Karen Kushner, Igor Kipnis - Four Hands (1999)
Artist: Karen Kushner, Igor Kipnis
Title: Four Hands
Year Of Release: 1999
Label: Parnassus
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:15:48
Total Size: 272 Mb
WebSite: Album Preview
Tracklist: Title: Four Hands
Year Of Release: 1999
Label: Parnassus
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:15:48
Total Size: 272 Mb
WebSite: Album Preview
1. Liebeslieder Waltzes, Op. 52A (1874) - Rede, Mädchen (Tell Me, Maiden) 01:01
2. Liebeslieder Waltzes, Op. 52A (1874) - Am Gesteine Rauscht Die Flut (Against Rocks Roar The Waves) 00:41
3. Liebeslieder Waltzes, Op. 52A (1874) - O Die Frauen (Oh, The Women) 01:14
4. Liebeslieder Waltzes, Op. 52A (1874) - Wie Des Abends Schöne Röte (Like The Evening's Red Sunset) 00:43
5. Liebeslieder Waltzes, Op. 52A (1874) - Die Grüne Hopfenranke (The Green Tendrils Of The Hops) 01:30
6. Liebeslieder Waltzes, Op. 52A (1874) - Ein Kleiner, Hübscher Vogel (A Little, Pretty Bird) 02:30
7. Liebeslieder Waltzes, Op. 52A (1874) - Wohl Schön Bewandt (How Lovely Were Those Earlier Times) 01:09
8. Liebeslieder Waltzes, Op. 52A (1874) - Wenn So Lind Dein Auge (When Your Eye So Gently Gazes) 01:15
9. Liebeslieder Waltzes, Op. 52A (1874) - Am Donaustrande (On The Banks Of The Danube) 02:04
10. Liebeslieder Waltzes, Op. 52A (1874) - O Wie Sanft Die Quelle (Oh, How Gently The Fountain Stream) 00:46
11. Liebeslieder Waltzes, Op. 52A (1874) - Wenn So Lind Dein Auge (No, It Isn't Bearable) 00:50
12. Liebeslieder Waltzes, Op. 52A (1874) - Schlösser Auf! (Get Up, You Locksmiths) 00:45
13. Liebeslieder Waltzes, Op. 52A (1874) - Vögelein Durchrauschet Die Luft (A Little Bird Rushes Through The Air) 00:51
14. Liebeslieder Waltzes, Op. 52A (1874) - Sieh, Wie Ist Die Welle Klar (See, How Clear The Waves Are) 01:02
15. Liebeslieder Waltzes, Op. 52A (1874) - Nachtigall, Sie Singt So Schön (Nightingale, So Beautifully Does It Sing) 01:09
16. Liebeslieder Waltzes, Op. 52A (1874) - Ein Dunkeler Schacht Is Liebe (Love Is A Dark Gorge) 01:08
17. Liebeslieder Waltzes, Op. 52A (1874) - Nicht Wandle, Mein Licht (Do Not Wander, Light Of My Life) 01:51
18. Liebeslieder Waltzes, Op. 52A (1874) - Es Bebet Das Gesträuche (The Bushes Are Trembling) 01:27
19. Divertissement À L'Hongroise, Op. 54 - Andante 09:51
20. Divertissement À L'Hongroise, Op. 54 - Marcia: Andante Con Moto & Trio 02:06
21. Divertissement À L'Hongroise, Op. 54 - Allegretto 13:05
22. Ma Mère L'Oye (1908-10) - Prelude, Danse Du Rouet 06:05
23. Ma Mère L'Oye (1908-10) - Pavane De La Belle Au Bois Dormant 01:21
24. Ma Mère L'Oye (1908-10) - Petite Poucet 02:35
25. Ma Mère L'Oye (1908-10) - Laideronette, Impératrice Des Pagodes 03:03
26. Ma Mère L'Oye (1908-10) - Les Enretiens De La Belle Et La Bête 03:54
27. Ma Mère L'Oye (1908-10) - Le Jardin Féerique 02:51
28. Souvenirs De Bayreuth 04:35
29. Batuccata (1998) 02:22
30. Rialto Ripples (1917) 02:22
Performers:
Karen Kushner, Igor Kipnis - piano
Parnassus is proud to offer the debut recording of the Igor Kipnis-Karen Kushner duo, in an extended program of music for piano four hands recorded at concerts and studio broadcasts.
Since his debut in 1959, Igor Kipnis has become one of the world’s best-known harpsichordists, with more than fifty solo recordings in his discography. He has also performed and recorded on the antique fortepiano. Readers of the many magazines for which he has written will also know of his long-standing interest in romantic piano literature and its great performers.
In 1995, Kipnis heard Karen Kushner’s acclaimed recordings of the Chopin Mazurkas, released by Connoisseur Society. Shortly afterward the two met and expressed their admiration for each others’ playing. They made their debut as a performing Duo later that year, and have since performed in in more than a dozen states and in Europe and South America.
The recordings on the debut CD, entitled “Four Hands,” derive from these performances. The rare performance ofBrahms’s Liebeslieder Waltzes, Op. 52, in the composer’s own version for piano four hands without vocal soloists, was played in Pittsburgh in 1998 and recorded by WQED-FM. Schubert’s Divertissement à l’hongroise and Ravel’s Ma mère l’oye were recorded in 1997 by WQXR-FM in New York. The Ravel, recorded for the first time with the composer’s complete score, was the first music the Duo had performed together. Souvenirs de Beyreuth, a parodistic Wagner pastiche by Gabriel Fauré and André Messager, comes from the same WQXR concert .
Calimerio Soares’ Batuccata was written as an encore for the Duo to perform during a tour of Brazil. It was recorded on the Bösendorfer 275-SE Computer Grand, a system which records the position of each key 800 times per second and can thus reproduce the pianist’s individual tonal qualities. Finally, the Rialto Ripples by George Gershwin and Will Donaldson is recorded for the first time in an arrangement for piano four hands by Walden Hughes, in a performance from the Sundays at Four series at the Los Angeles County Museum of Art. This CD, which was produced in collaboration with WMHT/WRHV-FM in Schenectady, New York, contains 76 minutes of music.
Since his debut in 1959, Igor Kipnis has become one of the world’s best-known harpsichordists, with more than fifty solo recordings in his discography. He has also performed and recorded on the antique fortepiano. Readers of the many magazines for which he has written will also know of his long-standing interest in romantic piano literature and its great performers.
In 1995, Kipnis heard Karen Kushner’s acclaimed recordings of the Chopin Mazurkas, released by Connoisseur Society. Shortly afterward the two met and expressed their admiration for each others’ playing. They made their debut as a performing Duo later that year, and have since performed in in more than a dozen states and in Europe and South America.
The recordings on the debut CD, entitled “Four Hands,” derive from these performances. The rare performance ofBrahms’s Liebeslieder Waltzes, Op. 52, in the composer’s own version for piano four hands without vocal soloists, was played in Pittsburgh in 1998 and recorded by WQED-FM. Schubert’s Divertissement à l’hongroise and Ravel’s Ma mère l’oye were recorded in 1997 by WQXR-FM in New York. The Ravel, recorded for the first time with the composer’s complete score, was the first music the Duo had performed together. Souvenirs de Beyreuth, a parodistic Wagner pastiche by Gabriel Fauré and André Messager, comes from the same WQXR concert .
Calimerio Soares’ Batuccata was written as an encore for the Duo to perform during a tour of Brazil. It was recorded on the Bösendorfer 275-SE Computer Grand, a system which records the position of each key 800 times per second and can thus reproduce the pianist’s individual tonal qualities. Finally, the Rialto Ripples by George Gershwin and Will Donaldson is recorded for the first time in an arrangement for piano four hands by Walden Hughes, in a performance from the Sundays at Four series at the Los Angeles County Museum of Art. This CD, which was produced in collaboration with WMHT/WRHV-FM in Schenectady, New York, contains 76 minutes of music.
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