Wayne Alpern - Saxology (2023)
Artist: Wayne Alpern
Title: Saxology
Year Of Release: 2023
Label: Henri Elkan Music
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 53:30 min
Total Size: 261 MB
WebSite: Album Preview
Tracklist:Title: Saxology
Year Of Release: 2023
Label: Henri Elkan Music
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 53:30 min
Total Size: 261 MB
WebSite: Album Preview
01. All the Things You Are
02. Anthropology
03. Do Re Mi
04. Fascinating Rhythm
05. Hide Your Love Away
06. It Never Entered My Mind
07. Joy Spring
08. Lady Is a Tramp
09. Little Darlin’
10. Lonely Goatherd
11. Moten Swing
12. My Foolish Heart
13. Nessun Dorma
14. People
15. Rocker
16. Turn Out the Stars
17. Two Sleepy People
18. When I’m Sixty-Four
WAYNE ALPERN is a New York City composer, arranger, and scholar who integrates popular and jazz idioms with classical techniques and repertoire to create a sophisticated contemporary style of cross-genre, or even post-genre music. After years of composing complex new music, he embraced his personal history and indigenous musical culture and fused them with his classical background and training. His work includes numerous jazz arrangements, string quartets, woodwind and brass quintets, mixed ensembles, pieces for string orchestra, and several piano works.
Alpern’s innovative compositions, recompositions, and rearrangements have been performed and recorded by distinguished artists from diverse musical traditions. A native of Detroit immersed in the Motown sound, he studied at Oberlin College, University of Michigan, Yale University, and City University of New York, with additional work at Harvard, Juilliard, Wesleyan, and University of Pennsylvania. His musical scholarship and theoretical expertise focuses on Schenkerian analysis and 20th-century music. He holds a law degree from Yale Law School and practiced civil litigation for nearly twenty years. He taught at Mannes College of Music, Brooklyn College, Hunter College, and Cardozo Law School, worked at General Music Publishing, United Artists Music Publishing, and was Steve Reich’s editor. He is President and owner of Henri Elkan Music Publishing, Inc. and a lifetime member of the Society for Music Theory and American Musicological Society. He has lectured extensively in North America, Europe, and Russia. In his capacity as Founder and Director of the internationally acclaimed Mannes Institute for Advanced Studies in Music Theory, Alpern received the highly coveted Society for Music Theory Honorary Lifetime Membership Award recognizing his “substantial and longstanding accomplishments distinguishing the recipient and our discipline through his many good works on behalf of his fellow scholars and students of music theory for our collective benefit.”
Alpern’s innovative compositions, recompositions, and rearrangements have been performed and recorded by distinguished artists from diverse musical traditions. A native of Detroit immersed in the Motown sound, he studied at Oberlin College, University of Michigan, Yale University, and City University of New York, with additional work at Harvard, Juilliard, Wesleyan, and University of Pennsylvania. His musical scholarship and theoretical expertise focuses on Schenkerian analysis and 20th-century music. He holds a law degree from Yale Law School and practiced civil litigation for nearly twenty years. He taught at Mannes College of Music, Brooklyn College, Hunter College, and Cardozo Law School, worked at General Music Publishing, United Artists Music Publishing, and was Steve Reich’s editor. He is President and owner of Henri Elkan Music Publishing, Inc. and a lifetime member of the Society for Music Theory and American Musicological Society. He has lectured extensively in North America, Europe, and Russia. In his capacity as Founder and Director of the internationally acclaimed Mannes Institute for Advanced Studies in Music Theory, Alpern received the highly coveted Society for Music Theory Honorary Lifetime Membership Award recognizing his “substantial and longstanding accomplishments distinguishing the recipient and our discipline through his many good works on behalf of his fellow scholars and students of music theory for our collective benefit.”