Dick Collins - Horn of Plenty · Complete 1954 RCA Victor Sessions (2 LP on 1 CD) (2023)

  • 04 Aug, 10:15
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Artist:
Title: Horn of Plenty · Complete 1954 RCA Victor Sessions (2 LP on 1 CD)
Year Of Release: 2023
Label: Fresh Sound Records
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 1:17:46
Total Size: 467 MB
WebSite:

Tracklist:

01. I'd Know You Anywhere
02. Angel Eyes
03. Tricky Dick
04. Stairway to the Stars
05. Very Shifty
06. Just as You Are
07. What a Little Moonlight Can Do
08. My One and Only Love
09. No Soap!
10. The Long Night
11. Why Was I Born
12. Please Don't Talk About Me When I'm Gone
13. As Long as I Live
14. Strike Up the Band
15. Hold Me, Hold Me, Hold Me
16. Northern Comfort
17. They Can't Take That Away from Me
18. The Winter of My Discontent
19. It's Love
20. Donna Mia
21. Lullaby of Birdland

The Runaway Herd, led by trumpeter Dick Collins (1924-2016), primarily consisted of members of Woody Herman’s New Third Herd, with the exception of alto saxophonist Med Flory and tenor saxophonist Al Cohn.

Dick Collins, one of the standout stars of the Third Herd, showcases his small yet incisive tonal approach, effortlessly rising above each chord with a lyrical and swinging quality. The remaining members of Collins’ Herd, including notable tenor stylists Bill Perkins and Dick Hafer, along with baritone saxophonist Jack Nimitz, consistently deliver outstanding performances. Nat Pierce’s piano contributions add depth and captivation, while Red Kelly on bass and Chuck Flores on drums provide a solid and unwavering rhythmic foundation.

For the recording with his 14-piece orchestra, Collins assembled a trumpet section with Al Porcino and Charlie Walp (alternating with John Howell). Sonny Russo and Billy Byers contributed their trombone expertise to the ensemble. The saxophone section included Al Cohn, Jack Nimitz, Bill Perkins, Dick Meldonian, and Richie Kamuca, each adding their unique flavor to the sound. The rhythm section remained unchanged, providing a solid foundation, but Herb Ellis was added, bringing his mastery of the guitar to enhance the overall musical experience.

All the arrangements in both groups were crafted by Cohn and Pierce, with each of them contributing three original compositions. In fact, the entire writing showcases good quality. Moreover, the frequent and generously distributed solos exhibit a high overall level of musical conception. Collins’ warm, modern-Beriganesque tone and, above all, his refined taste shine through in this collection, aptly titled ‘Horn of Plenty.’

—Jordi Pujol