Ivry Gitlis - Ivry Gitlis - The Legend (2023)

Artist: Ivry Gitlis, Pro Musica Symphony Orchestra Wien, William Strickland, Südwestfunk-sinfonieorchester Baden-baden, André Collard Maurice Perrin
Title: Ivry Gitlis - The Legend
Year Of Release: 2020/2023
Label: Profil
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 294:25 min
Total Size: 1,1 GB
WebSite: Album Preview
Tracklist:Title: Ivry Gitlis - The Legend
Year Of Release: 2020/2023
Label: Profil
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 294:25 min
Total Size: 1,1 GB
WebSite: Album Preview
СD1:
01. Baal Shem, Suite for violin and piano: Adagio non troppo
01. Violin COncErto – „in the MEmOry of an Angel“: Allegro - Adagio
01. Violin COncErto –„in the MEmOry of an Angel“: Andante - Allegro
01. Violin COncErto: Mäßig bewegte Halbe
01. Violin Sonata (No. 3) In E Major, Iph 175: Ruhig bewegt
02. Violin COncErto: Langsam
02. Violin Sonata (No. 3) In E Major, Iph 175: Langsam - Sehr lebhaft
03. Violin COncErto: Lebhaft
06. Hebrew MElody, Op. 33
CD2:
01. MYthes, Op. 30:1: La Fontaine d’aréthuse
01. Violin COncErto in D Major, Op. 35: I. Allegro moderato
01. Violin COncErto in E Minor, Op. 64: I. Allegro molto appassionato
02. Violin COncErto in D Major, Op. 35: Ii. Canzonetta. Andante
02. Violin COncErto in E Minor, Op. 64: Ii. Andante
03. CApricCIo-valse In E Major, Op. 7
03. Violin COncErto in D Major, Op. 35: Iii. Finale. Allegro vivacissimo
03. Violin COncErto in E Minor, Op. 64: Iii. Allegretto non troppo – Allegro molto vivace
04. Polonaise de COncErt No. 1 In D Major, Op. 4
CD3:
01. Violin COncErto In D Major: Toccata
01. Violin COncErto No. 2, Sz.112: Allegro non troppo
01. Violin Solo Sonata, Sz.117, Bb 124: Tempo di diaccona
02. Violin COncErto In D Major: Aria I
02. Violin COncErto No. 2, Sz.112: Andante tranquillo
02. Violin Solo Sonata, Sz.117, Bb 124: Fuga. Risoluto, non troppo vivo
03. Violin COncErto In D Major: Aria Ii
03. Violin COncErto No. 2, Sz.112: Allegro molto
03. Violin Solo Sonata, Sz.117, Bb 124: Melodia. Adagio
04. Violin COncErto In D Major: Capriccio
04. Violin Solo Sonata, Sz.117, Bb 124: Presto
CD4:
01. PoèmE, Op. 25 for violin and piano: Lento e misterioso – Animato – Poco Lento – Allegro – Tempo I
01. Violin COncErto In D Minor, Op. 47: I. Allegro moderato
01. Violin COncErto No. 1 In G Minor, Op. 26: I. Allegro moderato
01. Violin Sonata In G Minor, „triller del Diavolo“: I. Largo affettuoso
02. Violin COncErto In D Minor, Op. 47: Ii. Adagio di molto
02. Violin COncErto No. 1 In G Minor, Op. 26: Ii. Adagio
02. Violin Sonata In G Minor, „triller del Diavolo“: Ii. Tempo giusto della scuola tartinista (Allegro moderato)
03. Violin COncErto In D Minor, Op. 47: Iii. Allegro ma non tanto
03. Violin COncErto No. 1 In G Minor, Op. 26: Iii. Finale. Allegro energico
03. Violin Sonata In G Minor, „triller del Diavolo“: Iii. Andante – Allegro assai – Adagio – Allegro assai – Cadenza – Andante
lvry Gitlis, born in Haifa as son of Russian immigrants on 22 August 1922, is often referred to as “the great free spirit” among the violin virtuosi of the 20th century. At the Paris Conservatory he won the first prize at the age of only 13 years. His incipient career was interrupted by the Second World War, which Gitlis spent in England.
His first post-war concert with the London Philharmonic Orchestra, which was enthusiastically received by the public, was soon followed by further ones, until his winning of the international Jacques Thibaud Competition in 1951 opened to Gitlis the door to a long-lasting world wide career.
His concert programmes were often chalIenging for the audience – among them the latest musical creations of Maderna and Xenakis. Nevertheless, when Gitlis played the great concertos whose timeless worth still dominates today's concert programmes, his own, sometimes idiosyncratic interpretation is audible, challenging the listener to more intensive engagement with that which is already well-known. In 1988, UNESCO appointed lvry Gitlis as its special ambassador, and the French State Conservatory in Paris granted him a professorship in 1995.
His first post-war concert with the London Philharmonic Orchestra, which was enthusiastically received by the public, was soon followed by further ones, until his winning of the international Jacques Thibaud Competition in 1951 opened to Gitlis the door to a long-lasting world wide career.
His concert programmes were often chalIenging for the audience – among them the latest musical creations of Maderna and Xenakis. Nevertheless, when Gitlis played the great concertos whose timeless worth still dominates today's concert programmes, his own, sometimes idiosyncratic interpretation is audible, challenging the listener to more intensive engagement with that which is already well-known. In 1988, UNESCO appointed lvry Gitlis as its special ambassador, and the French State Conservatory in Paris granted him a professorship in 1995.