The Jeff Healey Band - Live in Belgium (2012)
Artist: The Jeff Healey Band
Title: Live in Belgium
Year Of Release: 2012
Label: earMUSIC Classics
Genre: Rock, Blues
Quality: flac lossless (tracks)
Total Time: 01:13:28
Total Size: 464 mb
WebSite: Album Preview
TracklistTitle: Live in Belgium
Year Of Release: 2012
Label: earMUSIC Classics
Genre: Rock, Blues
Quality: flac lossless (tracks)
Total Time: 01:13:28
Total Size: 464 mb
WebSite: Album Preview
01. Baby's Lookin' Hot (Live)
02. The House That Love Built (Live)
03. Evil and Here to Stay (Live)
04. Confidence Man (Live)
05. It Could All Get Blown Away (Live)
06. Lost in Your Eyes (Live)
07. Heart of an Angel (Live)
08. Full Circle (Live)
09. That's What They Say (Live)
10. Angel Eyes (Live)
11. Roadhouse Blues (Live)
12. See the Light (Live)
13. While My Guitar Gently Weeps (Live)
The best songs on Trouble, the debut release from songwriter Ray LaMontagne, draw on deep wells of emotion, and with LaMontagne's sandpapery voice, which recalls a gruffer, more sedate version of Tim Buckley or an American version of Van Morrison, they seem to belie his years. The title tune, "Trouble," is an instant classic, sparse and maudlin (in the best sense), and songs like "Narrow Escape," a ragged, episodic waltz, are equally impressive, with careful, cinematic lyrics that tell believable stories of wounded-hearted refugees on the hard road of life and love. Most of the tracks fall into a midtempo shuffle rhythm, so the words have to carry a lot in order to avert a sort of dull sameness, and when it works, it works big, and when it doesn't, well, LaMontagne is so serious and sincere about his craft that you tend to forgive him instantly. Sara Watkins of Nickel Creek guests on "Hannah" and the sad, somber lullaby "All the Wild Horses," playing fiddle and adding vocals, and producer Ethan Johns adds drums and other touches on most tracks. The sound is measured and sparse, with few frills (a five-piece string section is used on a few tracks, but is never intrusive), all of which supports the emotional urgency of LaMontagne's writing. "How Come" sounds a bit like a rewrite of Dave Mason's "Feelin' Alright," and a couple of other cuts seem a bit labored, but overall this is an impressive debut by an extremely special songwriter.