Thomas Pietsch - Telemann: 12 Fantasien für Violine solo, TWV 40:14-25 (2017) [Hi-Res]

Tracklist

01. Fantasia for solo Violin No. 1 in B-Flat Major, TWV 40:14: I. Largo
02. Fantasia for solo Violin No. 1 in B-Flat Major, TWV 40:14: II. Allegro
03. Fantasia for solo Violin No. 1 in B-Flat Major, TWV 40:14: III. Grave
04. Fantasia for solo Violin No. 1 in B-Flat Major, TWV 40:14: IV. Si replica l'allegro
05. Fantasia for solo Violin No. 2 in G Major, TWV 40:15: I. Largo
06. Fantasia for solo Violin No. 2 in G Major, TWV 40:15: II. Allegro
07. Fantasia for solo Violin No. 2 in G Major, TWV 40:15: III. Allegro
08. Fantasia for solo Violin No. 3 in F Minor, TWV 40:16: I. Adagio
09. Fantasia for solo Violin No. 3 in F Minor, TWV 40:16: II. Presto
10. Fantasia for solo Violin No. 3 in F Minor, TWV 40:16: III. Grave-Vivace
11. Fantasia for solo Violin No. 4 in D Major, TWV 40:17: I. Vivace
12. Fantasia for solo Violin No. 4 in D Major, TWV 40:17: II. Grave
13. Fantasia for solo Violin No. 4 in D Major, TWV 40:17: III. Allegro
14. Fantasia for solo Violin No. 5 in A Major, TWV 40:18: I. Allegro-Presto-Allegro-Presto
15. Fantasia for solo Violin No. 5 in A Major, TWV 40:18: II. Andante
16. Fantasia for solo Violin No. 5 in A Major, TWV 40:18: III. Allegro
17. Fantasia for solo Violin No. 6 in E Minor, TWV 40:19: I. Grave
18. Fantasia for solo Violin No. 6 in E Minor, TWV 40:19: II. Presto
19. Fantasia for solo Violin No. 6 in E Minor, TWV 40:19: III. Siciliana
20. Fantasia for solo Violin No. 6 in E Minor, TWV 40:19: IV. Allegro
21. Fantasia for solo Violin No. 7 in E-Flat Major, TWV 40:20: I. Dolce
22. Fantasia for solo Violin No. 7 in E-Flat Major, TWV 40:20: II. Allegro
23. Fantasia for solo Violin No. 7 in E-Flat Major, TWV 40:20: III. Largo
24. Fantasia for solo Violin No. 7 in E-Flat Major, TWV 40:20: IV. Presto
25. Fantasia for solo Violin No. 8 in E Major, TWV 40:21: I. Piacevolmente
26. Fantasia for solo Violin No. 8 in E Major, TWV 40:21: II. Spirituoso
27. Fantasia for solo Violin No. 8 in E Major, TWV 40:21: III. Allegro
28. Fantasia for solo Violin No. 9 in B Minor, TWV 40:22: I. Siciliana
29. Fantasia for solo Violin No. 9 in B Minor, TWV 40:22: II. Vivace
30. Fantasia for solo Violin No. 9 in B Minor, TWV 40:22: III. Allegro
31. Fantasia for solo Violin No. 10 in D Major, TWV 40:23: I. Presto
32. Fantasia for solo Violin No. 10 in D Major, TWV 40:23: II. Largo
33. Fantasia for solo Violin No. 10 in D Major, TWV 40:23: III. Allegro
34. Fantasia for solo Violin No. 11 in F Major, TWV 40:24: I. Un poco vivace
35. Fantasia for solo Violin No. 11 in F Major, TWV 40:24: II. Soave
36. Fantasia for solo Violin No. 11 in F Major, TWV 40:24: III. Da capo. Un poco vivace
37. Fantasia for solo Violin No. 11 in F Major, TWV 40:24: IV. Allegro
38. Fantasia for solo Violin No. 12 in A Minor, TWV 40:25: I. Moderato
39. Fantasia for solo Violin No. 12 in A Minor, TWV 40:25: II. Vivace
40. Fantasia for solo Violin No. 12 in A Minor, TWV 40:25: III. Presto



Georg Philipp Telemann würde in der heutigen Zeit vermutlich als Musiker mit großem Sinn für Marketing gelten. Er verkaufte eigenhändig Eintrittskarten für seine Konzerte und brachte seine Kompositionen im eigens dafür gegründeten Verlag heraus. Noten und Partituren konnten direkt bei ihm bestellt werden. Außerdem gründete er mit „Der getreue Musikmeister“ die erste deutsche Musikzeitschrift.

Im Jahr 1735 schaltete er Anzeigen in verschiedenen Hamburger Tageszeitungen und bot seine neue Komposition „12 Fantasien für die Violine ohne Baß, wovon 6 mit Fugen versehen, 6 aber Galanterien sind” an.

Der Geiger Thomas Pietsch schreibt dazu: „Telemann, der den französischen Geschmack vollkommen verinnerlicht hatte, wusste das Galante wohl zu setzen. Seine galante Schreibweise leuchtet in die Fantasien durch ihre leichte, schmeichelnde, pointenreiche und witzige Art hinein.“

Nach seiner gefeierten Aufnahme „Sei Solo“ mit den Sonaten und Partiten von Bach widmet sich der in Hamburg lebende Barockspezialist nun den Solo-Werken von Telemann. Im Januar 2017 nahm er die 12 Fantasien in der ev.-luth. Kirche Aumühle bei Hamburg auf. Damit leistet Thomas Pietsch wieder einmal einen großen Beitrag zum Hamburger Musikleben und der hanseatischen Tradition des 17. und 18. Jahrhunderts.

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