Brad Vickers, His Vestapolitans - Great Day in the Morning (2013)

Tracklist

01. Intro
02. Little Gem
03. Train Goin' Westward Bound
04. Saving String Rag (feat. Charles Burnham)
05. Sit Down and Talk
06. Great Day in the Morning (feat. Charles Burnham)
07. Saturday Blues (feat. Charles Burnham)
08. Chapter and Verse
09. It's a Good Life
10. Frisco Town
11. This Might Not Be Your Day (feat. Charles Burnham)
12. Anna Lou Blues
13. The Way It's Got to Be
14. Together for Good (feat. Christine Santelli & Gina Sicilia)
15. Dallas Blues (Bonus Track) [feat. Charles Burnham]


the help of Margey Peters-I whipped up a batch of new songs, and chose three tunes I've always loved*, for what has to be positively our most feel-good album yet! I play more bottleneck than ever on this recording. We dip into a variety of feels. Of course we play the blues. I wrote a new one, "Sit Down And Talk", as well as covering Tampa Red's "Anna Lou", which is the antecedent of "Anna Lee", and possibly the first song to "Go to Louisiana and get me a mojo hand". (You'll hear that in the bridge.) There's folk blues, some fun swings and rags, and even one song with a Soca flavor, "It's A Good Life". And of course, good old American roots 'n' roll! I gathered some of my favorite musicians-who also happen to be some of the world's nicest people-and went into producer Dave Gross' Fat Rabbit studios to make our 4th CD. Master violinist Charles Burnham plays with us on five numbers, and his romping fiddle is a joy to hear. It's been my consistent pleasure to play with crackerjack drummer Bill Rankin. Ace horn players Matt Cowan and Jim Davis are again on hand. The very creative Michael Bram plays mandolin on two of the songs, and the supremely versatile V.D. King lends just the right twang on banjolele. Margey's on electric bass, while producer Dave Gross handles upright bass duties when she plays "second fiddle." Wonderful singers Christine Santelli and Gina Sicilia add a harmonious touch to two songs. And just when you thought it couldn't get better, Jeremy Baum stopped by the studio to drop off his B3-and jumped on keys for a couple of numbers. All in all, it was a "Great Day In The Morning"! -Brad Vickers 2013 Special Note: *All proceeds from bonus track "Dallas Blues", which we had released digitally in March 2012 celebrating the centennial of this "first published blues", will continue to benefit The Blues Foundation's H.A.R.T. Fund for musicians with medical needs. What the Press Has To Say: Here's what the reviewers, DJs, and fans have to say about Brad Vickers & His Vestapolitans' music: "Brad Vickers & His Vestapolitans deliver another batch of honest, irresistible blues" -Tom Hyslop, BLUES REVUE "Gets better each time you listen." -Richard Thomas, BLUES MATTERS "Plenty of instrumental sass by way of Vickers' astute acoustic picking and sax man Jim Davis' sonic strut..." -Mark Uricheck, LIVING BLUES "Their best so far. Each disc has improved upon it's predecessor, but this one will be hard to top." -Graham Clarke, BLUES BYTES "You could put any track on the player and enjoy it. Highly recommended." -John Mitchell BLUES BLAST US 'This "rootsy" group settles themselves firmly in the "Masters" category. Vickers is a natural." -Marcie Geukens, ROOTSTIME Belgium "A set of "old school" blues and R&B that can't fail to delight." -Mick Rainsford, BLUES IN BRITAIN UK "A real success and a group to discover right away." -Bernard Boyat, BLUES MAGAZINE France "Guardian of The Flame. An exciting recreation of those jug, ragtime, and old timey bands that first educated me in the 1960s and '70s." -Richard Ludmerer, BLUESWAX US "Brad Vickers is an artist who quietly creeps under your skin." -Rune Endal, BLUES NEWS Norway "Brad thanks those...from whom he has learned so well. They would be damn proud of this release." -Chef Jimi Patricola, BLUES 411 US "Vickers expertly conjures his heroes on originals... and receives superb support from his band." -Bob Weinberg, JAZZ/BLUES FLORIDA US "A true one-of-a-kind band, mixing and mastering wildly divergent styles, always sounding credible, and never mass-produced." -Roger & Margaret White, BIG CITY RHYTHM & BLUES US "'Traveling Fool' is simply wonderful. One can hardly withdraw oneself from the disc." -ROCKIN' BLUES Germany "A highly-entertaining set of vintage rockin' blues that's guaranteed to liven up your next party!" -Sheryl & Don Crow, NASHVILLE BLUES SOCIETY US "Very fine songs...perfect for airplay...irresistible instrumentals!" -Roberto Rossi, MYSTERY TRAIN, Italy "Just what the people want, and never tire of. 4 Stars." -Bernard Boyat, SUR LA ROUTE DE MEMPHIS, France "This is the kind of music that gladdens the heart." -Stuart Hamilton, ROCKIN' THE BLUES "A well-thought-out collection of amusing and witty tunes. Highest praise!" -BLUES VAN, Hungary "If rootsy, Americana and early rock-influenced blues is your thing, this...will make you swing." -Dave Rubin, GUITARINSTRUCTOR.COM "Great music, that reminds me of the laid back Chess Records of the 50s and early 60s." -Henrik Linden RED HOT ROCK, Sweden "Masterly work from all band members. This one should be a must-see-live band." -Steven 'Nick' Nickerson, WYCE MUSIC JOURNAL US "...Straight up, well-executed rock'n'roll. The rhythm section is solid and the saxophone work gives the underbelly of the music plenty of life... executed with taste and professionalism." -David Hintz, FOLKWORLD "A steady and enjoyable cruise through authentically traditional blues, rockabilly, honky-tonk and ragtime numbers. 'Don't Take My Cadillac' stands out as the best of [Vickers'] own songs... Leroy Carr's plaintive ballad 'How Long Blues' is well done too, with some nice interplay between the guitar and Jim Davis's clarinet." -Neil B. LEICESTER BANGS, UK "Perfectly captures the spirit of early rock instrumentals, channeling Duane Eddy, the Ventures and Booker T. and the MGs, and they're just as much fun as those old gems, with lots of burning guitar and sax breaks." -George Kopp ELMORE MAGAZINE Review Blog US "The Vestapolitans, have the amazing ability to carry on the traditions and sounds of an older style of music without their efforts ever sounding pre-planned or forced. Playing this music just comes naturally to them. Give a big shout out to producer Dave Gross and V.D. King for the job they did mixing this album. Every instrument is represented so wonderfully, and nothing is masked by someone else's playing-It's truly impressive work. I have to take time to mention...Don't Take My Cadillac... it is without question my favorite tune on this record, and that's saying something, because these songs are all phenomenal. 'Don't Take My Cadillac' is the perfect storm of songwriting, arranging and performance, crafting what would have become a timeless smash hit had it been released in the height of the Chess era. This song is an instant classic! Standout

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