Graziella Pareto - The Complete Graziella Pareto (2023)

07 Feb, 11:38
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Artist: Graziella Pareto
Title: The Complete Graziella Pareto
Year Of Release: 2023
Label: Marston Records – 52078-2
Genre: Classical
Quality: FLAC (tracks+.cue, log, artwork)
Total Time: 02:31:55
Total Size: 436 MB
WebSite: Album Preview

Tracklist:

CD1
01. La Sonnambula - Sovra il sen la man mi posa (2:29)
02. La Sonnambula - Ah! non credea mirarti (3:57)
03. La Sonnambula - Ah! non giunge (3:10)
04. Lucia di Lammermoor - Quando rapito in estasi (3:49)
05. Lucia di Lammermoor - Splendon le sacre faci [Mad Scene, part 1] (4:13)
06. Lucia di Lammermoor - Spargi d'amaro pianto [Mad Scene, part 2] (3:13)
07. Rigoletto - Caro nome (4:15)
08. Lakmé - Où va la jeune Hindoue? (Dov'è l'indiana Bruna) [Bell Song] (3:54)
09. Frühlingsstimmen (Voci di primavera) (4:42)
10. Don Giovanni - Là ci darem la mano (3:12)
11. Rigoletto - O mia Gilda ... Lassù in cielo (4:15)
12. Carmen - Je dis que rien ne m'épouvante (Io dico, no, non son paurosa) (4:25)
13. Rigoletto - Gualtier Maldè ... Caro nome (4:56)
14. Rigoletto - Signor né principe ... È il sol dell'anima (4:47)
15. Rigoletto - Schiudete! Ire al carcere Monteron dee ... Sì, vendetta! tremenda vendetta (3:11)
16. La Traviata - Libiam ne' lieti calici [Brindisi] (3:22)
17. La Traviata - Dite alla giovine (4:37)
18. Il bacio (4:14)
19. O bimba bimbetta (3:15)

CD2
01. Le Nozze di Figaro - Giunse alfin il momento ... Deh vieni non tardar (4:03)
02. Don Pasquale - Quel guardo il cavaliere ... So anch'io la virtù magica (4:41)
03. La Traviata - È strano! È strano! ... Ah, fors'è lui (4:02)
04. La Traviata - Follie! Follie! ... Sempre libera (2:42)
05. Les Pêcheurs de Perles - Comme autrefois dans la nuit sombre (Siccome un dì, caduto il sole) (4:41)
06. Les Pêcheurs de Perles - Ton coeur n'a pas compris le mien (Non hai compreso un cor fedel) (4:10)
07. La Sonnambula - D'un pensiero e d'un accento (4:27)
08. Canço de Breçol (3:24)
09. Pensant amb tu (2:05)
10. Dolor de amar (2:20)
11. Muñequita (2:48)
12. La pastoreta (1:14)
13. Canço de Nadal (1:49)
14. L'hereu riera (1:07)
15. El bon caçador (1:21)
16. Mi Niña (2:22)
17. La Guinda (2:19)
18. La piel de mi amada (2:51)
19. Estrellita (2:38)
20. Clavelitos (1:53)
21. El Niño Judío - De España vengo (3:24)
22. Tus ojillos negros (3:27)
23. Las Hijas de Zebedeo - Al pensar en el dueño (2:23)
24. Sadko - Chanson Hindoue (2:58)
25. Solovey (El ruiseñor) (The nightingale) (3:29)
26. Glikiá Tsigána (2:53)
27. Canción del Olvido - Canción del Olvido (Tragoudi tis Lismonias) (2:48)

Sir Thomas Beecham said of Graziella Pareto, “…this remarkable artist had a voice of exquisite beauty, haunting pathos and flawless purity…. But like Claire Dux and a few others of exceptional merit, Pareto never achieved that pre-eminent position to which her gifts seemed to destin her, and though there is generally a reason for such things, in this case I am ignorant of it.”

Graziella Pareto (Barcelona, 6 May 1889 – Rome, 1 September 1973) made her operatic debut as Micaëla in Carmen, on the 8th of May 1906, at the Teatro Liceu, Barcelona. By age twenty-one she was singing with the biggest operatic stars of her time. Step by step she conquered all the major opera houses in Spain and Italy, toured all over the world, and never had to perform in less important theaters.

Most critics described Pareto’s singing as “exquisite,” “artistic,” “aristocratic,” and “elegant.” Others felt she had “a light voice” which occasionally got “drowned by the orchestra except for the high notes,” which may explain why her on-stage stardom was not achieved. Her recorded legacy, however, though relatively small, for the most part overcomes the problems of projection. Even before her second operatic engagement, the Milan branch of the Gramophone Company contracted Pareto (on the 25th of September 1907) to make celebrity red label records. Recording exclusively for the Gramophone Company, Pareto transmits her artistic and aristocratic style through the grooves. In addition, one hears flawless technique, beauty of voice, evenness of her registers, and clarity. Pareto was an incomparable artist and we are proud to release all thirty-six sides she made.

Filling out this two-CD set are selected recordings of Elvira de Hidalgo. A student of Melchior Vidal (Pareto’s teacher as well). Hidalgo is best remembered as the teacher of Maria Callas, who spoke often and glowingly of Hidalgo. We have chosen eight selections, two of which were electrically recorded in Athens in 1933.

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Graziella Pareto - The Complete Graziella Pareto FLAC.rar - 436.7 MB