London Philharmonic Orchestra and Klaus Tennstedt - Beethoven: Symphony No. 6 & Egmont Overture (Live) (2015)

Tracklist

01. Egmont Overture, Op. 84 (Live)
02. Symphony No. 6 in F Major, Op. 68: I. Allegro ma non troppo (Live)
03. Symphony No. 6 in F Major, Op. 68: II. Andante molto moto (Live)
04. Symphony No. 6 in F Major, Op. 68: III. Allegro (Live)
05. Symphony No. 6 in F Major, Op. 68: IV. Allegro (Live)
06. Symphony No. 6 in F Major, Op. 68: V. Allegretto (Live)
07. Digital Booklet: Beethoven: Symphony No. 6 & Egmont Overture



Recorded live at Southbank Centre’s Royal Festival Hall, London, on 26 September 1991 (Egmont Overture) and 21 February 1992 (Symphony No. 6).

Beethoven’s unique placing at the threshold of the Classical and Romantic eras in music allowed such a work as the ‘Pastoral’ Symphony to achieve greatness, through its evocation of the natural world which served to praise the Creator himself. ‘More an expression of feeling than painting’, said Beethoven, and it is true that, while the atmosphere of the countryside pervades every bar – scenes of running brooks, storms and village life – this Symphony can be fully enjoyed without resort to mental pictures of shepherds, peasants and cuckoos.

Also on the disc is Beethoven’s Overture to Goethe’s Egmont, the play for which Beethoven wrote incidental music in 1789. Set in 16th-century Flanders at the time of the revolution against Spanish oppression, the play was revived again in 1810, a significant time when Vienna was under occupation by Napoleon’s troops.

Leading the London Philharmonic Orchestra on these two archive recordings is former Principal Conductor and Music Director Klaus Tennstedt, whose tenure with the LPO was characterised by his specialism in German repertoire, and the energy and emotional involvement which endeared him with musicians and audiences alike.

Tennstedt held Beethoven’s Pastoral Symphony very close to his heart, even selecting his studio recording of the work with the LPO for his appearance on Desert Island Discs in 1991. He added that ‘this orchestra is so flexible and it is a romantic orchestra and I feel I am a romantic conductor so we are good together … I think no orchestra in the world can now better play than the London Philharmonic.’

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