Amsterdam Sinfonietta - The Bohemian Album (2009) [Hi-Res]
Artist: Amsterdam Sinfonietta, Candida Thompson
Title: The Bohemian Album
Year Of Release: 2009
Label: Channel Classics Records
Genre: Classical
Quality: FLAC (tracks, booklet) [192kHz/24bit]
Total Time: 1:17:58
Total Size: 2.31 GB / 370 MB
WebSite: Album Preview
Tracklist:Title: The Bohemian Album
Year Of Release: 2009
Label: Channel Classics Records
Genre: Classical
Quality: FLAC (tracks, booklet) [192kHz/24bit]
Total Time: 1:17:58
Total Size: 2.31 GB / 370 MB
WebSite: Album Preview
1. Serenade for String In E, Op. 22: I. Moderato (04:27)
2. Serenade for String In E, Op. 22: II. Tempo di valse (06:20)
3. Serenade for String In E, Op. 22: III. Scherzo, vivace (06:21)
4. Serenade for String In E, Op. 22: IV. Larghetto (05:28)
5. Serenade for String In E, Op. 22: V. Finale: allegro vivace (05:46)
6. String Quartet No. 2, Op. 7, "From The Monkey Mountains": I. Landscape (11:12)
7. String Quartet No. 2, Op. 7, "From The Monkey Mountains": II. Cart, driver and horseDriver and Horse (04:57)
8. String Quartet No. 2, Op. 7, "From The Monkey Mountains": III. The moon and I (08:56)
9. String Quartet No. 2, Op. 7, "From The Monkey Mountains": IV. A wild night (08:31)
10. Five Pieces for String Quartet, WV 68: I. Alla valse viennese - allegro (02:03)
11. Five Pieces for String Quartet, WV 68: II. Alla sereneta - Allegretto con moto (04:19)
12. Five Pieces for String Quartet, WV 68: III. Alla czeca - molto allegro (01:48)
13. Five Pieces for String Quartet, WV 68: IV. Alla tango - andante (04:57)
14. Five Pieces for String Quartet, WV 68: V. Alla tarantella - prestissimo con fuoco (02:47)
The Bohemian AlbumAmsterdam Sinfonietta has combined aromantic masterpiece of the string orchestrarepertoire with two wild compositions from theinter-war period. Dvorak, Haas, and Schulhoffhardly make a conventional mixture, but allthree of these composers had their roots in aregion which was known for many centuriesas “Bohemia.” One can hear this commonground in the rhythmic diversity, the influenceof folk music, and the melodic inventivenessthat characterizes their music. Haas andSchulhoff were part of a very promising groupof composers whose music was proclaimed“entartet” [degraded] at the end of the 1930s.Fortunately, their music has been rediscoveredand performed in recent decades. Themusic of Haas and Schulhoff is refreshinglyrebellious and original, and forms a contrastwith Dvo?ák’s romantic Serenade. Marijn vanProoijen wrote out a beautiful double-basspart for the works of Haas and Schulhoff,which were originally conceived for stringquartet.
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