Margaret Leng Tan - Crumb: Metamorphoses, Book 1 & 5 Pieces for Piano (2018)

  • 10 Nov, 09:15
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Artist:
Title: Crumb: Metamorphoses, Book 1 & 5 Pieces for Piano
Year Of Release: 2018
Label: Mode Records
Genre: Classical
Quality: FLAC (tracks)
Total Time: 53:50
Total Size: 223 Mb
WebSite:

Tracklist:

Metamorphoses (Book I, Ten Fantasy-Pieces After Celebrated Paintings, For Amplified Piano, 2015-17) (41:49)
1. Black Prince (Paul Klee) 5:14
2. The Goldfish (Paul Klee) 2:53
3. Wheatfield With Crows (Vincent van Gogh) 4:56
4. The Fiddler (Marc Chagall) 3:29
5. Nocturne: Blue And Gold - Southampton Water (James McNeil Whistler) 3:46
6. Perilous Night (Jasper Johns) 3:21
7. Clowns At Night (Marc Chagall) 4:53
8. Contes Barbares (Paul Gauguin) 5:19
9. The Persistence Of Memory (Salvador Dali) 4:45
10. The Blue Rider (Vasily Kandinsky) 3:13
11. Applause
Five Pieces For Piano (1962) (12:04)
12. I. Quasi Improvvisando 2:44
13. II. Ruvido, Molto Energico - Prestissimo - Ruvido 1:21
14. III. Notturno (Sempre Pizzicato) 2:02
15. IV. Ruvido, Molto Energico - Prestissimo - Ruvido 1:21
16. V. Senza Misura, Liberamente - Solenne - Tempo Di Primo Pezzo 4:36

Performers:
Margaret Leng Tan (piano)

George Crumb's Book 1 of the Metamorphoses is hardly the work of a novice, as it dates back to 2017 – when the composer was 87 years old! This is a recording of a public performance given in Donaueschingen by the pianist (and dedicatee of the work) Margaret Leng. It is a cycle of ten pieces based on the paintings of Paul Klee, Vincent van Gogh, Marc Chagall, James Whistler, Jasper Johns, Paul Gauguin, Salvador Dalí and Vasily Kandinsky: a kind of art gallery exhibition guide for amplified piano. The pianist also sometimes needs to use her voice and reach under the fall board to pinch or muffle a few strings with her hands, which gives us these intriguing, powerful sounds which can only be obtained in this way; at points she also plays a "toy piano" and percussion instruments, themselves toys – in particular on the delicious Clowns at Night. By way of historical comparison, the album closes with 1962's Five Pieces for Piano, much gruffer, and more avant-garde – this was the era of compulsory serialism, disjointed sounds, and intellectual gesture. But half a century later, the Metamorphoses, gladly return to themes, beauty, discourse, emotion, coherence and pure humanity.