Ella Fitzgerald - Clap Hands, Here Comes Charlie! (Remastered) (1961/2023) [Hi-Res]
Artist: Ella Fitzgerald
Title: Clap Hands, Here Comes Charlie!
Year Of Release: 1961/2023
Label: Vinyle Numérique
Genre: Vocal Jazz
Quality: FLAC (tracks) 24/44,1, FLAC (tracks), 320 kbps
Total Time: 00:50:00
Total Size: 499 / 247 / 116 MB
WebSite: Album Preview
Tracklist:Title: Clap Hands, Here Comes Charlie!
Year Of Release: 1961/2023
Label: Vinyle Numérique
Genre: Vocal Jazz
Quality: FLAC (tracks) 24/44,1, FLAC (tracks), 320 kbps
Total Time: 00:50:00
Total Size: 499 / 247 / 116 MB
WebSite: Album Preview
01 - A Night in Tunisia 04:08
02 - You're My Thrill 03:37
03 - My Reverie 03:16
04 - Stella by Starlight 03:18
05 - 'Round Midnight 03:27
06 - Jersey Bounce 03:33
07 - Signing Off 03:45
08 - Cry Me a River 04:13
09 - This Year's Kisses 02:16
10 - Good Morning Heartache 04:19
11 - (I Was) Born To Be Blue 02:41
12 - Clap Hands! Here Comes Charlie! 02:43
13 - Spring Can Really Hang You up the Most 06:14
14 - The Music Goes Round and Round 02:30
Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing.
After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy,[1] until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve she recorded some of her more widely noted works, particularly her interpretations of the Great American Songbook.
After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy,[1] until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve she recorded some of her more widely noted works, particularly her interpretations of the Great American Songbook.