Randall Scotting, Orchestra of the Age of Enlightenment & Laurence Cummings - The Crown: Heroic Arias for Senesino (2022) [Hi-Res]

  • 02 Sep, 16:55
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Artist:
Title: The Crown: Heroic Arias for Senesino
Year Of Release: 2022
Label: Signum Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:14:23
Total Size: 337 MB / 1.33 GB
WebSite:

Tracklist:

1. Eumene, Act II: Ricordati che offesa (Eumene) (4:20)
2. Vespasiano, Act I: Lasso! Ch’io t’ho perduta (Tito) (6:27)
3. Olimpiade, Act II: Se cerca, se dice (Megacle) (2:08)
4. Caio Marzio Coriolano: March of the Dead (1:01)
5. Adelaide, Act III: Adelaide, a te vengo (Ottone) (0:32)
6. Adelaide, Act III: Vedrò più liete, e belle (Ottone) (7:48)
7. Adriano in Siria, Act III: Di vassallo, e d’amante (Farnaspe) (0:43)
8. Adriano in Siria, Act III: Son sventurato (Farnaspe) (7:31)
9. Griselda, Act II: Dolce sogno (Gualtiero) (5:59)
10. Eumene, Act II: Sì, tu trovasti (Eumene) (0:35)
11. Eumene, Act II: Fra l’orror d’atra foresta (Eumene) (5:20)
12. Adelaide, Act II: Con due pegni (Ottone) (0:33)
13. Adelaide, Act II: Non disperi peregrino (Ottone) (8:33)
14. Demetrio, Act II: Non so frenar il pianto (Demetrio) (4:09)
15. Griselda, Act I: Affetto gioia (Gualtiero) (4:56)
16. Adelaide: Sinfonia 'Minuet' (1:20)
17. Caio Marzio Coriolano, Act II: So che guarda (Coriolano) (5:35)
18. Ascanio, Act II: Non può quest’alma in sen (Ascanio) (7:00)

The legacy of the celebrity castrato Senesino has endured for centuries. He is known to us today primarily as Handel’s leading man for 13 seasons in London, and he was recognised the world over for his moving dramatic interpretations, fiery singing, and singular, over-the-top divo personality. Yet, Handel’s music for Senesino only shows us a fraction of the numerous virtuosic roles written for the castrato. Here, for the first time, are arias by seven overlooked composers who also wrote showpieces for the (in)famous Senesino. All but one of the arias on this album are modern-day premieres and heard together, they illuminate the talents of an 18th-century operatic icon.

Each of the composers on this album was a genuine musical talent, greatly admired for the refinement and skill of their compositions, but they are almost entirely forgotten today. What a fascinating bunch! One was a part-time spy for the future King of France, another a workaholic recluse, one was accused of plagiarism and banished from London entirely, and another worked a side-gig composing music for Italian comedians.

Randall Scotting signs here a magnificent album, and allows us to rediscover some very beautiful lyric arias from the 18th century.


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