharmonic Choir - II. Andante
10 Târgu Mureş State Philharmonic Choir - III. Scherzo. Allegretto
11 Târgu Mureş State Philharmonic Choir - IV. Finale. Broadly
12 Brian Church - Jabberwocky
13 Eric Christopher Perry - Inhuman Henry

The music of Alan Beeler (1939-2016) is frequently a compact, tightly focused one, presenting sharp contrasts of color and mood in the context of clear, direct compositional structures. Although noticeably influenced by artistic movements in Europe and America during the first half of the 20th century, Beeler’s musical voice is an identifiable one – crisp, bold, and pointedly quirky.

This voice is on full display in the THE VOCAL MUSIC OF ALAN BEELER, a new collection of recent works for ensembles both small and large.

THE SUTTON SONGS sets the poetry by Dorothy Sutton, Beeler’s former colleague at Eastern Kentucky University, performed by pianist Karolina Rojahn and soprano Aliana de la Guardia. Angular melodies and tart harmonies are effectively juxtaposed against gentle, lilting duets in this 7-movement work.

SYMPHONY NO. 3 is an orchestral and choral exploration of well-known Shaker hymns as experienced through Beeler’s own musical prism. Conducted by Ovidiu Marinescu and performed by the Filarmonica de Stat Târgu Mureş, the piece is an earnest, plaintive treatment of these cultural touchstones, given a reading filled with both force and grace by the orchestra and choir.

Two works which revel in the eccentric close out the album. The impish humor of Lewis Carroll has always been a favorite of Beeler’s, and the composer’s setting of the beloved JABBERWOCKY proves the match is a good one; a much more obscure piece of literature, INHUMAN HENRY by A.E. Houseman, forms the basis for the last work on the album. Scored for tenor and orchestra, the piece is a fable about the importance of accepting the unusual and unexpected – something to which Alan Beeler, composer and teacher, can most certainly attest.