Georg Kallweit, Akademie für Alte Musik Berlin, Dominik Koninger, Marie-Sophie Pollak - Telemann: Pimpinone, TWV 21:15 (2022)

05 May, 23:04
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Artist: Georg Kallweit, Akademie für Alte Musik Berlin, Dominik Koninger, Marie-Sophie Pollak
Title: Telemann: Pimpinone, TWV 21:15
Year Of Release: 2022
Label: cpo
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:10:39
Total Size: 362 MB
WebSite: Album Preview

Tracklist:

1. Pimpinone, TWV 21:15, Pt. 1: Chi mi vuol, son cameriera (3:34)
2. Pimpinone, TWV 21:15, Pt. 1: Ich suche zwar ein Glück (1:54)
3. Pimpinone, TWV 21:15, Pt. 1: Höflich reden, lieblich singen (4:21)
4. Pimpinone, TWV 21:15, Pt. 1: Doch was kann dieses wohl für Lust erwecken? (2:30)
5. Pimpinone, TWV 21:15, Pt. 1: Ella mi vuol conlondere (3:41)
6. Pimpinone, TWV 21:15, Pt. 1: Was aber denkt ihr nun zu tun? (1:37)
7. Pimpinone, TWV 21:15, Pt. 1: Nel petto il cor mi giubila (4:23)
8. Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [1] (1:16)
9. Pimpinone, TWV 21:15, Pt. 2: Vespetta, willst Du von mir gehen? (0:33)
10. Pimpinone, TWV 21:15, Pt. 2: Nei brevi momenti (1:43)
11. Pimpinone, TWV 21:15, Pt. 2: Schweig, schweig! (1:48)
12. Pimpinone, TWV 21:15, Pt. 2: Guarda, guarda un poco (4:03)
13. Pimpinone, TWV 21:15, Pt. 2: Er schweige nur! (1:31)
14. Pimpinone, TWV 21:15, Pt. 2: Io non sono una di quelle (5:09)
15. Pimpinone, TWV 21:15, Pt. 2: So geht es gut, lass uns den Handel schließen! (1:39)
16. Pimpinone, TWV 21:15, Pt. 2: Stendi, stendi! (5:35)
17. Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [2] (1:17)
18. Pimpinone, TWV 21:15, Pt. 3: Ich will dahin, wohin es mir beliebet, gehen (1:56)
19. Pimpinone, TWV 21:15, Pt. 3: So quel che si dice (4:14)
20. Pimpinone, TWV 21:15, Pt. 3: Für dieses Mal sei ihr der Ausgang unbenommen (1:48)
21. Pimpinone, TWV 21:15, Pt. 3: Voglio for, come fan l'altre (4:57)
22. Pimpinone, TWV 21:15, Pt. 3: Wie aber, wenn ich's auch so machen wollte? (0:48)
23. Pimpinone, TWV 21:15, Pt. 3: Wilde Hummel! Böser Engel! (4:03)
24. Pimpinone, TWV 21:15, Pt. 3: Du eigensinn'ger Esel, schau! (1:11)
25. Pimpinone, TWV 21:15, Pt. 3: Schweig hinkünftig, alb'rer Tropf! (5:21)

Georg Philipp Telemann’s intermezzo Pimpinone celebrated its premiere at the Gänsemarkt Opera in Hamburg on 27 September 1725 as an insert in George Frideric Handel’s opera seria Tamerlano and turned out to be a major public draw that continued to find its place in the Hamburg performance program until 1740. Telemann too valued this work and published it on his own in 1728.

Apart from Telemann’s music, one reason for the success of this three-part intermezzo involved his pointed realistic look at the contemporary professional and private spheres. And each intermezzo offers us music fans today insights into existential worlds that only seemingly have disappeared over time: they tell of the hard life of single women, the significance of wealth and social standing for eligibility for marriage, the injustices of patriarchal marriage law, and the ridicule directed at romantically inclined senior citizens.

In 1708 Tommaso Albinoni became the first composer to set the libretto Pimpinone e Vespetta by Pietro Pariati; in 1725 Telemann and his librettist Johann Philipp Praetorius lent the work a Hamburg touch. Italian arias were retained, but some arias, duets, and the recitatives were given new texts. Telemann proves to be – also in these scenes from a marriage – a master of musical depictions of moods, situations, and persons.

Without exaggeration it may be said that this new production with the Akademie für Alte Musik represents a benchmark recording.

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Marie-Sophie Polla - Telemann- Pimpinone, TWV 21-15 FLAC.rar - 362.7 MB

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