Richard Egarr - Bach: The French Suites (2016) Hi-Res

  • 14 Dec, 13:41
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Title: Bach: The French Suites
Year Of Release: 2016
Label: Harmonia Mundi
Genre: Classical
Quality: FLAC 16/24 Bit (88,2 KHz / tracks+booklet)
Total Time: 105:08 min
Total Size: 651 MB / 2,1 GB
WebSite:

Tracklist:

1. I. Allemande
2. II. Courante
3. III. Sarabande
4. IV. Menuet I & II
5. V. Gigue
6. I. Allemande
7. II. Courante
8. III. Sarabande
9. IV. Air
10. V. Menuet I
11. VI. Gigue
12. I. Allemande
13. II. Courante
14. III. Sarabande
15. IV. Menuet I & II (Trio)
16. V. Angloise (Gavotte)
17. VI. Gigue
18. I. Allemande
19. II. Courante
20. III. Sarabande
21. IV. Gavotte
22. V. Air
23. VI. Menuet
24. VII. Gigue
25. I. Allemande
26. II. Courante
27. III. Sarabande
28. IV. Gavotte
29. V. Bourrée
30. VI. Loure
31. VII. Gigue
32. I. Allemande
33. II. Courante
34. III. Sarabande
35. IV. Gavotte
36. V. Polonaise
37. VI. Menuet
38. VII. Bourrée
39. VIII. Gigue
40. V. Menuet II
41. II. Courante (after the autograph, Klavierbüchlein 1722)
42. II. Courante (after the copy by H. N. Gerber)
43. II. Courante (after the copy by Anna Magdalena Bach, Klavierbüchlein 1725)


Richard Egarr is world renowned for directing the Academy of Ancient Music and other period ensembles, though his fine reputation is equally based on his performances of Baroque keyboard music, which he has recorded extensively for Harmonia Mundi. This 2016 release of Johann Sebastian Bach's French Suites, BWV 812-817, which Egarr plays on a modern replica of a ca. 1650 harpsichord by Joseph Johannes Couchet, continues his series of highly polished recordings of great Baroque keyboard pieces, which includes works by George Frederick Handel, Henry Purcell, and François Couperin, and follows his 2012 release of Bach's English Suites, BWV 806-811. The variety of his interpretations of 18th century dance forms and their expressive possibilities make Egarr's performances especially appealing, and the freshness of his ornamentation and his lively rhythms keep the music surprising at every turn. The six suites are divided evenly between two CDs, and Egarr concludes with the Menuet II and three variant Courantes from BWV 813, using the 1722 autograph from the Klavierbüchlein, a copy by Heinrich Nikolaus Gerber, and a copy by Anna Magdalena Bach. Highly recommended for Bach fans who prefer historically informed performances on harpsichord.


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GRacias!!!