Lincoln Goines - The Art of the Bass Choir (2022) Hi Res
Artist: Lincoln Goines
Title: The Art of the Bass Choir
Year Of Release: 2022
Label: Origin Records
Genre: Jazz
Quality: 320 kbps | FLAC (tracks) | 24Bit/96 kHz FLAC
Total Time: 01:00:31
Total Size: 146 mb | 308 mb | 1.1 gb
WebSite: Album Preview
Tracklist:Title: The Art of the Bass Choir
Year Of Release: 2022
Label: Origin Records
Genre: Jazz
Quality: 320 kbps | FLAC (tracks) | 24Bit/96 kHz FLAC
Total Time: 01:00:31
Total Size: 146 mb | 308 mb | 1.1 gb
WebSite: Album Preview
01. Lincoln Goines, Tom Kennedy, Ben Perowsky - All Blues
02. Lincoln Goines, Ksenia Vasileva, Victor Wooten, Dennis Chambers - Spank A Lee
03. Lincoln Goines, John Patitucci, Mark Walker - Velho Piano
04. Lincoln Goines, Matthew Garrison, Robby Ameen - Spin the Floor
05. Lincoln Goines, Ksenia Vasileva, Lia Kohl - Common Threads
06. Lincoln Goines, Ksenia Vasileva, Robby Ameen, Lia Kohl - The Weaver / La Araña
07. Lincoln Goines, Tom Kennedy, Mike Pope, Mark Walker - Three Views of a Secret
08. Lincoln Goines, Robby Ameen - Mambo Influenciado
09. Lincoln Goines, Susan Hagen - Orphic Hymn / Good Morning, Midnight
10. Lincoln Goines, Dennis Chambers - Kaval Sviri
11. Lincoln Goines - Fugue No. 1, Op. 87
12. Lincoln Goines, Gal Aviram - Adagio, 23rd Piano Concerto KV 488
13. Lincoln Goines, Dennis Chambers - Hang Up Your Hang Ups
14. Lincoln Goines, Mike Pope, Mark Walker - Oleo
15. Lincoln Goines, Mike Bendy, Ksenia Vasileva, Robby Ameen, Adam Nussbaum - Liberty City
16. Lincoln Goines, Ed Lucie - Vassar Llean
The spirit of the bass has possessed me from an early age. Of all the myriad influences, I can recall being particularly inspired by the elegant textures of Bill Lee’s New York Bass Violin Choir and by the pioneering upper register explorations of Steve Swallow. From that point on it became a goal of mine to perform music in a bass ensemble format and today I stand on the shoulders of the many low-end giants that came before me.
I began actualizing this vision over the past several years as a professor at the Berklee College of Music, putting together arrangements for student ensembles. From what now has become a considerable catalog, it was a labor of love to select the pieces to feature on this project. This was done in collaboration with family and many excellent musical colleagues/former students whom I have the honor to call my friends. I surely drove them all crazy… but I had a ton of fun making this recording.
On these tracks I attempted to create a collage of styles and moods: groove, lyricism, tradition, virtuosity, sonic math, and directed chaos, textured in a context where harmonies could resonate outside the confines of keyboard temperament and within parameters of clearly voiced low end/non-tonal instruments. Indeed, an “exquisite jungle of bass!”
I began actualizing this vision over the past several years as a professor at the Berklee College of Music, putting together arrangements for student ensembles. From what now has become a considerable catalog, it was a labor of love to select the pieces to feature on this project. This was done in collaboration with family and many excellent musical colleagues/former students whom I have the honor to call my friends. I surely drove them all crazy… but I had a ton of fun making this recording.
On these tracks I attempted to create a collage of styles and moods: groove, lyricism, tradition, virtuosity, sonic math, and directed chaos, textured in a context where harmonies could resonate outside the confines of keyboard temperament and within parameters of clearly voiced low end/non-tonal instruments. Indeed, an “exquisite jungle of bass!”