April Hall - Room for Two (2012)
Artist: April Hall
Title: April Hall
Year Of Release: 2012
Label: Bee Boy Records
Genre: Jazz, Vocal
Quality: Mp3 320 / Flac (tracks)
Total Time: 55:20
Total Size: 137/265 Mb
WebSite: Album Preview
Tracklist:Title: April Hall
Year Of Release: 2012
Label: Bee Boy Records
Genre: Jazz, Vocal
Quality: Mp3 320 / Flac (tracks)
Total Time: 55:20
Total Size: 137/265 Mb
WebSite: Album Preview
1. Amazing Love
2. Honeysuckle Rose
3. To Whom It May Concern
4. I Want to Be Happy
5. Black Coffee
6. You've Changed
7. The Best Thing for You
8. Spring Can Really Hang You Up the Most
9. Gee Baby, Ain't I Good to You
10. I Guess I'll Hang My Tears Out to Dry
11. My Baby Just Cares for Me
12. That's All
April Hall’s new jazz album, Room for Two, is a bold and intimate exploration of the art of the duo. Every aspect of it is a duet; the way it was recorded, the improvised album art, the poetry written for each track, and the songs themselves. Room for Two is a homage to the days of vinyl, when albums themselves were works of art.
The unique pairings of one voice with one instrument exposes a rich landscape of normally hidden musical subtlety, revealing every detail of the actual performance. Every duo is different, from the playful call and response with Marty Ballou on “Honeysuckle Rose” to the deeply honest conversation of “To Whom It May Concern” with Tim Ray; from the swinging rhythms of
“Amazing Love” with Gray Sargent to the soulful mingling of melodies with Tom Hall on “Gee Baby, Ain’t I Good to You”; but what always stays the same is Hall’s masterful interpretation and stunning vocal performance.
The unique pairings of one voice with one instrument exposes a rich landscape of normally hidden musical subtlety, revealing every detail of the actual performance. Every duo is different, from the playful call and response with Marty Ballou on “Honeysuckle Rose” to the deeply honest conversation of “To Whom It May Concern” with Tim Ray; from the swinging rhythms of
“Amazing Love” with Gray Sargent to the soulful mingling of melodies with Tom Hall on “Gee Baby, Ain’t I Good to You”; but what always stays the same is Hall’s masterful interpretation and stunning vocal performance.