Christopher James - A Rose in The Canyon (2022) Hi Res
Artist: Christopher James
Title: A Rose in The Canyon
Year Of Release: 2022
Label: Val Gardena Music
Genre: Jazz
Quality: 320 kbps | FLAC (tracks) | 24Bit/96 kHz FLAC
Total Time: 00:43:35
Total Size: 99 mb | 251 mb | 838 mb
WebSite: Album Preview
Tracklist:Title: A Rose in The Canyon
Year Of Release: 2022
Label: Val Gardena Music
Genre: Jazz
Quality: 320 kbps | FLAC (tracks) | 24Bit/96 kHz FLAC
Total Time: 00:43:35
Total Size: 99 mb | 251 mb | 838 mb
WebSite: Album Preview
01. Christopher James - The Enigmatic City
02. Christopher James - Adjunct/Disjunct
03. Christopher James - Blue in the 2nd Degree
04. Christopher James - Saudade (Theme and Variations)
05. Christopher James - The Mighty Quinn (Martin)
06. Christopher James - Baile de los Perros
07. Christopher James - Dr. Blowhard Stumples
08. Christopher James - A Rose in the Canyon
Bob Dylan once famously said, “I’ll let you be in my dream if I can be in yours.” Christopher James’ music, elegantly conceived and profoundly felt, makes that happen.
They’re the raw material of our reactions to artistic expressions. They form the building blocks of our private narrative responses to what we’ve seen and heard. Composer Christopher James and his supporting cast which includes two of New York’s most talented orchestrators and several first call instrumentalists construct evocative musical experiences that generate parallel impressions in our own hearts and minds.
Does one need to be familiar with a particular brand of ‘60-‘70s television crime drama to appreciate “The Mighty Quinn (Martin)”? Or the whimsical eccentricities of British prog-pop to unlock “Dr. Blowhard Stumples”? Of course not, although a visit to one’s favorite search engine may offer additional colors and tones to one’s own listening landscape. There is wit here, but also something deeper: an engagement with pop cultural archeology that opens a door for the uninitiated through the alchemy of music.
They’re the raw material of our reactions to artistic expressions. They form the building blocks of our private narrative responses to what we’ve seen and heard. Composer Christopher James and his supporting cast which includes two of New York’s most talented orchestrators and several first call instrumentalists construct evocative musical experiences that generate parallel impressions in our own hearts and minds.
Does one need to be familiar with a particular brand of ‘60-‘70s television crime drama to appreciate “The Mighty Quinn (Martin)”? Or the whimsical eccentricities of British prog-pop to unlock “Dr. Blowhard Stumples”? Of course not, although a visit to one’s favorite search engine may offer additional colors and tones to one’s own listening landscape. There is wit here, but also something deeper: an engagement with pop cultural archeology that opens a door for the uninitiated through the alchemy of music.