Ailish Tynan, Katie Bray, Marcus Farnsworth, Christopher Glynn, Mark Eden, Ian Wilson - Stephen Dodgson: The Distances Between, Songs, Vol. 2 (2023) [Hi-Res]

Tracklist

01. The Distances Between: I. Prologue (To Hedli)
02. The Distances Between: II. April Fool
03. The Distances Between: III. Dreams in Middle Age
04. The Distances Between: IV. Invocation
05. The Distances Between: V. Visitation
06. Bagatelle No. 2: Serene but Sad (after Selevan's Threnody)
07. Bagatelle No. 3: Restless and Searching
08. The Lamb
09. Song for Eve
10. Lachrymae
11. Bagatelle No. 4: Languid but Visionary
12. Bagatelle No. 5: Alert and Mischievous
13. Bush Ballads (First Series): I. The Bushranger
14. Bush Ballads (First Series): II. Christmas
15. Bush Ballads (First Series): III. Woman at the Washtub
16. The Sunflower
17. A Gypsy Prayer
18. Riley & Co.: I. Riley
19. Riley & Co.: II. Timothy Winters
20. Riley & Co.: III. Bamboo Dance
21. Riley & Co.: IV. Rocco

SOMM Recordings announces The Distances Between, the second volume of songs – including 17 first recordings – by Stephen Dodgson marking the 10th anniversary of his death. The Distances Between features soprano Ailish Tynan, mezzo-soprano Katie Bray and baritone Marcus Farnsworth, accompanied by Christopher Glynn (piano), Mark Eden (guitar) and Ian Wilson (recorder). All but Farnsworth are returning from Volume 1. Son of Symbolist painter John Arthur Dodgson and a distant cousin of Lewis Carroll, Stephen Dodgson was a prolific composer with a notable focus on works for guitar, harpsichord and recorder. His more than 100 overlooked songs are a substantial and defining part of his output. The Distances Between (1969-88), sets five poems by Louis MacNeice – “a ‘natural’ for music with his keen ear for rhyme and rhythm, his sly verbal colour”, Dodgson approvingly wrote – for soprano, baritone and piano. Three songs for mezzo-soprano and piano from the first series of Bush Ballads (1974) are “character songs” taken from Australian poets and marked by sly wit and a rather macabre finale. Setting Charles Causley, Riley & Co. (2009) for baritone, guitar and recorder is a compendium of four pithily told but evocative ballads. Five other solo variegated songs and four preludial piano Bagatelles make much of what Robert Matthew-Walker’s informative notes describe as Dodgson’s “inherent creative language [and] fluent expressive lines”.

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