Andreas Heinemeyer, Mirko Ludwig, Geneviève Tschumi, Hanna Zumsande - Schürmann: Jason (2022)

  • 05 May, 23:00
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Artist:
Title: Schürmann: Jason
Year Of Release: 2022
Label: cpo
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:48:13
Total Size: 499 MB
WebSite:

Tracklist:

CD1
1. Jason, Act I Scene 1: Vittoria! Vittoria! (3:02)
2. Jason, Act I Scene 1: Wenn dein Arm mich unterstützet (3:16)
3. Jason, Act I Scene 2: In unserm Palast (1:54)
4. Jason, Act I Scene 3: Nun ist es Zeit (0:31)
5. Jason, Act I Scene 4: Wie aber? Was erblicke ich (2:20)
6. Jason, Act I Scene 5: Gelosi pensieri (5:53)
7. Jason, Act I Scene 8: Geehrteste Medea (2:28)
8. Jason, Act I Scene 9: Ist Jason nun bereit - Alceste: Ritornello (4:00)
9. Jason, Act I Scene 12: Wie plötzlich ändert sich (1:33)
10. Jason, Act I Scene 12: Ein solcher praver Mann (2:30)
11. Jason, Act I Scene 12: Geh, Grober, packe dich (3:00)
12. Jason, Act I Scene 13: Verachteter! (0:28)
13. Jason, Act I Scene 14: Sacri orrori (3:10)
14. Jason, Act I Scene 15: Bringstu herbei (0:59)
15. Jason, Act I Scene 15: Ja, ja (0:39)
16. Jason, Act I Scene 15: Eröffne dich, du Grabes-Tür (1:08)
17. Jason, Act I Scene 15: Wer störet meine Ruh (1:21)
18. Alceste: Passepied en rondeau (1:13)
19. Jason, Act II Scene 3: Wie? Bruder! So betrübt? (0:53)
20. Jason, Act I Scene 5: Kläre auf die trüben Augen (2:56)
21. Jason, Act II Scene 4: Untreuer, denkst du noch (1:14)
22. Jason, Act II Scene 6: Ihr Sterne, wo befind ich mich? (0:27)
23. Jason, Act II Scene 6: Götter, Sterne, habt Geduld! (3:31)
24. Jason, Act II Scene 7: Komm, betrachte nun die Schöne (1:02)
25. Jason, Act II Scene 11: Die Hoffnung kann dich glücklich machen (4:56)
26. Jason, Act II Scene 8: Vergeblich dräustu mich (1:07)
27. Jason, Act II Scene 10: Wie künstlich weiß es doch (1:14)
28. Jason, Act II Scene 10: Du ziehest an dem Narren-Seil (0:46)
29. Jason, Act II Scene 10: Hör auf dein Stolz (1:34)
30. Jason, Act II Scene 10: Wer so, wie ich, ein Ämtgen hat - Ixion: Menuetto (0:48)
31. Jason, Act II Scene 14: Medea hat mit Jason sich verbunden (0:44)
32. Jason, Act II Scene 14: Sprigionaltevi, o sdegni reali! (1:39)

CD2
1. Jason, Act III Scene 1: Serenatevi, amanti pensieri (5:12)
2. Jason, Act III Scene 1: Ja, Schwester, ja (0:35)
3. Jason, Act III Scene 2: Mein Herz, erhol dich wieder (5:14)
4. Jason, Act III Scene 3: Godi contento (2:55)
5. Jason, Act III Scene 3: Dieser anmutsreiche Ort (1:45)
6. Jason, Act III Scene 4: Tanzt und springet (0:57)
7. Jason, Act III Scene 5: Entweiche, Zauber-Volk - Alceste: Sinfonia pour la tempête (1:45)
8. Jason, Act III Scene 9: Erwünschter Tag (0:21)
9. Jason, Act III Scene 9: Su, spirti guerrieri (2:48)
10. Jason, Act III Scene 10: Mein Jason, es will meinem Sinn (1:54)
11. Jason, Act III Scene 11: Geh nur, der letzte Kampf (3:07)
12. Jason, Act III Scene 12: Filaura, warte hier (1:39)
13. Jason, Act III Scene 12: Ich schwebe zwischen Zorn und Liebe (1:02)
14. Jason, Act III Scene 13: Betrachte nun den Schatz (1:55)
15. Jason, Act III Scene 13: Dolce sonno neghittoso (2:40)
16. Jason, Act III Scene 13: Nun schläft er endlich ein (1:31)
17. Jason, Act III Scene 13: Per fuggir d'apprestar (4:03)
18. Jason, Act III Scene 15: Ich geh und such mich fast zu Tode (0:49)
19. Jason, Act III Scene 15: Nella corte va cosi (2:16)
20. Jason, Act III Scene 16: Frohlockt, ihr Landes-Leute (0:48)
21. Jason, Act III Scene 20: Stellt euer Klagen ein (2:14)
22. Jason, Act III Scene 20: So schenkt das Geschicke (0:50)

A new Schürmann opera with the barockwerk hamburg. Following the success of its recording of Georg Caspar Schürmann’s opera Die getreue Alceste, the barockwerk hamburg ensemble very much wanted to discover more music by this wrongly neglected Hamburg composer.

His opera Jason enjoyed great success at Hamburg’s Gänsemarkt Opera during 1720-22 and was repeated no fewer than thirty-one times during these years. And the fact that Schürmann occupied himself with his Jason for thirteen years also clearly indicates that it was regarded as a highly promising work.

This recording presents a considerably abridged version of this bilingual stage work containing elements of the Italian and German Baroque opera and lasts about two hours. Along with the highly effective coloratura arias, the harmonic and melodic language of the recitatives also not least merits special mention because it is highly expressive and bold as well as finely nuanced. Medea’s part is throughout the most multifaceted one, and a broad spectrum of emotions can also be heard in her recitatives – ranging from enamorment through doubt, jealousy, revenge, and seduction to desire for power and delight in victory.