Accademia dell'Annunciata and Riccardo Doni - Durante: Concerti per archi (2023) [Hi-Res]
Artist: Accademia dell'Annunciata, Riccardo Doni
Title: Durante: Concerti per archi
Year Of Release: 2023
Label: Arcana
Genre: Classical
Quality: FLAC (tracks) / 24bit-88.2kHz FLAC (tracks+booklet)
Total Time: 01:57:21
Total Size: 588 MB / 2.08 GB
WebSite: Album Preview
Tracklist:Title: Durante: Concerti per archi
Year Of Release: 2023
Label: Arcana
Genre: Classical
Quality: FLAC (tracks) / 24bit-88.2kHz FLAC (tracks+booklet)
Total Time: 01:57:21
Total Size: 588 MB / 2.08 GB
WebSite: Album Preview
CD1
1. Concerto No. 8 in A Major, "La Pazzia": I. Allegro - Affettuoso - Allegro - Andante - Allegro - Affettuoso - Allegro - Affettuoso - Andante (9:12)
2. Concerto No. 8 in A Major, "La Pazzia": II. Affettuoso (3:17)
3. Concerto No. 8 in A Major, "La Pazzia": III. Allegro (3:08)
4. Concerto No. 4 in E Minor: I. Adagio (3:38)
5. Concerto No. 4 in E Minor: II. Ricercar del 4° tono. Allegro (1:51)
6. Concerto No. 4 in E Minor: III. Largo (3:15)
7. Concerto No. 4 in E Minor: IV. Presto (2:13)
8. Concerto No. 2 in G Minor: I. Affettuoso (2:39)
9. Concerto No. 2 in G Minor: II. Presto (3:57)
10. Concerto No. 2 in G Minor: III. Largo affettuoso (3:02)
11. Concerto No. 2 in G Minor: IV. Allegro (2:36)
12. Concerto No. 9 in B-Flat Major: I. Allegro (2:15)
13. Concerto No. 9 in B-Flat Major: II. Andante moderato - Allegro (3:15)
14. Concerto No. 9 in B-Flat Major: III. Allegro (1:29)
15. Sinfonia for 4 Violins and Continuo in C Minor: I. Largo (2:51)
16. Sinfonia for 4 Violins and Continuo in C Minor: II. Fuga (2:47)
17. Sinfonia for 4 Violins and Continuo in C Minor: III. Largo (1:02)
18. Sinfonia for 4 Violins and Continuo in C Minor: IV. Allegro (3:00)
19. Concerto No. 7 in C Major: I. Moderato (3:06)
20. Concerto No. 7 in C Major: II. Allegro (3:01)
21. Concerto No. 7 in C Major: III. Larghetto (1:37)
22. Concerto No. 7 in C Major: IV. Presto (0:49)
CD2
1. Concerto No. 5 in A Major: I. Presto (2:32)
2. Concerto No. 5 in A Major: II. Largo (3:39)
3. Concerto No. 5 in A Major: III. Allegro (1:13)
4. Concerto for Cello, Strings and Continuo in A Minor: I. Largo (4:14)
5. Concerto for Cello, Strings and Continuo in A Minor: II. Allegro (6:22)
6. Concerto for Cello, Strings and Continuo in A Minor: III. Adagio (1:57)
7. Concerto for Cello, Strings and Continuo in A Minor: IV. Allegro (4:43)
8. Concerto No. 6 in A Major: I. Allegro (2:16)
9. Concerto No. 6 in A Major: II. Amoroso (2:14)
10. Concerto No. 6 in A Major: III. Minuet. Allegro - Trio. Allegro (2:49)
11. Concerto No. 6 in A Major: IV. Canone a 3 (1:34)
12. Concerto No. 3 in E-Flat Major: I. Presto (1:03)
13. Concerto No. 3 in E-Flat Major: II. Largo staccato - Cantabile (Canone sopra canone a 4) - Largo - Cantabile (2:24)
14. Concerto No. 3 in E-Flat Major: III. Allegro (1:35)
15. Concerto No. 3 in E-Flat Major: IV. Minuetto (1:04)
16. Concerto No. 3 in E-Flat Major: V. Allegro assai - Finale (2:40)
17. Concerto No. 1 in F Minor: I. Un poco andante (2:00)
18. Concerto No. 1 in F Minor: II. Allegro (1:44)
19. Concerto No. 1 in F Minor: III. Andante (3:42)
20. Concerto No. 1 in F Minor: IV. Amoroso (2:07)
21. Concerto No. 1 in F Minor: V. Allegro (1:46)
Maestro di cappella in two conservatories in Naples, Francesco Durante was one of the prominent representatives of the eighteenth-century Neapolitan school. A unique case in the history of Neapolitan music, Durante did not write any opera and devoted himself exclusively to pedagogical works and to the composition of sacred and instrumental music. His Concerti per archi are among the most significant contributions to the genre of the orchestral concerto. They represent a summa of the early eighteenth-century Neapolitan style. Durante blends the main aesthetic approaches of the time, from the stricter contrapuntal style \u2013 illustrated by fugue, canon, and Recercare movements \u2013 to the new galant style \u2013 transpiring from the slow cantabile or in movements marked Affettuoso or Amoroso. Besides the eight better-known Concerti included in all manuscript sources, this recording contains also a ninth concerto found in a single, but authoritative source. \nThe Accademia dell\u2019Annunciata has risen to prominence with three successful albums alongside Giuliano Carmignola and Mario Brunello. Now, more than thirty years after the pioneering recording by Concerto Kln, the Milanese ensemble wholly fulfils its promise with a refreshing reading of these orchestral masterpieces from the late Baroque, to be paired with the famous Concerti per archi by Vivaldi.
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