Monika Knoblochová, Jana Semerádová, Hana Fleková - Koželuh: Sonatas for Fortepiano, Flute and Cello (2012)

Tracklist

01. Sonata for Fortepiano, Flute and Cello No. 1 in C Major: I. Allegro
02. Sonata for Fortepiano, Flute and Cello No. 1 in C Major: II. Poco adagio
03. Sonata for Fortepiano, Flute and Cello No. 1 in C Major: III. Rondeau. Allegro
04. Sonata for Fortepiano, Flute and Cello in E Minor: I. Allegro
05. Sonata for Fortepiano, Flute and Cello in E Minor: II. Poco adagio
06. Sonata for Fortepiano, Flute and Cello in E Minor: III. Rondo.Allegro
07. A Grand Scotch Sonata for Fortepiano, Flute and Cello in D Major: I. Allegro
08. A Grand Scotch Sonata for Fortepiano, Flute and Cello in D Major: II. Andante
09. A Grand Scotch Sonata for Fortepiano, Flute and Cello in D Major: III. Rondo. Presto
10. Sonata for Fortepiano, Flute and Cello No. 2 in C Major: I. Allegro
11. Sonata for Fortepiano, Flute and Cello No. 2 in C Major: II. Andante
12. Sonata for Fortepiano, Flute and Cello No. 2 in C Major: III. Rondo. Allegro
13. Sonata for Fortepiano, Flute and Cello in F Major: I. Allegro
14. Sonata for Fortepiano, Flute and Cello in F Major: II. Andante
15. Sonata for Fortepiano, Flute and Cello in F Major: III. Rondeau. Allegretto



Today, it is difficult to imagine that the renown of the Czech composer Leopold Koželuh (1747-1818) in Vienna once equalled the fame Mozart enjoyed, that he was perceived as being on a par with Beethoven or Haydn. An accomplished composer, sought-after piano virtuoso and teacher in the services of the highest aristocratic circles, including the imperial family, Koželuh ardently championed the at the time still young and modern fortepiano. This instrument plays a pivotal role in his compositions, which is also the case of the sonatas presented on this recording, with the flute and cello rather complementing, commenting on and accompanying the exposed piano part. These Koželuh pieces were published in Vienna, as well as in London, Paris, Berlin and other cultural centres. Alongside the large number of sonatas with an "accompanying" violin, Koželuh's oeuvre contains thirteen works in which he gave preference to the flute. The five most wonderful of these have been cherry-picked for this CD by three female virtuosos performing on period instruments. With their characteristic enthusiasm, they at least partially redeem our debt to the hitherto undeservedly marginalised Czech composer.

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