Amaryllis Quartett, Ensemble Obligat Hamburg - Japanische Landschaften - Werke von Wolfgang-Andreas Schultz (2013) [Hi-Res]
Artist: Amaryllis Quartett, Ensemble Obligat Hamburg
Title: Japanische Landschaften - Werke von Wolfgang-Andreas Schultz
Year Of Release: 2013
Label: Es-Dur
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 48.0kHz
Total Time: 00:45:08
Total Size: 171 / 399 mb
WebSite: Album Preview
TracklistTitle: Japanische Landschaften - Werke von Wolfgang-Andreas Schultz
Year Of Release: 2013
Label: Es-Dur
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 48.0kHz
Total Time: 00:45:08
Total Size: 171 / 399 mb
WebSite: Album Preview
01. String Quartet No. 3 "Landschaft der Horchenden": I. Landschaft mit Rätselbild
02. String Quartet No. 3 "Landschaft der Horchenden": II. Der See der Trauernden (Portraits der vier Menschen)
03. String Quartet No. 3 "Landschaft der Horchenden": III. Der Garten der Liebenden
04. String Quartet No. 3 "Landschaft der Horchenden": IV. Das Tal der Dämonen
05. String Quartet No. 3 "Landschaft der Horchenden": V. Der Wald der Verwandlungen
06. String Quartet No. 3 "Landschaft der Horchenden": VI. Der Berg des Schauens
07. Quartet for Flute, Violin, Viola and Cello - "Bilder auf dem Grund des Sees"
08. Japanische Nebellandschaft for Solo Flute
This CD presents three of Wolfgang-Andreas Schultz’s works inspired by Zen Buddhism, all created in relatively close succession: the String Quartet No 3 ‘Landscape of Listeners - Four People’ of 2004/05, the quartet ‘Images at the Bottom of the Lake’ (2009/10) based on the idea of a Japanese flautist playing at a lakeside or in a boat, and ‘Japanese Foggy Landscape’ for flute, the shapes of which remain half-hidden through quartet tones, swaying rhythms and a sound that includes, as with Japanese flutes, noise elements.
The composer Wolfgang-Andreas Schultz was born in Hamburg in 1948, his interest in the cultures of the Far East and particuarly in traditional Japanese culture began towards the end of his schooldays in the early 1960s.