Mary LaRose - Obbligato (2002)

A great choice of tunes and an outstanding supporting cast mark this album from the outset. With performers of the caliber of Steve Swell and Dominic Duval behind her, vocalist Mary LaRose (not to be confused with the equally impressive jazz vocalist Dena de Rose) spins a tight yet expansive story, one that goes deep into the belly of the melodies, distorting them just enough to make them feel fresh. LaRose is a modernist, yet she values old-fashioned tunefulness and emotion. Trombone, sax, and acoustic bass may at first blush seem like an odd combination to back a jazz singer, but with her elastic vocal chords, the mix is nearly perfect. Swell mimics the human voice, especially when he adds a mute, and the interplay between the two is nothing less than wondrous. If there are times when the total sound is a tad sparse, it rarely lasts for long, and LaRose's acrobatic gymnastics steal the show. As with many CIMP recordings, the volume has to be turned up, but there is a pristine quality to it all. On the highly compelling "Sometimes I'm Happy," for example, the singer toys gently with the melody, followed by a pregnant bass solo, after which LaRose consciously stutters the familiar tune. Ultimately, it is her total command of her voice that wins the day, with streams of eighth notes bubbling forth and her clear, simple tone sounding a cry to the heart. Spouse Jeff Lederer adds some cogent licks throughout, especially on "Straight Up and Down," where he explodes with joy. At the turn of the 21st century, there were few original vocal jazz stylists, but Mary LaRose is the genuine article.