Modo Antiquo, Bettina Hoffmann - La Musica Dei Crociati (2023)

Artist: Modo Antiquo, Bettina Hoffmann
Title: La Musica Dei Crociati
Year Of Release: 2023
Label: Amadeus Best
Genre: Classical
Quality: flac lossless (tracks)
Total Time: 02:09:40
Total Size: 619 mb
WebSite: Album Preview
TracklistTitle: La Musica Dei Crociati
Year Of Release: 2023
Label: Amadeus Best
Genre: Classical
Quality: flac lossless (tracks)
Total Time: 02:09:40
Total Size: 619 mb
WebSite: Album Preview
CD1
01. Appellatio: Crucifigat Omnes (Carmina Burana 47)
02. Appellatio: Seignor, Sachiez Qui Or Ne S'en Ira
03. Appellatio: La Quinte Estampie Real
04. Appellatio: Parti De Mal Et A Bien Atourné
05. Appellatio: Chevalier Mult Estes Guariz
06. Appellatio: De Transfretantibus
07. Appellatio: Au Tans Plain De Felonie
08. Dure Departie: La Seconde Estampie Royale
09. Dure Departie: Bien Me Deusse Targier
10. Dure Departie: Dame, Ensinc Est Qu'il M'en Covient Aler
11. Dure Departie: A Vous, Amors, Plus Qu'a Nule Autre Gent
12. Dure Departie: Li Departirs De La Douce Contree
13. Dure Departie: Li Nouveax Temps Et Maiz Et Violete
14. Dure Departie: Aler M'estuet La Ou Je Trerai Paine
CD2
01. Passagium Laboriosum: Ja Nuns Hons Pris
02. Passagium Laboriosum: Desolata Mater / Que Nutritos / Filios Enutrivi
03. Passagium Laboriosum: Maugré Tous Sainz Et Maugré Dieu Ausi
04. Passagium Laboriosum: Congregati Sunt
05. Passagium Laboriosum: La Quarte Estampie Royal
06. Passagium Laboriosum: In Gotes Namen Fara Wir
07. Passagium Laboriosum: Chanterai Por Mon Coraige
08. Passagium Laboriosum: Diro Satis Percussus Vulnere
09. Passagium Laboriosum: Nus Ne Porroit De Mauvese Reson
10. Hierosolyma Caelestis: Jereusalem Mirabilis
11. Hierosolyma Caelestis: Nû Alrêst Lebe Ich Mir Werde
12. Hierosolyma Caelestis: Nomen A Solemnibus
From music an unheard story about the Crusades. A surprising tale that, starting from the appeals to join the venture, dwells on the crusaders' human story: the farewell to the beloved woman and the homeland, the hardships of the travel and, finally, the siege and the fighting, up to the vision of the holy city, Jerusalem. The musical and vocal part is reconstructed down to the last detail with the use of period instruments made for Modo Antiquo thanks to studies on documents of the time.