Vladimir Jurowski, London Philharmonic Orchestra - Jurowski Conducts Mahler's Symphony No. 8 (2021) [Hi-Res]

  • 12 Jul, 12:16
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Artist:
Title: Jurowski Conducts Mahler's Symphony No. 8
Year Of Release: 2021
Label: London Philharmonic Orchestra
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:23:07
Total Size: 365 MB / 1.46 GB
WebSite:

Tracklist:

1. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part I: Veni, Creator Spiritus (1:25)
2. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part I: Imple superna Gratia (4:01)
3. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part I: Infirma nostri corporis (1:35)
4. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part I: Tempo I: Allegro, etwas hastig (1:27)
5. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part I: Infirma nostri corporis virtute firmans perpeti (2:58)
6. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part I: Accende lumen sensibus (4:36)
7. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part I: Qui Paraclitus diceris (3:45)
8. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part I: Gloria Patri Domino (2:38)
9. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part II: Poco adagio (6:34)
10. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part II: Piu mosso: Allegro moderato (3:17)
11. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part II: Waldung, sie schwankt heran (4:44)
12. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part II: Ewiger Wonnebrand (1:43)
13. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part II: Wie Felsenabgrund mir zu Füssen (4:29)
14. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part II: Gerettet ist das edle Glied – Hände verschlinget euch (1:15)
15. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part II: Jene Rosen aus den Händen (2:06)
16. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part II: Uns bleibt ein Erdenrest (1:33)
17. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part II: Ich spür' soeben – Hier ist die Aussicht frei – Freudig empfangen wir (1:26)
18. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part II: Höchste Herrscherin der Welt! (6:18)
19. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part II: Dir, der Unberührbaren – Du schwebst zu Höhen der ewigen Reiche (3:30)
20. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part II: Bei der Liebe, die den Füssen (1:09)
21. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part II: Bei dem Bronn, zu dem schon weiland (1:44)
22. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part II: Bei dem hochgeweihten Orte (2:43)
23. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part II: Neige, neige, du Ohnegleiche (0:47)
24. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part II: Er überwächst uns schon – Vom edlen Geisterchor umgeben (3:19)
25. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part II: Komm! Hebe dich zu höhern Sphären! – Blicket auf zum Retterblick, alle reuig Zarten (7:24)
26. Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part II: Alles Vergängliche ist nur ein Gleichnis (6:56)

The world premiere of Mahler’s colossal Eighth Symphony, in Munich in September 1910, was the greatest success of his life. Ten years earlier, his then future wife, Alma, had received this blunt verdict from her step-father, the painter Carl Moll: ‘Mahler? Great conductor. Also composes – but it’s no good.’ Until 1910, many would have shared Moll’s doubts about Mahler as a composer; but with the premiere of the Eighth Symphony all that changed. Mahler’s PR man, the wily and brilliantly theatrical impresario Emil Gutmann, did a superb job. It was Gutmann who coined the eye-catching nickname ‘Symphony of a Thousand’, to Mahler’s initial horror – though he relented somewhat when he saw how much interest Gutmann had stirred up. Munich’s colossal new Music Festival Hall was sold out, twice. (Gutmann insisted on two performances.) The audiences included a dazzling array of A-list names from the musical and literary worlds, and there were representatives of several European royal houses. The first performance, under Mahler’s own direction, was, for once, well prepared, and the response was sensational, from the audience in the hall, and afterwards in the press. In a sense, however, Mahler had done a lot of Gutmann’s work for him. ...

Judith Howarth, soprano
Anne Schwanewilms, soprano
Sofia Fomina, soprano
Michaela Selinger, mezzo-soprano
Patricia Bardon, mezzo-soprano
Barry Banks, tenor
Stephen Gadd, baritone
Matthew Rose, bass
London Philharmonic Choir
Choir of Clare College Cambridge
London Philharmonic Orchestra
Vladimir Jurowski, conductor


  • platico
  •  02:12
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gracias...
  • alexela
  •  00:35
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Would you please also upload Jurowski's Mahler 4 CD?

Thank you very much!
  • olga1001
  •  09:30
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@alexela

https://www.isrbx.net/3137729790-london-philharmonic-orchestra-sofia-fomina-amp-vladimir-jurowski-mahler-symphony-no-4-2019.html

Where is his raging soul wandering ?
His live recording is outstanding !!
Many thanks
  • Guest thehague
  •  18:32
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A re-up please! Thank you.