Johannette Zomer, Bart Schneemann & Tulipa Consort - JuSt BACH (2017) [Hi-Res]
Artist: Johannette Zomer, Tulipa Consort, Bart Schneemann
Title: JuSt BACH
Year Of Release: 2017
Label: Channel Classics Records
Genre: Classical
Quality: FLAC (tracks, booklet) [192kHz/24bit]
Total Time: 1:01:11
Total Size: 2.03 GB / 270 MB
WebSite: Album Preview
Tracklist:Title: JuSt BACH
Year Of Release: 2017
Label: Channel Classics Records
Genre: Classical
Quality: FLAC (tracks, booklet) [192kHz/24bit]
Total Time: 1:01:11
Total Size: 2.03 GB / 270 MB
WebSite: Album Preview
01. Orchestral Suite No.1 in C Major, BWV 1066: I. Ouverture
02. Also hat Gott die Welt geliebt, BWV 68: II. Aria "Mein gläubiges Herze"
03. Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105: III. Aria "Wie zittern und wanken der Sünder Gedanken"
04. Harpsichord Concerto No.5 in F Minor, BWV 1056: II. Largo
05. Ich hatte viel Bekümmernis, BWV 21 Erster teil: I. Sinfonia
06. Ich hatte viel Bekümmernis, BWV 21 Erster teil: III. Aria "Seufzer, Tränen, Kummer, Not"
07. Ich geh' und suche mit Verlangen, BWV 49: I. Sinfonia
08. Liebster Jesu, mein Verlangen, BWV 32: I. Aria "Liebster Jesu, mein Verlange"
09. Der Herr denket an uns, BWV 196: I. Sinfonia
10. Weichet nur, betrübte Schatten, BWV 202: I. Aria "Weichet nur, betrubte Schatten"
11. Weichet nur, betrübte Schatten, BWV 202: II. Recitative "Die Welt wird wieder neu"
12. Weichet nur, betrübte Schatten, BWV 202: III. Aria "Phoebus eilt mit schnellen Pferden"
13. Weichet nur, betrübte Schatten, BWV 202: IV. Recitative "Drum sucht auch Amor sein Vergnugen"
14. Weichet nur, betrübte Schatten, BWV 202: V. Aria "Wenn die Frühlingslüfte streichen"
15. Weichet nur, betrübte Schatten, BWV 202: VI. Recitativo "Und dieses ist das Glücke"
16. Weichet nur, betrübte Schatten, BWV 202: VII. Aria "Sich uben im Lieben, in Scherzen sich herzen"
17. Weichet nur, betrübte Schatten, BWV 202: VIII. Recitative "So wei das Band der keuschen Liebe"
18. Weichet nur, betrübte Schatten, BWV 202: IX. Gavotte "Sehet in Zufriedenheit tausend helle Wohlfahrstage"
Our most familiar image of Johann Sebastian Bach is that of Cantor of the Thomaskirche in Leipzig. For twenty-seven years he was responsible for the church music on Sundays and feast days in the town’s four main churches. For this purpose he composed his many cantatas, the now world-famous passions and the six motets. The enormous number of cantatas (an estimated 250) written by Bach in Leipzig, combined with their outstanding quality, is one of the most astonishing creative achievements in western culture. For their performance he selected the best choral singers from the pupils of the nearby Thomasschule and students from Leipzig University. In his Componirstube, or composing parlour, Bach handled his musical material with scrupulousness and self-assurance. In so doing, the practice of borrowing, or readapting existing music to fulfil urgent day-to-day requirements, was no unusual matter. It was also a way of drawing attention to forgotten pieces, and a sign that Bach was well aware of the enduring quality of his music. This CD presents a wonderful anthology of gems from Bach’s huge output of cantatas. The soprano soloist takes the leading role, and expresses a wide range of human emotions from angst and deep despair to trust, joie de vivre and exuberant JUSTBACH jubilation.
A comforting or cheerful oboe or cello is often at her side, and she becomes closely engaged with them in moving or lively dialogues.
A comforting or cheerful oboe or cello is often at her side, and she becomes closely engaged with them in moving or lively dialogues.
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