Christoph Spering, Chorus Musicus Köln, Anke Vondung, Tobias Berndt and Das Neue Orchester - Reger & Mahler: Works (2023) [Hi-Res]
Artist: Christoph Spering, Chorus Musicus Köln, Anke Vondung, Tobias Berndt, Das Neue Orchester
Title: Reger & Mahler: Works
Year Of Release: 2023
Label: CapriccioNR
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 01:18:34
Total Size: 297 / 756 MB
WebSite: Album Preview
Tracklist:Title: Reger & Mahler: Works
Year Of Release: 2023
Label: CapriccioNR
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 01:18:34
Total Size: 297 / 756 MB
WebSite: Album Preview
1. An die Hoffnung, Op. 124 (Version for Voice & Orchestra) (10:35)
2. Der Einsiedler, Op. 144a (Version for Voice, Choir & Orchestra) (16:24)
3. Requiem, Op. 144b (Version for Voice, Choir & Orchestra) (16:15)
4. Lieder eines fahrenden Gesellen (Version for Voice & Orchestra): No. 1, Wenn mein Schatz Hochzeit macht (3:58)
5. Lieder eines fahrenden Gesellen (Version for Voice & Orchestra): No. 2, Ging heut morgen übers Feld (3:53)
6. Lieder eines fahrenden Gesellen (Version for Voice & Orchestra): No. 3, Ich hab' ein glühend Messer (3:12)
7. Lieder eines fahrenden Gesellen (Version for Voice & Orchestra): No. 4, Die zwei blauen Augen von meinem Schatz (5:22)
8. Rückert Lieder (Version for Voice & Orchestra): No. 1, Ich atmet' einen linden Duft (1:28)
9. Rückert Lieder (Version for Voice & Orchestra): No. 2, Liebst du um Schönheit (2:21)
10. Rückert Lieder (Version for Voice & Orchestra): No. 3, Blicke mir nicht in die Lieder (5:41)
11. Rückert Lieder (Version for Voice & Orchestra): No. 4, Ich bin der Welt abhanden gekommen (2:23)
12. Rückert Lieder (Version for Voice & Orchestra): No. 5, Um Mitternacht (7:03)
In celebration of the 150th Anniversary this Album focus on still less-known but exceptional sensitive and impressive Choral Symphonic and Orchestra songs by Max Reger. With these works, Reger entirely adhered to the trend of the time; the large-scale idea, which would have had no place in the operas of the period, is transferred to the concert hall, so to speak, and is as far removed from the "simple" orchestral song as some of Mahler's Rückert-Lieder. The Hebbel Requiem, Op. 144b includes audible parallels with Johannes Brahms‘s German Requiem and was Reger’s memorial for the German soldiers killed in the war.
