Anna-Victoria Baltrusch - Liszt - The Organ Composer (2022) [Hi-Res]

04 Oct, 18:53
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Artist: Anna-Victoria Baltrusch
Title: Liszt - The Organ Composer
Year Of Release: 2022
Label: audite Musikproduktion
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:26:36
Total Size: 316 MB / 1.54 GB
WebSite: Album Preview

Tracklist:

1. Liszt: Prelude and Fugue on the name B-A-C-H, S. 260: I. Prelude (4:36)
2. Liszt: Prelude and Fugue on the name B-A-C-H, S. 260: II. Fugue (Andante) (3:02)
3. Liszt: Prelude and Fugue on the name B-A-C-H, S. 260: III. Fugue (Allegro) (3:51)
4. Liszt: Prelude and Fugue on the name B-A-C-H, S. 260: IV. Fugue (Maestoso) (2:33)
5. Liszt: Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: I. Moderato (4:27)
6. Liszt: Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: II. Animando poco a poco (A Capriccio) (1:59)
7. Liszt: Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: III. Vivace (3:56)
8. Liszt: Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: IV. Recitativo (0:51)
9. Liszt: Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: V. Adagio (6:49)
10. Liszt: Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: VI. Un poco più di Moto (2:32)
11. Liszt: Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: VII. Adagio (1:00)
12. Liszt: Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: VIII. Allegro Deciso (1:13)
13. Liszt: Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: IX. Fuga. Allegretto con Moto (2:35)
14. Liszt: Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: X. Allegro con Brio (1:08)
15. Liszt: Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: XI. Vivace Molto (2:34)
16. Liszt: Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: XII. Più Mosso (1:40)
17. Liszt: Fantasia and Fugue on the choral "Ad nos, ad salutarem undam", S. 259: XIII. Choral (Adagio) (2:11)
18. Liszt: Totentanz. Paraphrase on the 'Dies Irae', S. 126: I. Andante - Presto (1:02)
19. Liszt: Totentanz. Paraphrase on the 'Dies Irae', S. 126: II. Allegro (0:33)
20. Liszt: Totentanz. Paraphrase on the 'Dies Irae', S. 126: III. Allegro Moderato (0:31)
21. Liszt: Totentanz. Paraphrase on the 'Dies Irae', S. 126: IV. Variation 1 (1:01)
22. Liszt: Totentanz. Paraphrase on the 'Dies Irae', S. 126: V. Variation 2 (0:45)
23. Liszt: Totentanz. Paraphrase on the 'Dies Irae', S. 126: VI. Variation 3 (0:41)
24. Liszt: Totentanz. Paraphrase on the 'Dies Irae', S. 126: VII. Variation 4 (3:48)
25. Liszt: Totentanz. Paraphrase on the 'Dies Irae', S. 126: VIII. Variation 5 (3:19)
26. Liszt: Totentanz. Paraphrase on the 'Dies Irae', S. 126: IX. Cadenza (1:34)
27. Liszt: Totentanz. Paraphrase on the 'Dies Irae', S. 126: X. Sempre allegro, ma non Troppo (0:32)
28. Liszt: Totentanz. Paraphrase on the 'Dies Irae', S. 126: XI. Allegretto Scherzando (3:29)
29. Liszt: Totentanz. Paraphrase on the 'Dies Irae', S. 126: XII. Allegro Animato (0:58)
30. Liszt: Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: I. Lento (5:04)
31. Liszt: Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: II. Poco a poco accelerando e Crescendo (2:02)
32. Liszt: Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: III. Quasi Allegro (2:47)
33. Liszt: Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: IV. Recitativo (Lento) (1:35)
34. Liszt: Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: V. Quasi Andante (4:30)
35. Liszt: Weinen, Klagen, Sorgen, Zagen. Prelude after J. S. Bach, S. 179: VI. Choral (Lento) (3:29)
36. Chopin: Preludes, Op. 28: No. 4 in E Minor (Arr. For Organ by Franz Liszt) (2:17)

Liszt was a constant musical seeker and researcher, and many formal as well as harmonic innovations in the Romantic period can be traced back to him. The three main works of his organ compositions contributed significantly to a re-evaluation of organ music in the 19th century. Liszt wrestled with its possible manifestation, and also arranged numerous works from his own pen and those of other composers for the organ, which for him represented the logical link between piano and orchestra. The work-in-progress nature of his organ music is taken up by organist Anna-Victoria Baltrusch with this CD, combining Liszt's three major organ works with her own highly virtuosic adaptation of his Dance of Death (Danse macabre) - originally for piano and orchestra, two pianos or piano alone.

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