Bruce Dickinson - The Chemical Wedding (Special Edition) (1998)
Artist: Bruce Dickinson
Title: The Chemical Wedding (Special Edition)
Year Of Release: 1998
Label: Sanctuary Records
Genre: Hard Rock, Heavy Metal
Quality: 320 kbps | FLAC (tracks)
Total Time: 01:11:51
Total Size: 165 mb | 481 mb
WebSite: Album Preview
Tracklist:Title: The Chemical Wedding (Special Edition)
Year Of Release: 1998
Label: Sanctuary Records
Genre: Hard Rock, Heavy Metal
Quality: 320 kbps | FLAC (tracks)
Total Time: 01:11:51
Total Size: 165 mb | 481 mb
WebSite: Album Preview
01. Bruce Dickinson - King In Crimson (2001 Remaster)
02. Bruce Dickinson - Chemical Wedding (2001 Remaster)
03. Bruce Dickinson - The Tower (2001 Remaster)
04. Bruce Dickinson - Killing Floor (2001 Remaster)
05. Bruce Dickinson - Book of Thel (2001 Remaster)
06. Bruce Dickinson - Gates of Urizen (2001 Remaster)
07. Bruce Dickinson - Jerusalem (2001 Remaster)
08. Bruce Dickinson - Trumpets of Jericho (2001 Remaster)
09. Bruce Dickinson - Machine Men (2001 Remaster)
10. Bruce Dickinson - The Alchemist (2001 Remaster)
11. Bruce Dickinson - Return of the King (2001 Remaster)
12. Bruce Dickinson - Real World (2001 Remaster)
13. Bruce Dickinson - Confeos (2001 Remaster)
Like its consistently excellent (and slightly superior) predecessor, Accident of Birth, Bruce Dickinson's fifth solo effort, The Chemical Wedding, continued to provide a welcome sanctuary (blatant reference intended) for disgruntled Iron Maiden fans suffering through the all-too-long mediocrity of the Blaze Bayley era. By avoiding the experimental pitfalls of prior solo outings to fully embrace his metallic origins, Dickinson the solo artist is at his creative peak on these two records. The importance of co-songwriter, producer, and guitarist Roy Z's guidance in this revival cannot be overstated, and reuniting with fellow Maiden alum Adrian Smith wasn't a bad idea, either. Muscular anthems such as "King in Crimson," "Killing Floor," and the title track manage to deliver with aggression, confidence, and, most importantly, a modern metal aesthetic sorely missing in Iron Maiden's efforts of the time. The album's second half does dip in quality somewhat, but a storming parting shot of "Machine Men" (a classic Dickinson-Smith collaboration if ever there was one) and "The Alchemist" (which revisits the title track's main theme in Seventh Son fashion) offer a worthy finale to this very impressive album.