Leonard Slatkin - William Bolcom: Songs of Innocence and of Experience (2004)
Artist: University of Michigan School of Music Symphony Orchestra, Leonard Slatkin, Measha Brueggergosman, Ilona Davidson, Joan Morris, Nathan Lee Graham, Thomas Young, Tommy Morgan, Peter Ruth
Title: William Bolcom: Songs of Innocence and of Experience
Year Of Release: 2004
Label: Naxos
Genre: Classical
Quality: FLAC (tracks + booklet)
Total Time: 2:17:10
Total Size: 529 MB
WebSite: Album Preview
Tracklist:Title: William Bolcom: Songs of Innocence and of Experience
Year Of Release: 2004
Label: Naxos
Genre: Classical
Quality: FLAC (tracks + booklet)
Total Time: 2:17:10
Total Size: 529 MB
WebSite: Album Preview
Disc 1
1. Thomas Young – Songs of Innocence, Part I: I. Introduction (03:06)
2. Combined Choruses – Songs of Innocence, Part I: II. The Ecchoing Green (02:32)
3. Measha Brueggergosman – Songs of Innocence, Part I: III. The Lamb (03:19)
4. Peter 'Madcat' Ruth – Songs of Innocence, Part I: IV. The Shepherd (02:13)
5. Marietta Simpson – Songs of Innocence, Part I: V. Infant Joy (01:58)
6. Nathan Lee Graham – Songs of Innocence, Part I: VI. The Little Black Boy (04:06)
7. Michigan University Chamber Choir – Songs of Innocence, Part II: I. Laughing (00:33)
8. Thomas Young – Songs of Innocence, Part II: II. Spring (01:45)
9. Linda Hohenfeld – Songs of Innocence, Part II: III. A Cradle Song (04:04)
10. Joan Morris – Songs of Innocence, Part II: IV. Nurse's Song (01:35)
11. Combined Choruses – Songs of Innocence, Part II: V. Holy Thursday (01:08)
12. Measha Brueggergosman – Songs of Innocence, Part II: VI. The Blossom (00:40)
13. Leonard Slatkin & University of Michigan Symphony Orchestra – Songs of Innocence, Part II: VII. Interlude (00:25)
14. Nathan Lee Graham – Songs of Innocence, Part II: VIII. The Chimney Sweeper (03:14)
15. Joan Morris – Songs of Innocence, Part II: IX. The Divine Image (03:48)
16. Leonard Slatkin & University of Michigan Symphony Orchestra – Songs of Innocence, Part III: I. Nocturne (02:04)
17. Thomas Young – Songs of Innocence, Part III: II. Night (05:00)
18. Ilana Davidson – Songs of Innocence, Part III: III. A Dream (01:41)
19. Combined Choruses – Songs of Innocence, Part III: IV. On Another's Sorrow (01:52)
20. Carmen Pelton – Songs of Innocence, Part III: V. The Little Boy Lost (02:48)
21. Nathan Lee Graham – Songs of Innocence, Part III: VI. The Little Boy Found (01:56)
22. Leonard Slatkin & University of Michigan Symphony Orchestra – Songs of Innocence, Part III: VII. Coda (01:34)
Disc 2
1. Leonard Slatkin & University of Michigan Symphony Orchestra – Songs of Experience, Vol. 1, Part I: I. Introduction (02:17)
2. Nmon Ford – Songs of Experience, Vol. 1, Part I: II. Hear The Voice Of The Bard (02:54)
3. Leonard Slatkin & University of Michigan Symphony Orchestra – Songs of Experience, Vol. 1, Part I: III. Interlude (00:51)
4. Christine Brewer – Songs of Experience, Vol. 1, Part I: IV. Earth's Answer (04:53)
5. Joan Morris – Songs of Experience, Vol. 1, Part II: I. Nurse's Song (01:09)
6. MSU Children's Choir – Songs of Experience, Vol. 1, Part II: II. The Fly (01:43)
7. Combined Choruses – Songs of Experience, Vol. 1, Part II: III. The Tyger (01:49)
8. Nmon Ford – Songs of Experience, Vol. 1, Part II: IV. The Little Girl Lost (01:09)
9. Michigan University Chamber Choir – Songs of Experience, Vol. 1, Part II: V. In The Southern Clime (02:08)
10. Combined Choruses – Songs of Experience, Vol. 1, Part II: VI. The Little Girl Found (04:46)
11. Thomas Young – Songs of Experience, Vol. 1, Part III: I. The Clod And The Pebble (01:47)
12. Joan Morris – Songs of Experience, Vol. 1, Part III: II. The Little Vagabond (02:30)
13. Carmen Pelton – Songs of Experience, Vol. 1, Part III: III. Holy Thursday (02:44)
14. Nathan Lee Graham – Songs of Experience, Vol. 1, Part III: IV. A Poisin Tree (02:09)
15. Ilana Davidson – Songs of Experience, Vol. 1, Part III: V. The Angel (03:15)
16. Marietta Simpson – Songs of Experience, Vol. 1, Part III: VI. The Sick Rose (03:13)
17. Combined Choruses – Songs of Experience, Vol. 1, Part III: VII. To Tirzah (03:34)
Disc 3
1. Nmon Ford – Songs of Experience, Vol. 2, Part IV: I. The Voice Of The Ancient Bard (02:24)
2. Chorus Men – Songs of Experience, Vol. 2, Part IV: I. My Pretty Rose Tree (01:44)
3. Michigan University Chamber Choir – Songs of Experience, Vol. 2, Part IV: II. Ah! Sun-Flower (02:30)
4. Thomas Young – Songs of Experience, Vol. 2, Part IV: III. The Lilly (01:35)
5. Leonard Slatkin & University of Michigan Symphony Orchestra – Songs of Experience, Vol. 2, Part IV: IV. Introduction To Part V (00:50)
6. Thomas Young – Songs of Experience, Vol. 2, Part V: I. The Garden Of Love (02:03)
7. Carmen Pelton – Songs of Experience, Vol. 2, Part V: II. A Little Boy Lost (02:27)
8. Christine Brewer – Songs of Experience, Vol. 2, Part V: III. A Little Girl Lost (04:43)
9. Michigan University Chamber Choir Soloists – Songs of Experience, Vol. 2, Part V: IV. Infant Sorrow (02:23)
10. Combined Choruses – Songs of Experience, Vol. 2, Part V: V. Vocalise (02:58)
11. Nathan Lee Graham – Songs of Experience, Vol. 2, Part VI: I. London (03:52)
12. Linda Hohenfeld – Songs of Experience, Vol. 2, Part VI: II. The School Boy (03:22)
13. Michigan University Chamber Choir – Songs of Experience, Vol. 2, Part VI: III. The Chimney Sweeper (01:20)
14. Nmon Ford – Songs of Experience, Vol. 2, Part VI: IV. The Human Abstract (03:21)
15. Leonard Slatkin & University of Michigan Symphony Orchestra – Songs of Experience, Vol. 2, Part VI: V. Interlude: Voces Clamandae (01:32)
16. Leonard Slatkin, University Musical Society & University of Michigan Symphony Orchestra – Songs of Experience, Vol. 2, Part VI: VI. A Divine Image (05:31)
From the time he was a teenager, William Bolcom had dreamed of setting William Blake's epic poem collection Songs of Innocence and of Experience to music -- and eventually he did. But it took over a quarter of a century, from the first completed songs at age 17 in 1956 until 1982 when, as a tenured professor at the University of Michigan at Ann Arbor, Bolcom was finally able to find time to pull it all together. And then Bolcom had to wait another two years for the first performance in Stuttgart, and another 20 years until some record company was enterprising enough to take it on. In the eclectic spirit of Blake, the result is an extraordinary synthesis, a two-hour-and-17-minute song cycle for choirs, vocalists, electric and folk instruments, and symphony orchestra, in which Bolcom throws in just about every style he can think of. All-inclusiveness has been the free-thinking Bolcom's goal in several of his works, for he has never been one to build firewalls between so-called high culture and the vernacular of his time and previous eras. Yet this massive thing goes further in more directions than anything Bolcom has attempted before or since -- and somehow Bolcom has figured out how to dovetail smoothly from one idiom and performing style to another without swerving jaggedly from lane to lane. To cite just a few examples, "The Shepherd" opens with a burst of wild orchestral modernism, but before long we hear fiddles and a harmonica playing a country/western tune in waltz time, sung in appropriate style by Peter "Madcat" Ruth. A spiritual sung in operatic voice by Marietta Simpson, interrupted by a discordant orchestra and children's chorus ("Infant Joy"), is followed by a jazz/R&B number ("The Little Black Boy"), complete with gospel electric piano comping and blues harp. "The Blossom" is treated to a fantastic display of winds tooting and circulating overhead, while "The Chimney Sweeper" is recited with a satirical instrumental background in a throwback to Sir William Walton's Facade. Bolcom even tries an idea as nutty as a Nocturne for percussion -- albeit very spare, quiet percussion -- to lead off Part III of Songs of Innocence, and it works. The whole thing ends with an extravagant reggae setting of "A Divine Image" involving a sole singer, guitar, and all-out choral/orchestral forces, no doubt observing the Bob Marley prescription "let's get together and feel alright." You get the picture; this is an eclectic circus, but one of great seriousness and often inspired lyrical Americana, as well as playful nose-tweaking. Appropriately, the recording took place on the Ann Arbor campus, with nearly 450 student and professional performers (including Bolcom's wife, singer Joan Morris) on-stage, and Naxos spreads it out on a three-CD set. The songs could have fit comfortably on two discs, but the work's three-part division suggested the extra disc, and at Naxos' super-budget price (only $19.99 list for the set), it isn't much of an issue. Conductor Leonard Slatkin -- an old friend of Bolcom as well as an experienced hand at this piece -- fits all the puzzle parts together with vigor, affection, and a good feeling for the pop-folk elements. Hearing this recording makes the listener wish he/she could have been a music student in Ann Arbor, simply for the privilege of participating in such a diverse, unifying, musically satisfying campus event as this. ~ Richard S. Ginell